Saturday, February 10, 2024

Ramblin' Rose: The Music of Wayne Kramer and His Influence & Show # 1025


Wayne Kramer was co-founder and guitarist in The MC5. Formed in 1963 in Lincoln Park, Michigan, with the MC5 Kramer’s explosive guitar playing was part of a dual guitar attack with Fred “Sonic” Smith, musically one of the early proto punk bands, MC5 pulled influences from early Motown, R&B with early rock and roll sounds of artists such as Chuck Berry and also had an interest in free jazz. Alongside the high-energy performances they were also politically charged lyrically, speaking to the counterculture and underground music scenes at the time. Releasing three albums, their first album was the live album Kick Out The Jams, which was recorded over two nights in October (30th & 31st) of 1968 at the legendary Grande Ballroom in Detroit. It also featured the title classic and highly influential title track "Kick Out the Jams." Their first album was decided to be a live album due to the band’s lack of studio experience at the time. All of their efforts were put into performing live at the time, so the idea to capture the band’s live energy on record made the most sense. Kick Out the Jams, featured songs such as “Ramblin’ Rose,” “Rocket Reducer No. 62,” “The Motor City is Burning,” among others such as MC5’s take on Sun Ra’s “Starship,” which ends the album in a mixture of free jazz, rock and roll and chaos. The album was also surrounded in controversy, due to the use of the words “Kick out the jams motherfucker!” which was uttered by vocalist Rob Tyner on the recording. The linear notes by manager John Sinclair also featured profanity, which nowadays probably wouldn’t bother anyone, but back in 1969 it caused a Detroit department store to stop selling any Elektra album. They were dropped from the label shortly after.

The MC5 bounced back quickly, recording Back in the USA with future Bruce Springsteen producer Jon Landau at GM Studios in Detroit on Atlantic Records. Released in 1970, many felt Back in the USA failed to capture MC5 properly in the studio at the time, but lyrically and musically it is quite a strong album. With songs such as “Tonight,” “Call Me Animal,” “The American Ruse,” “Human Being Lawnmower,” the albums lyrics built upon the five’s political and social themes. Musically, the lean garage sounding tracks pre-dated punk and power pop musical movements that would happen within the next decade. One more album would follow in 1971, High Time before the band’s split. Produced by The MC5 and Atlantic Records engineer Geoffrey Haslam, High Time is definitely the best studio-sounding recording to be released by The MC5. Although lyrically it pulls back on the political themes a bit, musically the band is unstoppable on this record, with a strong rhythm section and dual guitar attack switching focus from track to track, this was also the first album of theirs to feature individual song writing credits. Featuring now classics such as “Sister Anne,” “Miss X, “ “Future/Now,” ”Over and Over,” and “(Skunk) Sonically Speaking,” MC5 cut loose showing the dynamics and versatility of their sound in addition to their evolution as musicians at that point in time, while never losing what made them so great in the first place. But, due to a variety of factors, such as poor album sales, heavy drug use, internal tensions and being bankrupt, the band split in 1972.

Following his time with The MC5, Kramer continued with music, however, in 1975 he was busted for dealing drugs and spent four years in prison. But, something was happening in the underground, the music of bands such as The MC5 and The Stooges were informing underground bands in the UK and all over. Kramer joined the funk rock group Was (Not Was) in 1979 and played in the New York underground music scenes throughout the 80s. He formed Gang War with guitarist Johnny Thunders also in 79. The band did not last long though, they did record some demos in the same year, as well as playing live shows for about a year, but they fizzled out shortly after that. In the 90s he began releasing solo music, signing to Epitaph Records. Despite putting out several albums and singles (including his excellent version of “The Harder They Come”), Kramer’s breakthrough solo effort came with 1995’s The Hard Stuff on Epitaph Records. Several followed, Kramer also worked as a producer and worked with other bands as well as doing some soundtrack work.

Wayne Kramer seemed to always be working on something. He even released a free jazz album titled Lexington with the Lexington Arts Ensemble. The music was put together for a PBS documentary The Narcotics Farm, about the Federal Narcotics Farm in Lexington, Kentucky. This free jazz album was inspired in part also by Kramer’s time in prison where he played in a prison band called Street Sounds with jazz trumpeter Red Rodney. Rodney is a jazz legend who played with the Charlie Parker Quintet, the two studied music together while incarcerated with Rodney giving Kramer music lessons. Also when the Lexington album was released in 2014, it charted at #6 on the Billboard Top Jazz Charts. The MC5 reformed in different incarnations several times (in 2001 and again in 2018).

In 2009, Kramer, along with his wife Margaret Saddi Kramer and British musician Billy Bragg, started Jail Guitar Doors, an organization that brought instruments to prison inmates in hopes of rehabilitating inmates through the transformative power of music. The non-profit organization was named after a song of the same name by The Clash, which references Kramer’s incarceration. Kramer published his memoir The Hard Stuff: Dope, Crime, the MC5 and My Life of Impossibilities in 2018 and was set to release a new MC5 album, featuring surviving MC5 member Dennis “Machine Gun” Thompson, alongside several other musicians prior to his passing in February 2024. Kramer and his music influenced generations of musicians and helped to lay the groundwork for what would become known as punk rock.

Ramblin' Rose Playlist (Originally Aired On February 10th, 2024):

1.  The MC5 - Ramblin’ Rose (Kick Out the Jams - Elektra - 1969)
2.  The MC5 - Human Being Lawnmower (Back in the USA - Atlantic - 1970)
3.  The MC5 - Miss X (High Time - 1971 - Atlantic)
4.  The MC5 - I Can Only Give You Everything (The Big Bang!: Best of The MC5 - Rhino Records - 2000)
5.  Wayne Kramer & The Pink Fairies - If You’re Going to the City (Cocaine Blues - Total Energy - 2000)
6.  Gang War - Crime of the Century (Demo) (Crime of the Century - Sonic Records - 1996)
7.  Gang War - Hey Thanks (Live) (Johnny Thunders & Wayne Kramer's Gang War! - Jungle Records/Skydog Records - 2020)
8.  The MC5 - Kick Out the Jams (Single Version) (Kick Out the Jams - Single - - Elektra - 1969)
9.  The MC5 - Tonight (Babes in Arms - ROIR - 1983)
10. The MC5 - Poison (High Time - 1971 - Atlantic)
11. The MC5 - Look What You’ve Done Done ('66 Breakout - Total Energy - 1999)
12. The MC5 - The Motor City is Burning (Thunder Express - Skydog International - 1992)
13. Wayne Kramer - Get Some (Ramblin' Rose - Single - - Stiffwick - 1978)
14. Wayne Kramer - The Harder They Come (The Harder They Come - Radar Records - 1979)
15. Wayne Kramer - Street Warfare (Negative Girls - Single - Pure and Easy Records - 1983)
16. Wayne Kramer - Junkie Romance (The Hard Stuff - Epitaph Records - 1995)
17. The MC5 - I Just Don’t Know (The Big Bang!: Best of The MC5 - Rhino Records - 2000)
18. The MC5 - Looking At You (Back in the USA - Atlantic - 1970)
19. The MC5 - Thunder Express (The Big Bang!: Best of The MC5 - Rhino Records - 2000)
20. The MC5 - Gold (Babes in Arms - ROIR - 1983)
21. The MC5 - Starship (Kick Out the Jams - Elektra - 1969)

To hear this program, visit CJAM's schedule page for Revolution Rock and click the February 10 file to download/stream the episode.

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