Showing posts with label Chris Murdoch. Show all posts
Showing posts with label Chris Murdoch. Show all posts

Saturday, January 15, 2022

Revolution Rock: The 2021 Interviews & Show # 917

This year on Revolution Rock, the program featured eleven different interviews. Eight were audio based interviews that aired on the show and three were done through email specifically for this website. On this episode we featured highlights (or clips) from each of the audio interviews and music from each of the artists that were interviewed, whether it was for the radio program or for this website. Below you will find some info about these interviews plus the playlist and download/streaming links to the episode.

An Interview with Richard Hell (February 2021): 


In February 2021, as part of Revolution Rock’s annual theme month programming we spoke with New York punk icon Richard Hell. Known as one of the originators and pioneers during the early days of New York punk, Hell quit the music world in 1984 to focus on writing, only reappearing a few times on some music projects. Having co-founded Television, being one of the original members of The Heartbreakers (featuring Johnny Thunders and Jerry Nolan of The New York Dolls), Hell formed Richard Hell & The Voidoids in 1976 and released their debut album, Blank Generation in 1977. Hell’s look and aesthetic would go on as a template for punk music that would influence others, most notably The Sex Pistols, who in turn would influence their own music scene. The Voidoids first album is seen as a classic, with its title track still sounding as vital and thought provoking today. In 1982, he released the often misunderstood Destiny Street. The album has a long history, which Richard goes into detail about in the interview. It was reissued in 2021 as Destiny Street Complete via Omnivore Recordings. The set contains four versions of the album, along with a few outtakes. The original 1982 version remastered, the 2009 Destiny Street Repaired version, a newly remixed version of Destiny Street and a collection of demos that show early and different versions of the songs that would make up this album. Destiny Street Complete re-establishes the great moments of Destiny Street for everyone to hear. Richard Hell is an author, poet, musician and actor. In this interview Richard Hell covers the time period making Destiny Street, parts of his writing career and influences, along with his songwriting process in the Voidoids and more.

Listen to the full interview here:

Find the original post here.

An Interview with Patrick Flegel (of Cindy Lee/Women) & Michael Wallace (of Preoccupations/Women) (February 2021):

As part of a special program focusing on the 10th anniversary of Calgary band Women’s second and final album Public Strain we spoke with vocalist, guitarist and songwriter Patrick Flegel and drummer Michael Wallace. Recorded in the span of ten months in the dead of winter in Calgary by Chad VanGaalen, Public Strain explored more post punk sounds, often darker and more jarring, but at the same time there is something strangely beautiful that permeates this record. The album received widespread critical acclaim, eventually being long listed on the nominees for the Polaris Prize in 2011. Women toured heavily from 2008-2009. They also toured in support of Public Strain, but that tour was cut short in October 2010. Following a show that occurred in October 2010 in Victoria BC, Women stopped playing as a band. The band members went their separate ways. Bassist Matthew Flegel and drummer Michael Wallace went on to form the band Viet Cong (before changing their name to Preoccupations), guitarist/vocalist Patrick Flegel would continue creating music eventually creating music as Cindy Lee and Christopher Reimer joined the band The Dodos as their touring guitarist while collaborating and creating music until he passed away in his sleep unexpectedly in 2012. In these exclusive interviews Patrick talks about creating the music with Women for Public Strain, his influences as well as recording and performing as Cindy Lee. Michael Wallace, gives his own account of the sessions, recording with Chad VanGaalen and the moments leading up to the album, joining the band Women, Preoccupatons beginnings as well as plans for their next album. 

Listen to the full interviews here:


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An Interview with Chad VanGaalen (March 2021):

Chad VanGaalen released World’s Most Stressed Out Gardner in 2021 on Sub Pop and Flemish Eye Records. The music that he creates while it is sometimes folk, sometimes psychedelic, sometimes indie rock, sometimes strange, is really its own thing. The universe in which the songs of Chad VanGaalen belong is a strange, wonderful, kind of messed up, cosmic place at times. As we enter these worlds we find ourselves absorbed by the sounds and stories that he produces. World’s Most Stressed Out Gardener is eclectic and offers more variety musically than ever before on one of his albums, but still has the same feel of the best of Chad VanGaalen’s work. In the interview Chad discusses how the album was created and altered when he came up with the song “Samurai Sword” just before the album was set to be printed, working on songs and recording. He also discusses his time recording Women’s Public Strain and working with members of the band on their first two albums, buying stuff of Kijiji, gardening and more.

Listen to the full interview here:


Find the original post here.

An Interview with Chris Murdoch (April 2021):

Halifax musician, DJ and writer Chris Murdoch released the full-length debut album Collapse with his band Souvenir in April of 2021. This followed 2020, Beating into Dust EP. In 2020, we also spoke with Chris for this website through email to discuss his music history playing in bands and Black Dots: An Afropunk Primer. Black Dots is an eight-page essay is somewhere in between a zine and pamphlet that also includes exclusive illustrations done by graphic designer/musician Raymond Biesinger. Inside over the course of 2800 words, Chris Murdoch covers his own experiences being a musician and attending shows in Halifax along with information about when Black first met punk in the UK and US. It was released through the Pentagon Black label in Montreal and over $3000 was donated to Black Lives Matter Solidarity Fund Nova Scotia from its sales. Souvenir is a band out of Halifax, Nova Scotia featuring bassist/vocalist Lachie MacDonald (Tom Fun Orchestra, Great Plains, Dyscontrol), guitarist/vocalist Dave Banoub (Jon Hynes) and Chris Murdoch on drums/vocals (Word On The Street, Weekend Dads, Outtacontroller). Produced by Charles Austin (Outtacontroller, Future Girls) out of Ocean Floor Studios in Halifax, Collapse is the debut full-length album from Souvenir. With all three members contributing vocals and songs, Collapse features nine songs and album cover artwork by illustrator Raymond Biesinger. In the interview Chris talks about the recording and writing process that the band went through to create Collapse, politics in punk and more. 

 Listen to the full interview here:

Find the original post here.

An Interview with Paul Jacobs (May 2021):

Montreal musician Paul Jacobs latest release Pink Dogs On The Green Grass was released via Blow The Fuse Records in 2021. With just thirteen tracks, this album follows 2020’s outtakes/demo collection Portrait of George (Demo & Songs I Forgot About) and 2018’s EASY. Already having several albums in his discography (and two releases as part of post punk group Pottery), Pink Dogs On The Green Grass shows Paul Jacobs branching out by finding a new way of approaching his music. Musically, references have been made to Cass McCombs, Kurt Vile, early Beck, but you can also hear the influence of 60s psychedelia and bands such as The Byrds and Lou Reed. Lyrically, Jacobs words are at times surreal. They are sometimes about different characters or observations and often take on cryptic meanings. While some have said that the lyrics reveal unwanted moments that stick with you, Pink Dogs On The Green Grass is much more than that. In the interview Paul talks about recording his new album, illustrating the videos for this album, who Bobby is from Pottery’s Bobby’s Motel album, David Lynch and more. 

Listen to the full interview here:


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An Interview with Mark Arm & Steve Turner of Mudhoney (August 2021):

Every Good Boy Deserves Fudge is the second full-length album from Seattle’s Mudhoney. An expanded 30th anniversary edition was released by Sub Pop in 2021 featuring demos, outtakes and non-album tracks. Originally released on July 26th, 1991, the album shipped 50,000 copies when it was originally released. Just a few months later, Nirvana’s Nevermind would be released and the whole musical landscape would change. Prior to being recorded, Mudhoney recorded five tracks with producer Jack Endino (who also produced their Superfuzz Bigmuff EP and the Mudhoney album) in a 24-track studio. Unhappy with the results, guitarist Steve Turner pushed for a change of direction. Liking the results of Conrad Uno’s 8-track recording studio called Egg Studios on the Thrillsphere album by Tacoma, Washington’s Girl Trouble, the band decided to record a selection of punk covers with Uno to see what it would sound like recording there. Several of these songs came out on singles or on compilation albums, but not all of them. In spring of 1991, Mudhoney began recording Every Good Boy Deserves Fudge. On this album Mudhoney switches their focus embracing 60s garage influences such as The Sonics, Lollipop Shoppe, Neil Young, Spacemen 3, post hardcore, 80s hardcore and the sounds of bands such as Zounds and Hawkwind. In the interview Mark Arm & Steve Turner of Mudhoney talk about making the 1991 album, being in an unaired TV pilot for Fox, the influence of The Wipers, fuzz pedals and more. 

Listen to the full interview here:

Find the original post here.

An Interview with Matt Ellis (May 2021):

Hamilton musician Matt Ellis has played in many different bands such as The Vapids, Flesh Rag and PlasticHeads. Usually on guitar, Matt recorded a series of Ramones inspired EPs in 2020 at his home where he played all of the instrumentation. All of the proceeds from these releases went towards different non-profit organizations in Toronto and Hamilton. Following a remix, the addition of real drums provided by Jimmy Vapid of The Vapids, Curtis Tone from PlasticHeads and two new tracks, Full Moon Fever was released on vinyl at the end of February 2021 on Surfin Ki Records. With an obvious Ramones influence, the songs that make up Full Moon Fever pull from the Dee Dee Ramone penned catalogue of Ramones tracks with a dash of The Spits, DBOY and Seattle band HEAD. At 18 tracks, none of the songs on Full Moon Fever go past the two-minute mark. Running through themes of isolation, frustration, boredom and escapism, Full Moon Fever delves into a manic dynamic of punk rock and suburban paranoia. Ellis released an album with another band called Anxious Pleasers on cassette that featured members of Hamilton band TV Freaks. In January 2021, he released a new digital single titled Everything Sucks. Matt Ellis did an exclusive Q&A for this website covering his music influences/history, the making of Full Moon Fever, guitars and his favourite Ramones albums. 

Read the full interview/post here.

An Interview with Shawn McDonald (June 2021):

London, Ontario musician Shawn McDonald has been involved in numerous rock bands over the years. In 2021, he made several albums from his discography with different bands he’s been in available digitally for the first time. One of his earlier bands, Grassy Knoll & The Magic Bullit released the album Hollandays digitally. It was a lost, previously unreleased album. In addition to this album he made other albums from this band available through Bandcamp and other streaming services. In 2018, 2 was released by the band Baby Giant. Baby Giant is made up of musicians Shawn McDonald and Tim McDonald. The band started out around 2017 to record a collection of reworked/reimagined songs in commemoration of an earlier band that the McDonald’s had been in called Grassy Knoll & The Magic Bullit (that album is called Grassy Magic). Being in numerous bands such as The Fine Print, Dragsville, Hurricane & Able and many others Shawn McDonald really showcases his songwriting abilities on 2, both on his own and in collaboration with Tim McDonald. The album was recorded by Tim McDonald (credited as King Woobs). Shawn McDonald did a Q&A for this website covering the writing of several songs in Grassy Knoll & The Magic Bullit, some of the bands he has played/recorded with and what he is currently working on. 

Read the full interview/post here.

An Interview with Neil Jarvis (July 2021):

Perhaps best known as being in the Manchester band Sprinters, Get The Band Back Together is the third solo album released by Neil Jarvis. Prior to this Sprinters released two excellent albums, 2017’s Sprinters and 2019’s Struck Gold. Neil’s earlier solo albums were recorded the same way as this one was, on a 4-track cassette recorder. Weekends (2012) and Halloween Summer (2014) featured lo-fi, psych/surf influenced sounds that were sometimes experimental. Get The Band Back Together is more acoustic based, but it still features the sometimes haunting nostalgic feeling that is present throughout all of Neil’s songs. Recorded on a 4-track cassette recorder during lockdown in April 2020-June 2021, Get The Back Band Together takes Jarvis’ earlier tried and true method of recording/writing songs, but adds a sense of maturity and poignancy that sets this collection of songs apart from both Sprinters and his earlier work. Neil Did a Q&A for this website where he covers recording and releasing an album during the pandemic, the influence of musician David Berman and some of his earlier solo releases. 

Read the full interview/post here.

An Interview with The Garrys (October 2021): 

Get Thee To A Nunnery is the fourth full-length album by Saskatoon’s The Garrys. This three-piece sister trio features Erica Maier (guitar/vocals), Julie Maier (bass/vocals) and Lenore Maier (drums/vocals). They first started appearing on underground music radar with 2017’s Surf Manitou, which brought their prairie inspired surf dynamics and combined them with folk-like tales of Manitou Beach, SK, a family vacation spot that the Maier’s visited when younger. In 2020, The Garrys released their score to the 1922 silent film Haxan:Witchcraft Through The Ages, which was performed and recorded live as the film played in a theatre. They describe their music as “dreamy blood harmony surf rock doom-wop on morphine.” Get Thee To A Nunnery has been getting critical acclaim appearing on Bandcamp Daily, other sites and charting on the Earshot Top 50 Album Charts across campus radio in Canada. Revolution Rock spoke with Erica, Julie and Lenore Maier of The Garrys. In the interview they discuss their formation, recording/writing songs for Get Thee To A Nunnery, working with Dallas Good as producer, doing the live soundtrack to Haxan:Witchcraft Through The Ages and more.

Listen to the full interview here:

Find the original post here.

Show 917: The 2021 Interviews Playlist:

1. Richard Hell - Kid With The Replaceable Head  (Remastered) (Destiny Street Complete - Omnivore Recordings - 2021)

RICHARD HELL INTERVIEW CLIP

2. Richard Hell - Ignore That Door (Remixed)  (Destiny Street Complete - Omnivore Recordings - 2021)
3. Women - Narrow With The Hall (Public Strain - Flemish Eye - 2010/2020)

PATRICK FLEGEL (OF CINDY LEE/WOMEN) INTERVIEW CLIP

4. Cindy Lee - Love Remains (Cat O’Nine Tails - CCQSK Records - 2020)
5. Women - Everyone Is So In Love With You (Rarities 2007-2010 - Flemish Eye - 2020)

MICHAEL WALLACE (OF PREOCCUPATIONS/WOMEN) INTERVIEW CLIP

6. Preoccupations - Monotony (Preoccupations - Jagjaguwar/Flemish Eye - 2006)
7. Chad VanGaalen - Starlight (World's Most Stressed Out Gardener - Sub Pop/Flemish Eye - 2021)

CHAD VANGAALEN INTERVIEW CLIP

8. Souvenir - Ransom (Collapse - 2021)

CHRIS MURDOCH (OF SOUVENIR) INTERVIEW CLIP

9. Souvenir - Holding Pattern (Collapse - 2021)
10. Paul Jacobs - Half Rich Longer (Pink Dogs On The Green Grass - Blow The Fuse Records - 2021)

PAUL JACOBS INTERVIEW CLIP

11. Paul Jacobs - The Telephone (Revisited) (Story About Anything EP - 2018)
12. Mudhoney - Into The Drink (Every Good Boy Deserves Fudge (30th Anniversary Edition) - Sub Pop - 2021)

MARK ARM & STEVE TURNER (OF MUDHONEY) INTERVIEW CLIP


13. Matt Ellis - Flowers In The Moonlight (Full Moon Fever - Surfing Ki Records - 2021)
14. Grassy Knoll & The Magic Bullit - A-Jam (Hollandays - 2021)
15. Baby Giant - Japan (2 - 2018)
16. Neil Jarvis - Get The Band Back Together (Get The Band Back Together - On The Grind Records - 2021)
17. The Garrys - Devil’s Dip (Get Thee To A Nunnery - Grey Records - 2021)

ERICA, JULIE & LENORE MAIER (OF THE GARRYS) INTERVIEW CLIP

18. The Garrys - In The Dawn (Get Thee To A Nunnery - Grey Records - 2021)

To hear this program, visit CJAM's schedule page for Revolution Rock and click the January 15 file to download/stream the episode.

Saturday, April 10, 2021

Collapse: An Interview with Chris Murdoch of Souvenir & Shows # 877, #876


Souvenir is a band out of Halifax, Nova Scotia featuring bassist/vocalist Lachie MacDonald (Tom Fun Orchestra, Great Plains, Dyscontrol), guitarist/vocalist Dave Banoub (Jon Hynes) and Chris Murdoch on drums/vocals (Word On The Street, Weekend Dads, Outtacontroller). Produced by Charles Austin (Outtacontroller, Future Girls) out of Ocean Floor Studios in Halifax, Collapse is the debut full-length album from Souvenir. With all three members contributing vocals and songs, Collapse features nine songs and album cover artwork by illustrator Raymond Biesinger. The album was released in February 2021 digitally, roughly one year after their six-track EP Beating Into Dust.

The sound of Souvenir combines elements of bands such as Jesus Lizard and Fugazi, but there are also influences of bands such as Dinosaur Jr. and Husker Du that find their way into the songs at times. “Blood From A Stone” opens Collapse. With its commanding drum intro from Murdoch, MacDonald’s bass comes in as it builds with the drums before Banoub’s guitar adds more tension to the opening moments of the album. With lyrics such as “Took my breath/Left me surrounded by silence,” “Tear it down/As the bricks become shadows,” and “I wanna watch the water rise/See the buildings fall into the sea,” vocalist Dave Banoub sings in grizzled tones evoking different images of difficult situations, the silence, existential thoughts and the things left unsaid. “Circles” continues with a more punk aesthetic. The nostalgic vibes of this track bring up a late 80s/early 90s alternative and punk sound while still sounding like its own thing as lyrically it delivers abstract images sung by Lachie MacDonald that seem to portray being stuck inside your own head. “I’m Leaving” begins with a tense bassline before the drums and droning guitar come in. With plenty of space in this song, Souvenir conveys a weary urgency. “Holding Pattern” switches up the pace a bit as it drifts with its own momentum and picks up the tempo at differing points. While there are not many words in the song, the music provides a certain mood as phrases such as “Holding pattern/Hopeful action” bring up images of desire and the bogged down hopes that come with them.

Distortion and feedback lure you in on the opening moments of “Ransom”. As the song arrives, the melodic vocals sung by drummer Chris Murdoch demand your attention. “Ancient Door” opens up to sounds pulling in the influences of Jawbox and Fugazi as the words “The gate it’s everywhere” are sung throughout the song by Lachie MacDonald. “Heavy Weather” is a quicker, punkier track sung by guitarist Dave Banoub while “The Long Way” ends Collapse. With vocals once again by guitarist Banoub, it is the longest track found on Collapse at just over six minutes. This song showcases the mood and aesthetic that Souvenir maintain throughout this release. Whether it is a faster track or one of the longer tracks, the heavy bass, drums and alt rock/punk influenced guitar builds up around each song as the lyrics fall into place.

Throughout Collapse, influences of bands such as Dinosaur Jr., Jesus Lizard, Jawbox, Fugazi and Husker Du come to mind. Lyrics convey characters or situations that seem to be falling apart or are just about to. However, the final track shows shades of hopefulness. The final part of the song propels with an incendiary guitar solo that escalates as the song draws to a close. With Collapse, Souvenir define their sound like something nostalgic that is hard to forget.

Listen to Revolution Rock's interview with Chris Murdoch:

Show 877 Playlist (Originally Aired On April 10th, 2021)(Chris Murdoch Interview):

1.  Destroyer - Savage Night At The Opera
2.  The Weather Station - Atlanta
3.  Ian Daniel Kehoe - Time Through Faith 
4.  Ryley Walker - Axis Bent Course in Fable
5.  Teenanger - Blinds Drawn 
6.  Viagra Boys - Best In Show II 
7.  Viagra Boys - Secret Canine Agent 
8.  Souvenir - Blood From A Stone 
9.  Souvenir - Ransom

CHRIS MURDOCH INTERVIEW PART ONE

10. Souvenir - Promises 
11. Souvenir - Circles

CHRIS MURDOCH INTERVIEW PART TWO

12. Weekend Dads - Falcon 
13. Outtacontroller - R. Stevie Moore 
14. The Birthday Party - Zoo Music Girl 
15. The Birthday Party - Cry 
16. The Cure - Primary
17. The Cure - Other Voices
18. Public Image Ltd. - Flowers of Romance 
19. The Replacements - I Don't Know (Demo) 
20. The Replacements - Beer For Breakfast 


Show 876 (Originally Aired On April 3rd, 2021)(Olivia Jean & April March, Dan Sartain, Dry Cleaning, Alice Cooper):

1.  Olivia Jean & April March - Punkette
2.  Dean Drouillard - Hollowed 
3.  Reigning Sound - A Little More Time 
4.  Dan Sartain - Walk Among The Cobras Pt.I 
5.  Dan Sartain - Replacement Man 
6.  Dan Sartain - I Don't Want To Go To The Party 
7.  Dan Sartain - Swap Meet 
8.  The Kommenden - Television Years 
9.  Beams - Break Glass Ego Death
10. Dry Cleaning - Oblivion 
11. Dry Cleaning - Strong Feelings 
12. Gang Of Four - What We All Want 
13. Death From Above 1979 - One + One 
14. Alan Vega - Nike Soldier
15. Suicide - Johnny
16. Alice Cooper - Caught In A Dream 
17. Alice Cooper - Is It My Body 
18. OFF! - I Won't Be A Casualty 
19. Wired Wrong - If Life's So Short 
20. Brain Itch - Forced To Pay 
21. The Mark Inside - Coming of Age (At The End of Days) 
22. Nick Cave & Warren Ellis - Hand of God 
23. Leanne Betasamosake Simpson - OK Indicts 
24. Michael Feuerstack - Time To Burn
25. Willie Dunn - Broker 
26. Trophy Knife - Again and Again (CJAM Live Off The Floor)
27. Trophy Knife - America's Favourite Pastime (CJAM Live Off The Floor)
28. Trophy Knife - Man of Action 

Saturday, December 26, 2020

Revolution Rock: The 2020 Interviews & Show # 862


This year on Revolution Rock, we’ve done more interviews than in any other year of the program. In 2020 the program featured ten different interviews, six audio based interviews that aired on the show and four that were done via email specifically for this website. On this episode we featured highlights (or clips) from each of the audio interviews and music from each of the artists that were interviewed, whether it was for the radio program specifically or for this website. Below you will find some info about these interviews plus the playlist and download links to the episode.

An Interview with Bloodshot Bill (February 2020):


In February 2020 as part of Revolution Rock’s Theme Month based programming we spoke with Montreal musician Bloodshot Bill. Bloodshot Bill plays his own brand of wild rockabilly and 50s rock influenced music. Sometimes operating as a one-man band live and sometimes performing with others, Bloodshot Bill releases music at a prolific pace. In this interview we discussed some of the collaborations that he has done throughout his career with other artists, leather jackets, his guitar, some of the strangest shows he has played, comic books and more. In April 2020, he released Get Loose Or Get Lost on Goner Records and several EPs (Spit On My Rubber (with The Televisionaires), Lost Gems From The Studio Vault Vol 1, Trick & Treat Vol 2, Outta My Head Vol 1 & 2). He also released a Halloween themed song with Mark Sultan as part of The Ding-Dong’s called Blood! Blood! Blood!, is featured on recordings put out by King Khan in 2020, released a rap album by G-Fine, and a compilation album of hard to find European singles called Tattletale Vol 1.

Listen to the full interview here:



Find the original post here.

An Interview with Dale & Dom D’Amore of The Nelsons (May 2020):

The Nelsons were a band from Windsor, Ontario. They are often considered the first supergroup in Windsor as they were made up of two parts of the Windsor band The Spy’s (guitarist Dale D’Amore & bassist Joe Desrameux) and two parts of The Hardtops (bassist/vocalist Dom D’Amore & drummer Dave Garrant). The band went through many lineup changes throughout their existence and played live shows frequently in Windsor, London and Detroit, but never officially released any recordings. This exclusive interview was done through Q&A for this website and covers their entire history. One of their unreleased songs “Cub’s Boogie” is featured on the radio show in this post (download/streaming links are below the playlist).



An Interview with Nigel Chapman of Nap Eyes (May 2020):

Halifax band Nap Eyes released their fourth full-length album, Snapshot of a Beginner in March 2020. We spoke with vocalist/guitarist/songwriter Nigel Chapman. Introspection is ever present in the music of Nap Eyes. The music and lyrics of Nap Eyes have a way of identifying with the listener in a personal way, as if the songs are about them. Musically, Nap Eyes have drawn comparisons to bands such as The Velvet Underground, Television, The Clean, Leonard Cohen, this one comes into its own also adding elements of bands such as early Walkmen, Yo La Tengo, and the music of David Berman. Production wise, Snapshot of a Beginner was produced by James Elkington and Jonathan Low at The National’s Long Pond Studio. For most of the band’s recorded output they have recorded live off the floor with minimal to no overdubs. This album differs in that aspect adding additional layers to the production of the Nap Eyes sound. Nap Eyes also released a digital single in 2020 called Snake Oil/Child's Romance.  In this interview Nigel discusses releasing an album in the pandemic, how Nap Eyes formed, and songwriting processes.

Listen to the full interview here:



Find the original post here.

An Interview with Dale D’Amore & Frank Carlone of The Spy’s (June 2020):

The Spy’s first and only single “Underground/Machine Shop” was originally released in 1980 and has since become somewhat legendary. Even after the bands split in 1980, it is still sought after. In the decades that followed, interest in The Spy’s has only grown. They were featured on the Smash The State Volume 2 compilation album in 1994, along with a collection of other early Canadian punk acts. In 2001, a compilation album entitled Original Punk Rock From Canada 1979-1980 was issued on the Incognito label. The album features demos that the band did of six songs in 1979 that were regular features of their live shows, the 1980 single and some live recordings of new songs from the 90s reunion show. Out of print for decades, Ugly Pop Records reissued The Spy’s “Underground/Machine Shop” single in 2012. In November 2020, The Spy’s released their single digitally for the first time on streaming services such as Spotify and Apple Music. The collection also includes six previously unreleased recordings. Guitarist Dale D’Amore and vocalist Frank Carlone did an exclusive Q&A interview for this website that covers their entire history.

Read the full interview/post here.

An Interview with Chris Murdoch (Writer, Musician and Drummer in Souvenir)(July 2020):

Chris Murdoch has been involved in numerous bands in and around the Halifax music scene. Some of his credits include being in Outtacontroller, Word On The Street and Botfly to name a few. Recently Murdoch has been playing drums and writing songs with Souvenir. This band just released an EP entitled Beating Into Dust in February 2020. In June 2020, Montreal based label Pentagon Black released the first of their Pentagon Black Pamphlet Information Series. Black Dots: An Afropunk Primer is an eight-page essay written by Halifax musician, DJ and writer Chris Murdoch. The eight-page essay is somewhere in between a zine and pamphlet that also includes exclusive illustrations done by graphic designer/musician Raymond Biesinger. Inside over the course of 2800 words, Chris Murdoch covers his own experiences being a musician and attending shows in Halifax along with information about when Black first met punk in the UK and US. During the first initial days of the release, orders came in and numbers quickly surpassed the 500 mark. Over 1601 copies of Black Dots: An Afropunk Primer have sold with over $3000 donated to Black Lives Matter Solidarity Fund Nova Scotia. You can still get a copy over at the Pentagon Black website. This exclusive interview was done through Q&A for this website and covers Murdoch’s growing up in Halifax, writing Black Dots: An Afropunk Primer, bands that he has been a part, recorded with and a lot more. Several recordings from bands he has been in are featured on the radio show in this post (download/streaming links are below the playlist).

Read the full interview/post here.

An interview with Jarrett Sampson of Tough Age (September 2020):

Toronto’s Tough Age released their fourth full-length album Which Way Am I? on Mint Records in August 2020. Originally from Vancouver, but located in Toronto since 2015, Tough Age have released what many feel is their strongest album to date. Tough Age is made up of singer/guitarist Jarrett Samson, Penny Clark on bass/vocals and Jesse Locke on drums. Musically the album draws from the sonic textures of indie bands such as The Clean, The Chills, The Bats and other early New Zealand bands on the Flying Nun record label. Recorded once again with producer Peter Woodford (TOPS, Moss Lime, Homeshake, Tess Roby) at The Bottle Garden in Montreal and mixed by Jay Arner, Which Way Am I? is just one of those albums that you can’t really describe why it affects you so much. In this interview Jarrett discusses the recording of Which Way Am I?, comic books, releasing a zine of poems/lyrics, the band Cub and more. Several recordings from this critically acclaimed album and one album outtake (“Waiting Here”) are featured on the radio show in this post (download/streaming links are below the playlist).

Listen to the full interview here:



Find the original post here.

An Interview with Steve Sidoli of Teenanger (October 2020):

Teenanger released their sixth studio album titled Good Time on October 2nd. Put out through Telephone Explosion Records, Good Time is a lean record that wields a large burst of creative energy. The band finds a deeper groove on this record as they lock in on each of the eight tracks that make up Good Time and further expand the post punk wavelengths that they explored on 2017’s Teenager. They do this while still keeping their thought provoking and subversive lyrical subject matter in tact. Produced by drummer Steve Sidoli in their newfound rehearsal space/functional studio named Studio Z and mixed by Sandro Perri, the title of the album may be tongue-in-cheek, it may not. Teenanger’s lyrical subversion and irreverent humour shine through as they harness their creative energies to create a new post punk aesthetic for themselves. In this interview with drummer Steve Sidoli, he discusses the recording of Good Time, how Teenanger has evolved, Nick Cage and Jeff Goldblum movies, the music video for “Romance For Rent” and more.

Listen to the full interview here:



Find the original post here.

A Live Performance and Interview with Johnny West (November 2020):

Johnny West has been making music in Windsor for some time. Usually recording in his home studio, Johnny West has released a prolific amount of music. West releases his music independently, usually on CD and often discusses it through his website.  Some of his critically acclaimed albums include 2008’s Chicken Angel Woman With A Triangle, 2009’s Love Songs For Nihilists, and 2011’s Gift For A Spider to name a few. Johnny West released Year of the Sleepwalk, a 48-song uncompromising, genre bending double album in early 2020. Year of the Sleepwalk spans a wide breadth of eclectic musical genres (folk, blues, jazz, blue grass, bossa nova, shoe gaze) and features several guest/cameo musicians. To coincide with this release, Revolution Rock did a lengthy Q&A for this website covering the album’s history and some of Johnny’s as well. In addition to all of this, Johnny filmed a live performance in his studio that was also shared on this site. This radio show in this post featured two recordings from Year of the Sleepwalk (download/streaming links are below the playlist).

Read the full interview/post here. You will also find the live studio performance here.


An Interview with Michael Lachowski & Vanessa Briscoe Hay of Pylon (November 2020):

Forming in the late 1970s in Athens, Georgia, Pylon were made up of four art students from the University of Georgia. Featuring guitarist Randy Bewley, bassist Michael Lachowski, drummer Curtis Crowe and singer Vanessa Briscoe Hay, Pylon took their brand of danceable post-punk to amazing heights in their initial run from 1979-1983. The original premise of the band was to play a live show in New York once, be featured in New York Rocker magazine and then break up. Fortunately, they stuck around longer than that. In November 2020, New West Records released Pylon Box, comprising the band’s first two albums, a demo tape and selected outtakes, singles and live recordings. Throughout the years, interest in the band has continued. Revolution Rock spoke with bassist Michael Lachowski and vocalist Vanessa Briscoe Hay discussing their recent box set Pylon Box. They also reflect in detail on some moments in the band’s career such as the developments between their albums Gyrate and Chomp, touring with Gang Of Four, how their background in art school influenced the music that they created and more. The radio show in this post features two songs from Pylon Box (download/streaming links are below the playlist).

Listen to the full interview here:



Find the original post here.

An Interview with King Khan (December 2020):

Originally from Montreal, but now residing in Berlin, King Khan has been known for his garage/punk music in bands such as The King Khan & BBQ Show, The Spaceshits, LTD, leading the R&B/soul inspired King Khan & The Shrines and collaborating with many others. Yet another prolific artist interviewed for Revolution Rock in 2020, King Khan released his first ever jazz album, Infinite Ones, at the end of October 2020. The album draws influences from composers such as Alice Coltrane, Rahsaan Roland Kirk, Philip Kelan Cohran, Bernard Herrmann, Ennio Morricone, Miles Davis, Sun Ra, John Carpenter and Quincy Jones. It also takes on influences from film noir and old Bollywood films. It also features contributions from members of the Sun Ra Arkestra and Calexico. In this interview King Khan discusses his jazz album, Infinite Ones, he also discusses his current activism causes, creating the Black Power Tarot and how he first met the Sun Ra Arkestra. This episode featured two selections from Infinite Ones and one new song from an upcoming punk album featuring a new band with Khan called The King Khan Unlimited.

Listen to the full interview here:

Show #862:  The 2020 Interviews Playlist:

1.  Bloodshot Bill - Don't Let Go (Get Loose Or Get Lost - Goner Records - 2020)
2.  Bloodshot Bill - A Cheat (Get Loose Or Get Lost - Goner Records - 2020)

BLOODSHOT BILL INTERVIEW CLIP

3.  Bloodshot Bill - Straight To The Moon (Get Loose Or Get Lost - Goner Records - 2020)
4.  The Nelsons - Cubs Boogie (Unreleased)
5.  Nap Eyes - If You Were In Prison (Snapshot of a Beginner - Royal Mountain Records/Jagjaguwar - 2020)

NIGEL CHAPMAN (OF NAP EYES) INTERVIEW CLIP

6.  Nap Eyes - Snake Oil (Snake Oil/Childs Romance - Jagjaguwar - 2020)
7.  Nap Eyes - Dark Link (Snapshot of a Beginner - Royal Mountain Records/Jagjaguwar - 2020)
8.  The Spy's - Underground (Underground/Machine Shop Single - 2020 Remaster)
9.  Souvenir - Promises (Beating Into Dust EP - 2020)
10. Outtacontroller - Mutations (Television Zombies - P. Trash Records/Young Modern/Southpaw Records - 2015)
11. Tough Age - My Life's A Joke & I'm Throwing It Away (Which Way Am I? - Mint Records - 2020)
12. Tough Age - Anti-Anxiety Exercises (Which Way Am I? - Mint Records - 2020)

JARRETT SAMPSON (OF TOUGH AGE) INTERVIEW CLIP

13. Tough Age - Waiting Here (Waiting Here Single - 2020)
14. Teenanger - Good Time (Good Time - Telephone Explosion - 2020)

STEVE SIDOLI (OF TEENANGER) INTERVIEW CLIP

15. Teenanger - Touching Glass (Good Time - Telephone Explosion - 2020)
16. Johnny West - Vector (Year of the Sleepwalk - Tosteestosta Music - 2020)
17. Johnny West - Firecrackers (Year of the Sleepwalk - Tosteestosta Music - 2020)
18. Pylon - Volume (Gyrate - DB Records/New West Records- 1980/2020)

MICHAEL LACHOWSKI & VANESSA BRISCOE HAY (OF PYLON) INTERVIEW CLIP

19. Pylon - Reptiles (Channel One Version) (Pylon Box - New West Records - 2020)
20. King Khan - The World Will Never Know (Infinite Ones - Ernest Jenning Record Co./Khannibalism - 2020)

KING KHAN INTERVIEW CLIP

21. King Khan - A Hard Rain's Gotta Fall  (Infinite Ones - Ernest Jenning Record Co./Khannibalism - 2020)
22. King Khan Unlimited - Pigment Of Your Imagination (Opiate Them Asses - Ernest Jenning Record Co./Khannibalism - 2021)

To hear this program, visit CJAM's schedule page for Revolution Rock and click the December 26 file to download/stream the episode.

Saturday, July 04, 2020

Black Dots: An Afropunk Primer & Chris Murdoch Interview & Shows # 836, 835, 834


On June 10th, Montreal based label Pentagon Black released the first of their Pentagon Black Pamphlet Information Series. Black Dots: An Afropunk Primer is an eight-page essay written by Halifax musician, DJ and writer Chris Murdoch. The eight-page essay is somewhere in between a zine and pamphlet that also includes exclusive illustrations done by graphic designer/musician Raymond Biesinger. Inside over the course of 2800 words, Chris Murdoch covers his own experiences being a musician and attending shows in Halifax along with information about when Black first met punk in the UK and US. The pamphlet costs two dollars and all of the proceeds for the month of June went towards the Black Lives Matter Solidarity Fund in Nova Scotia. During the first initial days of the release, orders came in and numbers quickly surpassed the 500 mark. At the time of writing this article, 1601 copies of Black Dots: An Afropunk Primer have sold with over $3000 donated to Black Lives Matter Solidarity Fund Nova Scotia. You can still get a copy over at the Pentagon Black website.

Here is the Press release from Pentagon Black:

“In the first instalment of the Pentagon Black Information Pamphlet series, noted Halifax musician, writer, and DJ Chris Murdoch distilled his critical 2017 Black Dots presentation into pamphlet form. What's it about? When Black first met punk in the UK, the USA, and Chris' own life, and along the way its scant 2800 words catch large quantities of DIY spirit, noise, fury, skateboards and weirdness. Mentioned in the pamphlet: the Bad Brains, Death, Toni Young, Minor Threat, Don Letts, Red C, Nicky Thomas, Fire Party, Black Flag, Bubba Dupree, Void, Chuck Treece, Mike Cornelius, JFA, McRad, Thrasher mag, Ray Barbee, Underdog, Poly Styrene, X-Ray Spex, Neville Staple, Lynval Golding, the Specials, Ranking Roger, Simone Thomas, etc. Released in June of 2020, this eight-page pamphlet includes five illustrations by Raymond Biesinger. Mandatory reading.”

Chris Murdoch has also been involved in numerous bands in and around the Halifax music scene. Some of his credits include being in Outtacontroller, Word On The Street and Botfly to name a few. Recently Murdoch has been playing drums and writing songs with Souvenir. This band just released an EP entitled Beating Into Dust in February 2020.

Continue reading for an exclusive interview with Chris Murdoch. He covers his band history growing up in Halifax, bands that he has been a part of, recording histories and more.

RR: You recently released an information Pamphlet through the Pentagon Black label called Black Dots: An Afropunk Primer. I read that prior to this in 2017 you did a series of presentations on the subject. When/how did you first begin doing those presentations and what was the response like?


CM: Funnily enough, this all started as kind of a little art project on Instagram. That's all it was ever initially meant to be. In February of 2016 I decided to post a picture of a Black punk musician on my account each day, with a little write-up highlighting their work, in honour of Black History Month. I really enjoyed it and could think of a good handful of folks I didn't get to showcase in that initial go 'round (February is the shortest month; a big part of the reason why it was chosen to be Black History Month in the first place, unfortunately) so I decided to do the same thing in February of 2017. Shortly after, I was invited by my friend Dave Ewenson to turn the Instagram project into a talking performance and present it at that year's Everyseeker Symposium (formerly Obey Convention) in Halifax. Dave definitely deserves a lot of credit for the evolution of this thing into a kind of information session - that is likely not something that would have happened without his suggestion and support.

To date, I've only given the presentation four times: once in Halifax NS, once in Dartmouth NS, once in Montreal, and once in St.John's, Newfoundland as part of the first Out Of Earshot festival. I try to slightly modify the presentation each time I deliver it, and all four times have been significant and special in their own ways. The talks in Halifax and St. John's were the best attended, and therefore had a very special energy.

RR: The Black Dots: An Afropunk Primer is something unique. What led to releasing this pamphlet through Pentagon Black and how have people been responding to it?


CM: I hadn't really done much or thought of doing much with Black Dots for a year or so, as I'm always busy with work, family life, and music. A co-worker of mine encouraged me to give the presentation at work this past February, again in recognition of Black History Month, and that was a lot of fun. He took care of all the promotion and logistics of it himself, and it was open to the public. A couple months afterward, I received a message from Raymond Biesinger of The Famines/Pentagon Black about putting out some kind of version of the talk on a pamphlet that he would produce. Everything went pretty quickly from there!

The response has really been phenomenal. I've had friends order anywhere from 1 to 100 of the things, I've made new friends as a result of the project, had friends kickstart their own fundraising campaigns in conjunction with it, have had it translated into a different language or two, showcased in zines, etc. I've been so lucky.

RR: Over 1500 copies of Black Dots have sold so far with proceeds going towards the BLM Solidarity Fund in Nova Scotia. Do you plan on doing anymore writing, whether on this subject or anything else in the future?

CM: It was really cool how that came together. Initially, Pentagon Black was going to sell them through their webstore like normal, and Raymond asked if I'd like a few copies to distribute locally. I asked him to send me 25 with the intent of giving them out for free to a few folks I could think of who might want a copy. In light of all that's going on in the world right now, I thought it might be a good idea to sell them locally rather than give them away, just so I could collect money for the BLM NS Solidarity Fund and do something concrete to support my community at this time. I mentioned this to Ray, and was surprised when he said that Pentagon Black would do the same thing during the month of June. After that, it morphed into much more of a deliberate fundraising campaign, and I'm extremely happy to say that due to Pentagon Black's sales, they were able to donate $3154 to Black Lives Matter NS. Due to my local sales and some donation-matching efforts from friends, we were able to raise an additional $1100 outside of Pentagon Black's sales to donate as well.

I would love to do more writing on this subject in the future, time permitting. I've been approached by a friend with a publishing company about doing a book, so at this point I guess it's a matter of making some plans around the format and scope of the book, and then actually getting off my ass to write it! The former involves a bit of work, but the latter is definitely the bigger challenge.

RR: You’ve been involved in the Halifax music scene for quite some time. How did you first get involved and what was the first band that you played with?

CM: My introduction to the local scene here in Halifax came about through a friend named Megan, who took me to my first few shows. We were in school together (she was a couple years ahead) and she knew I'd been pretty obsessed with rock music since I was about 9 or 10 years old. I was going through a (fairly awful) nu-metal phase, and her boyfriend at the time played drums in a local nu-metal band, so a lot of my first shows were going to see them play. The VERY first local show I ever went to though, was a really rad mixed bill show that completely blew my mind. It was the spring of 2000, and a lot of people I saw perform at that show I am still friends with now: for example, my friend Dave Prime who would go on to drum in Risky Business and now owns and operates Prime Strength Club here in Dartmouth, Nova Scotia - just a few streets down from my house. Also, Nancy Urich, who would go on to play in Dog Day and now also plays in the band Not You with my wife, Stephanie.

Megan sang in the very first band I ever played in, but we never made it out of the basement. The first proper band that I played with was an extremely Misfits-esque band called The Villains, with one of my nearest and dearest friends named Mike. We were both still in high school at the time. We recorded an 11 or 12-song CD and played one show, and then the band kind of morphed into this other band called Hot Death, which was essentially a Samhain cover band that mostly played house parties. Good times.

RR: What was the first recording you remember being on with Outtacontroller and what was it like playing/recording with the band?

CM: The very first thing I recorded with Outtacontroller was a 4-song "sneak preview" thing of the LP we were working on at the time, made specifically for bandcamp. One or two of those songs ended up on the LP I recorded with them, Television Zombie, as well as my first proper recording with the band, Remote Control. That LP is the only one I've ever played on and I'm quite proud of it (https://outtacontroller.bandcamp.com/album/television-zombie), but there is something special about Remote Control. My friend Matty and I were still quite new to the band when that thing was recorded (she is the one who invited me in to the group in the first place), and I think a lot of that fresh-faced excitement was kind of captured within that recording.

Playing with Outtacontroller was a dream. The best shows ("best" as in packed venue, fun atmosphere, cathartic playing experience, etc.) I have played so far as a drummer were with that band. Hooks and big choruses are a major factor within the songwriting, so the music is just naturally fun to play live. We played in Moncton, New Brunswick a lot and had the best response there. I started to get teased a little bit for how much I would smile while we played, but I couldn't help it!

The band dynamic was a great one too - out of four members, Matty was the only one who wasn't a drummer (although she is such a naturally talented musician, she's probably a better drummer than me now) - so when the other two guys (the songwriters and core of the group, Terry and James) would have ideas for what they wanted on the drums, or would listen to me bounce ideas off them for how a drum part could go, it was especially easy to communicate. We did a bit of touring, just a few short rips to Ontario/Quebec and back, and always had tons of fun. Sometimes we'd roll up to a venue listening to some James Brown to pump ourselves up! I've always been a lover of many kinds of music, but Outtacontroller was the first band in years that I'd played in that wasn't a hardcore band. I learned a lot about drumming, recording, and just music in general from my bandmates in Outtacontroller.

RR: How would you compare and contrast being a drummer in a band as opposed to taking on vocals, as you did in Word On The Street?

CM: I'm not a shy person, but there has always been an element of safety and comfort with playing the drums - you're kind of hidden back there, and it feels like no one is really looking at you or really paying much attention to what you're doing, which can actually be quite nice sometimes. Fronting a band is the exact opposite of course, you're standing there front and centre with no instrument to hide behind or distract yourself with. It's just you and the audience. I see no issue with front people who prefer to stand still while performing - if the music is good then who cares? As a hardcore frontperson though, I kind of felt it incumbent upon me in WOTS to move around and be engaging, to make our live shows an exciting experience. I'm a big, clumsy dude though, and look a little bit ridiculous bouncing around while we play - WOTS footage is a bit embarrassing for me to watch for that reason, but I hope it made for an entertaining live show when folks came to check us out.

Also, as a drummer, I'm very used to "supporting" the music with a few ideas here and there, rather than having any major input within a band's artistic direction - if that makes any sense. I'm not saying that this has to be the case for a drummer in a band, but it was a role I felt comfortable playing. Again, that approach is completely antithetical to being the frontperson of a band, where a lot of times the lyrics and overall vibe of the band are largely informed by you. I wrote all of the lyrics to every WOTS song, and they're an important element within the band, even though they are mostly indecipherable hahaha. A lot of them revolve around the same personal politics that most people could identify with, but there are a number of songs specifically about instances of racism I've experienced. They've provided a good vehicle for getting out years of pent up anger and frustration - I suppose that would be one of the biggest differences between drumming and doing vocals (I certainly can't refer to it as "singing" within this context): hitting the drums hard can provide a bit of a release for me I suppose, but not really as I still need to be mindful of the song dynamics and rhythm. Also, I don't hit hard because I'm angry about anything, I do it because I think it sounds good and it just sort of comes naturally. When doing vocals for WOTS however, I just completely lose myself. Other than the timing required for a song's rhythm, ALL I'm focusing on is my anger in relation to whatever a specific song is about.

RR: You’ve played with a lot of different bands. What are some of the bands that you’ve been a part of that people might not know about as much?

CM: I'm totally flattered that you would ask this. I'll probably rattle off more than I should.

Tone Deaf - A sort of "recording project" I did with some friends in high school. Really bizarre songs and skits about obtuse things, where we would often fuck with the sound a bit: for example, we did a song called "(S)lowrider" where I played a skeletal version of War's "Lowrider" on a cheap-ass Casio keyboard, and my friend Jivesh sang it. Then we took the recording and slowed it down to the point where it was unlistenable. It would be a couple years before any of us first heard Butthole Surfers, but that was EXACTLY the vibe we were going for.

BrainAmp - There's a town about an hour north of Halifax, NS called Truro - some of the most original and wonderful people I know come from there. About 15 or so years ago, Truro had this booming all ages scene with these really unique bands and kids in it - for whatever reason, a lot of them gravitated toward powerviolence. BrainAmp was essentially a tribute to that place and time period, specifically. I was the only one in the band who wasn't from Truro, and had NO business trying to play blastbeats without the chops, but we went ahead and did what we did (https://brainamp.bandcamp.com/releases). Played a couple of shows, and put out one demo recorded by Chad Peck (whose band Kestrels just put out a fantastic new record. J Mascis makes a guest appearance on it......no, actually: https://www.youtube.com/watch?v=37H4LxE9v3E)

Resistance To Theory - This was a two-piece band/project I did with my friend Alex Fountain. One of my oldest and best friends Erick Muise (now of Botnek; he also makes music under the moniker Tom Classic) was taking a Sound Engineering program at the time and needed a band to come in and record a couple of tracks. It was a perfect opportunity for Alex and I to play music together. We were both in an undergraduate sociology program at the time, so the name is a nod to that. We recorded two songs with Erick, and played only one show, in my friend Ian's bedroom! Alex's friend Seamus played bass for us. Sadly, Alex would take his own life a short while after we did the project. He was a beautiful and incredible person.

Negative Rage - This is essentially a solo project done by my friend Cody. It rules and think a lot of people are aware of it, but some may not know that I was lucky enough to play drums on the first NR release, Don't Wanna Talk (https://www.youtube.com/watch?v=1JBukoM9fLg). The first live incarnation of the band played shows in Halifax, Truro, and Charlottetown, PEI.

Mean Streets - Two members from Word On The Street came together with two members from an incredible Halifax punk band called Mean Mug to form Mean Streets (get it?). We recorded a demo and played a handful of shows around Halifax - I don't think we ever played the same venue twice, which is cool (https://meanstreets902.bandcamp.com/). The demo was recorded by Luke Mumford, who has just put out an outstanding record of his own: https://drunkensailorrecords.bandcamp.com/album/st-lp-12

Rubbish Heap - This was a recording project done by Cody, myself, and our friend Tri, who played bass and recorded/mixed the songs. Tri had a makeshift studio at his place and was offering bands/artists to come and record for an extremely low price. That, paired with the fact that I was a new dad who had foolishly quit playing music and was craving it really badly, led to us making the Rubbish Heap demo (https://rubbishheap.bandcamp.com/releases). I would also dare to say that we are one of, if not the only Halifax punk band to have completely POC membership.

Botfly - Botfly are extremely well known throughout Canada and only have greater success ahead of them I’m sure. They are a trio, and the core lineup has been together for a while now - but I was fortunate to be the band’s original drummer. I play on the releases Parasitic Oscillation and Host: https://botfly.bandcamp.com/album/host

RR: You’re currently playing with Souvenir, how is this band different from bands that you’ve played with in the past and how/when did you first start recording the Beating Into Dust EP?

CM: Souvenir is perhaps the only serious band I've ever played in that is not a punk band. The three of us in the band all come from punk and hardcore to varying degrees, so I do hope those elements find their way into our music. The band's main influence is definitely the band Silkworm, although I'm not sure how much we really sound like them. Certain songs sound a little like Jawbreaker, while others have more of a Dinosaur Jr. feel to them.

Souvenir is also my first time writing some of the actual music for a band since back in high school, playing with The Villains (hopefully I've gotten a bit better at it since then). Beating Into Dust contains 6 songs; each member of the band wrote the music and lyrics for two. "Artifacts" and "Promises" are mine, but I asked my friend Lachie to sing them. I might try to sing a song on our next release.

After four years (!) of trying to play with Lachie and Dave (my bandmates in Souvenir) in different projects that didn't work out, Souvenir finally came together in April 2019. We wrote the first EP fairly quickly, and recorded it that September with Charles Austin at Ocean Floor Studio here in Halifax. Working with Charles is always a pleasure, and I'm really happy with how the EP came out. We're hoping to get back in there this September to record a follow-up.

RR: What's next for you musically? Are there any other projects that you are working on?

CM: The only full-time band I see myself in for the foreseeable future is Souvenir. It's been such a rewarding process creating music with those two guys, and I'm very excited to see what lies down the road for us. I've still had some cool opportunities outside of the band: Weekend Dads will be digitally releasing their new record, Good Hangs, very soon - I play drums on it. I like everyone in that band a whole lot, so that was a really fun thing to get to do. I played a couple of shows with them as well. Also, my friend Trevor Murphy has a new project called Sluice, where he writes and performs music in French; a recognition of his heritage. He's invited me to play drums on some upcoming Sluice songs, so I'm really looking forward to that. Thanks for the interview!

Show 836 (Originally Aired On July 4th, 2020)(The Pyramids, The Bags, Pure Hell, Outtacontroller, Souvenir, The Dirtbombs):

1. Sugluk - I Didn't Know
2. Saddle Lake Drifting Cowboys - Modern Music
3. Leland Bell - Messenger
4. King Khan & The Shrines - Let Me Holler
5. Big Joanie - Tell A Lie
6. John Brim - Rattlesnake
7. The Pyramids - Here Comes Martha
8. The Pyramids - Pyramid Stomp
9. The King Sound Quartet - I Wouldn't Put It Past You
10. Wolfmanhatten Project - Silver Sun
11. Mari Elliot - Silly Billy
12. Pure Hell - Noise Addiction
13. The Bags - Babylonian Gorgon
14. Bow Wow Wow - Radio G String
15. Bad Brains - You're A Migraine
16. The OBGMs - Torpedo
17. The Holders - Peoria
18. Outtacontroller - Stuck In The 902
19. Outtacontroller - Creeps
20. Word On The Street - Cut To The Chase
21. Souvenir - Artifact
22. Souvenir - Promises
23. JONCRO - Violet Hair
24. Pleasure Venom - Deth
25. Stiffed - Burn Again
26. Best Praxis - We Fell
27. Rough Francis - Teen Zombies
28. TV On The Radio - Dancing Choose
29. Junior Walker & The All Stars - Cleo's Mood
30. John Coltrane - Locomotion
31. Lloyd Cheechoo - James Bay
32. The Screws - Valleys
33. The Dirtbombs - Don't Break My Heart

Download/stream this episode here.

Show 835 (Originally Aired On June 27th, 2020)(Preoccupations, Alice Bag, Kestrels, Protomartyr):

1. Preoccupations - Unconscious Melody
2. Cindy Lee - A Message From The Aching Sky
3. Mac DeMarco - Ode To Viceroy
4. Dirty Beaches - Sweet 17
5. Sinkin' Feelings - Sinkin' Feeling
6. Matt Ellis - I Don't Wanna To Know
7. Alice Bag - Noise
8. Scratch - Melt
9. Constantines - Call Me Out
10. Rolling Blackouts C.F. - Cameo
11. Kestrels (Ft. Jay Mascus) - Grey and Blue
12. Tunde Adebimpe - People
13. Sleater-Kinney - Bad Dance
14. Protomartyr - Scum, Rise!
15. Black Barron - Seek Your Pleasure
16. Conduct - Bacchanal
17. No Joy - Hollywood Teeth
18. James O-L - My Tunes
19. Ron Leary & Dean Drouillard - Frontline
20. Bob Dylan - Goodbye Jimmy Reed
21. Bloodshot Bill - One & Own
22. Built To Spill - Honey, I Sure Miss You
23. Ty Segall & Cory Hanson - She's A Beam
24. Orville Peck - Roses Are Falling
25. Timber Timbre - Sewer Blues
26. Fiona Apple - Heavy Balloon
27. Luays - Fifty Fifty
28. Jordaan Mason - Pharmacy
29. Protomartyr - Michigan Hammers

Download/stream this episode here.

Show 834 (Originally Aired On June 20th, 2020)(X, Cloud Factory, Guided By Voices, Bob Dylan):

1. Dion Lunadon & Kate Clover - When Will I Hold You Again
2. The Magic Plants - I Am A Nothing
3. The Mummies - The Fly (Peel Session)
4. Shadowy Men On A Shadowy Planet - Telepathetic (Peel Session)
5. Les Hou-Lops - Ebb Tide
6. The Vibrants - The Breeze And I
7. Jeff Tweedy - Ten Sentences
8. Neil Young - Vacancy
9. X - Someone's Watching
10. X - Cyrano DeBerger's Back
11. Cloud Factory - Amnesia
12. Travel Check - Death of Chill
13. TV Freaks - ABC
14. Sweet Dave - The Long Ride
15. Eddy Current Suppression Ring - Insufficient Funds
16. Outtacontroller - Television Zombie
17. Souvenir - Meter
18. Gum Country - Talking To My Plants
19. The Courtneys - K.C. Reeves
20. Japandroids - Heart Sweats
21. Territories - Defender
22. Guided By Voices - Game of Pricks
23. Guided By Voices - As We Go Up We Go Down
24. Guided By Voices - Little Whirl
25. Guided By Voices - My Valuable Hunting Knfie
26. Bob Dylan - My Own Version Of You
27. Bob Dylan - Black Rider
28. Bob Dylan - Scarlet Town

Download/stream this episode here.