Revolution Surf 2022 & Show # 923

On this year's Revolution Surf we featured some sets of music in tribute to two musicans that passed in 2022. Don Wilson guitarist of The Ventures passed in January at the age of 88 and Toronto musician Dallas Good of The Sadies passed unexpectedly in February at the age of 48. On the show, which features 40 surf and instrumental tracks, we had a set of Ventures tracks in tribute to Don Wilson and The Ventures adventurous style to tackle different genres of music and some music in tribute to the surf side of Dallas Good and The Sadies music.

Don Wilson (1933-2022)

Don Wilson co-founded The Ventures with Bob Bogle in Tacoma, Washington in 1958. His guitar style combined with the music that The Ventures created would be instrumental and highly influential on the future of rock music. Before the first full lineup of the band formed, an early version of The Ventures existed with just Don Wilson on rhythm guitar and Bob Bogle on lead guitar. They played clubs and bars and it has been said that Wilson’s very distinctive rhythmic playing style originated due to the fact that they had no drummer when they started out. Regardless when The Ventures found Nokie Edwards (bass) and Skip Moore the first incarnation of The Ventures was in place. Wilson continued his driving rhythmic guitar style. The band were on their own label initially before being signed to Dolton Records. Their first hit was “Walk Don’t Run” in 1960. It would climb to #2 on the Billboard Hot 100 Charts changing their status as a band forever. The song itself was a cover of a cover done by Chet Atkins. Originally a jazz song by Johnny Smith, the way that The Ventures played it was different than both the original and Atkins version. When the band recorded this track in 1960, the drummer Skip Moore wasn’t interested in touring with the band and was not a full-time member of the band, but is featured on the recording. They would re-record a different version of this song called “Walk Don’t Run ‘64” which would also re-chart at #8 on the Billboard Hot 100 charts. The classic lineup of The Ventures featured Don Wilson on guitar, Bob Bogle on bass (he and Edwards would switch instruments shortly after the recording of "Walk Don't Run"), Nokie Edwards on lead guitar and Mel Taylor on drums.

The Ventures tackled multiple styles throughout their career recording country, 50s rock, 60s pop and psychedelic albums. They would also drift into some disco music in addition to experimenting with recording on albums such as The Ventures In Space. The Ventures also released records at a fast pace, sometimes having as many as four records released in a year. They even released a series of albums for people interested in learning guitar called Play Guitar with The Ventures. The Ventures also recorded songs for TV shows and soundtracks for films. One of the most notable is their recording of the "Hawaii Five-O" theme song. In addition to their US success, they would have a greater success in Japan where they still have devout followings. Their instrumental and surf sounds went on to influence many. They were called “The most influential, best-selling instrumental band in rock and roll history” by the Grammy Museum in 2019. While a new version of the band plays today, Wilson played with The Ventures throughout many lineup changes until 2015. His rhythmic guitar style helped drive the music of The Ventures.

Dallas Good (1973-2022)

Dallas Good’s mark on music is deeply embedded in a lot of Canadian and non-Canadian independent music over the last several decades. Whether with The Sadies or in some other capacity he had an influence and impact on music that wasn’t always directly in the mainstream spotlight. Dallas and Travis Good are the sons of Bruce Good, who played in the Juno award winning bluegrass group The Good Brothers alongside his siblings and Margret Good, their mother was also a singer/musician. Introduced to punk by his brother Travis, Dallas initially played in a series of punk bands, but it wasn’t until Sadies bassist Sean Dean got an upright bass that he switched his musical interests to country music. The Sadies first formed in Toronto in 1994. The band consisted of Dallas Good (on vocals/guitar), Travis Good (vocals/guitar), Sean Dean (bass) and Mike Belitsky (drums). Their first album was 1998’s Precious Moments produced by Steve Albini. The Sadies developed their own take on country and western music, incorporating elements of surf and garage rock with a punk infused energy. The band operated as a collective unit with their shows having been described as transcendent. Forging their own path, The Sadies built a following for approximately the last two decades by collaborating and backing up several other artists in addition to releasing their own material. The Sadies have also collaborated, performed and recorded with other musicians such as Andre Williams, Neko Case, Blue Rodeo, Garth Hudson, John Doe, Neil Young, Buffy Saint-Marie, Mary Margret O’Hara, Gary Louris, Kurt Vile, Justin Townes Earle, Jon Langford and Gord Downie. They have also toured and recorded with Jon Spencer and Matt Verta-Ray’s Heavy Trash. 

In 2004, The Sadies along with Rick White (of Eric’s Trip) and Greg Keelor (of Blue Rodeo) formed The Unintended, releasing a self-titled album the same year. One more release followed in 2006, featuring Gordon Lightfoot covers that was split EP with the band Constantines called Constantines Play Young/The Unintended Play Lightfoot. Dallas also produced and played with other groups in addition to The Sadies. He played with Phono-Comb, an instrumental surf band featuring Don Pyle and Reid Diamond of Shadowy Men On A Shadowy Planet, played with Toronto hardcore band Career Suicide, Half Japanese and played live shows on bass with Shadowy Men On A Shadowy Planet starting in 2012 when they reformed. He also performed in several punk bands prior to being in The Sadies such as The Satanatras, Guilt Parade and The Rat Crushers. The Sadies also provided the surf inspired soundtrack to 2006’s Tales of the Rat Fink and appear in the Carmine Street Guitars documentary. 2007’s New Seasons and 2010’s Darker Circles were both nominated for the Polaris Music Prize. A forthcoming full-length album is set to be released in 2022. It was produced by Arcade Fire’s Richard Reed Parry. 

 Revolution Surf 2022 Playlist (Originally Aired On February 26th, 2022):

1.  The Surfrajettes - Couch Surfing (Roller Fink - Hi-Tide Recordings - 2022)
2.  The Surf Hermits - Out Beyond the Dune Sea (Hang Zen - Sharawaji Records - 2022)
3.  The Green Reflectors - Rip Rap (Tune Up - 2018)
4.  Teke::Teke - Ai No Kizuna (Jikaku - Ray-On - 2018)
5.  The Ventures - Fuzzy and Wild (Wild Things! - Dolton Records - 1966)
6.  The Ventures - San Antonio Rose (Play The Country Classics - Dolton Records - 1963)
7.  The Ventures - Psyched-Out (Super Psychedelics - Dolton Records - 1967)
8.  The Ventures - Sealed With A Kiss ($1,000,000.00 Weekend - Dolton Records - 1967)
9.  The Ventures - Ten Over (Surfing - Dolton Records - 1963)
10. The Ventures - Walk Don't Run '64 (Walk Don't Run Vol. 2 - Dolton Records - 1964)
11. The Sadies - Rat Creek (Live) (In Concert Vol. 1 - Yep Roc Records/Outside Music - 2006)
12. The Sadies - Snow Squad (Live) (In Concert Vol. 1 - Yep Roc Records/Outside Music - 2006)
13. The Sadies - Same Song (Precious Moments - Bloodshot Records - 1998)
14. Phono-Comb - Enchanted (Fresh Gasoline - Quarterstick Records - 1996)
15. Jad Fair & Phono-Comb - TV Guide (Monsters, Lullabies… And The Occasional Flying Saucer - Shake The Record Label - 1996)
16. Phono-Comb - Phonebone (Fresh Gasoline - Quarterstick Records - 1996)
17. Phono-Comb - Cliffhanger (Fresh Gasoline - Quarterstick Records - 1996)
18. The Sadies - Rubber Bat (Precious Moments - Bloodshot Records - 1998)
19. The Sadies - Venison Creek (Pure Diamond Gold -
20. The Sadies - The Pyramid (Tales Of The Rat Fink - Original Soundtrack - Yep Roc Records/Outside Music - 2006)
21. The Sadies - Wolf Tones (New Seasons - Yep Roc Records/Outside Music - 2007)
22. The Sadies - The Very Ending (Internal Sounds - Yep Roc Records/Outside Music - 2013)
23. Les Krakmen - Krakmen Twist (Pebbles Vol 4 - BFD Records - 1979)
24. Os Kriptons - Manga Mandura (Paula EP - Lello & C - 1965)
25. Os Kriptons - Billy Boom (Paula EP - Lello & C - 1965)
26. Os Rebeldes - Murder By Contact (Tiro Liro - Orfeu - 1966)
27. The Pyramids - Pyramid Stomp (Play The Original Penetration - Best Records - 1964)
28. The Pyramids - Sticks and Skins (Play The Original Penetration - Best Records - 1964)
29. Bo Diddley - Surf, Sink or Swim (Surfin' With Bo Diddley - Checker - 1963)
30. La Luz - Yuba Rot  (La Luz - Hardly Art - 2021)
31. Blue Stingrays - Zuma Sunset (Surf-N-Burn - Epitone Records - 1997)
32. Blue Stingrays - Echo Park (Surf-N-Burn - Epitone Records - 1997)
33. Stereo Donkey - Shuvit (Shuvit Single - 2022)
34. The Cosmic Sand Dollars - Dunked (Let's Go Insertion! - Old Comet - 2022)
35. The Garrys - Heavy Flow (Get Thee To A Nunnery - Grey Records - 2021)
36. The Treblemakers - The Grudge (Time Machine: The History of Canadian 60's Garage Punk and Surf (1985-95) - Stomp Records - 1996)
37. HJ & The Constellations - Dawn of a New Day (Tubular Spectacular - 2021)
38. Atomic 7 - Your Ironic T-Shirt (Gowns By Edith Head - Mint Records - 2002)
39. Los Astros - Atomica (Latin American Surf Sampler Pt.2 - North Sea Surf Radio - 2015)
40. The Chewbacca's -  Echo Lake (The Return From Echo Lake - Sharawaji Records - 2019)

To hear this program, visit CJAM's schedule page for Revolution Rock and click the February 26 file to download/stream the episode.

Still YC: An Interview with Steven Lambke Show # 922

In February 2022, Steven Lambke released a new two-track single in advance of his upcoming full-length, Volcano Volcano. “Every Lover Knows” has been described in a press release as “a song of celebration. The most profound moments in a life are often experiences of love, of connection, to another, to the world, to a shared moment. It is love that teaches the full scale of what can be experienced and of what can be lost.” The song balances elements of 2019’s Dark Blue with a forward momentum. This track has folkier elements mixed with jangly indie rock vibes. The B-Side to this track is a song called “Deep Water.” This non-album track is a louder track with squealing feedback in between Lambke’s catchy raspy vocals that state “There’s something inside that’s only grown colder/And bold as spider trapped under glass/A left-handed rhythm like a street corner drummer/One arm swinging wild, one lost at the shoulder.” The song has also been said to have been influenced by the lyrics and message of Johnny Cash’s “The Streets of Laredo.” These two tracks (along with the songs from the upcoming album) were recorded at Camera Varda in Toronto shortly after Cobra Poems by Daniel Romano’s Outfit. These two tracks serve as a preview for Lambke’s anticipated follow up to Dark Blue. 

This episode of Revolution Rock focused on the music that has been released from the You’ve Changed Records label. Formed in 2009, it was co-founded by Steven Lambke (also of Constantines/Baby Eagle) and Daniel Romano (previously of Attack In Black). Since its beginnings, You’ve Changed Records has been a label devoted to quality, not quantity. The first release on YCR was Still Jimmie by Shotgun Jimmie in 2009. Also around this time Baby Eagle and Attack In Black released a split album, which was the second official You've Changed Records release. The label has released music by Shotgun Jimmie, The Weather Station, Marine Dreams, Partner, Nap Eyes, Leanne Betasamosake Simpson, Fiver, Jon McKiel, Status/Non-Status, Julie Doiron, music from Steven Lambke and Daniel Romano and other bands that he has been a part of or collaborated with such as Daniel Romano’s Outfit, Ancient Shapes, Baby Eagle, Julie Doiron. In 2020, Daniel Romano released numerous albums at an amazing rate. Nine albums, an EP and a 22-minute track with Tool’s Danny Carey were released by Romano in 2020. A major feat for any artist and all of them are great.

We had a chance to speak with Steven Lambke (co-founder of You’ve Changed Records) for this episode. He talks about the labels formation, meeting Shotgun Jimmie, recording albums Dark Blue and his upcoming release Volcano Volcano, in addition to working with Daniel Romano on the Spider Bite album and more.

Listen to the interview that Revolution Rock did with Steven Lambke here:

 You've Changed Records Playlist (Originally Aired On February 19th, 2022):

1.  Shotgun Jimmie - Mind Crumbs (Still Jimmie - 2009)
2.  Shotgun Jimmie - Late Last Year (Transistor Sister - 2011)
3.  Shotgun Jimmie - Cool All The Time (Transistor Sister 2 - 2019)
4.  Daniel, Fred & Julie - No One Knew My Name (Daniel, Fred & Julie - 2009)
5.  Steven Lambke - Moonshine Brother (Days of Heaven - 2015)
6.  Fiver w/The Atlantic School of Spontaneous Composition - Leaning Hard (On My Peripheral Vision)
(Fiver w/The Atlantic School of Spontaneous Composition - 2021)
7. Nap Eyes - Dull Me Line (I'm Bad Now - 2018)
8. Leanne Betasamosake Simpson - Failure of Melting (Theory of Ice - 2021)
9. Marine Dreams - Blank Moods (Lemon Tree - 2014)
10. The Weather Station - Time (What Am I Got To Do With Everything I Know - 2014)

STEVEN LAMBKE PART ONE

11. Steven Lambke - Every Lover Knows (Every Lover Knows Single - 2022)
12. Steven Lambke - All Days Are Light and Gold Dark Blue (Dark Blue - 2019)

STEVEN LAMBKE INTERVIEW PART TWO

13. Adrian Teacher and The Subs - Terminal City (Terminal City - 2016)
14. Ancient Shapes - I Wanna Put My Tears Back In (Ancient Shapes - 2016)
15. Ancient Shapes - Political Rain (Silent Rave - 2018)
16. Ian Daniel Kehoe - What's A Liar Know Anyway (Secret Republic - 2019)
17. Jon McKiel - Management (Bobby Joe Hope - 2020)
18. Julie Doiron - You Gave Me The Key (I Thought of You - 2021)
19. Baby Eagle - Crooked Coin (Dog Weather - 2010)
20. Apollo Ghosts - Spilling Yr Guts (Pink Tiger - 2022)
21. Partner - Hot Knives (Healthy Release - 2016)
22. Daniel Romano - Helen's Restaurant (Sleep Beneath The Willow - 2011)
23. Daniel Romano's Outfit - Green Eye-Shade (How Ill Thy World Is Ordered - 2020)
24. Daniel Romano's Outfit - Even In The Loom of A Caress (Cobra Poems - 2021)
25. Daniel Romano - Half Moon (White Flag - 2020)
26. Spider Bite - Spider Bite (Spider Bite - 2020)
27. Spider Bite - Blood and Suffering (Spider Bite - 2020)
28. Daniel Romano's Outfit - Sucking The Old World Dry (Okay, Wow - 2020)

To hear this program, visit CJAM's schedule page for Revolution Rock and click the February 19 file to download/stream the episode.

The Dirtbombs Ultraglide In Black & Show # 921

The second full-length album by The Dirtbombs is Ultraglide In Black. Released in 2001 on In The Red Records, this album followed 1998’s Horndog Fest and a series of singles. Fronted by Detroit musician Mick Collins, this album and the band (made up of two bassists, two drummers and Collins on vocals/guitars) play a series of 60s and 70s soul and funk covers in tribute to the black music that Collins grew up with. These songs are reimagined brilliantly in a garage, gritty and fuzzy Dirtbombs style. The album’s cover pays homage to a 1967 album by Stevie Wonder called I Was Made To Love Her. Having also been in The Gories, Blacktop, The Screws and others, The Dirtbombs were a band that started as a side project in 1992. In 1995 they began recording and in 1996 started releasing singles. The first Dirtbombs single was the incendiary High Octane Salvation. The Dirtbombs lineup has altered during the years, but on this recording The Dirtbombs featured Mick Collins on vocals/guitar, Jim Diamond (bass), Tom Potter (fuzz bass), Patrick Pantano (drums) and Ben Blackwell on drums.

During this early 2000’s period, there was a burgeoning garage rock scene in Detroit. In 2000, The Dirtbombs released two singles (Brucia I Cavi & Headlights On) in addition to a split single with The White Stripes (Cedar Point ‘78/Hand Springs). They also toured extensively in the US, Europe and parts of Canada around this time. The Dirtbombs released Party Store in 2011. Seen as a sequel of sorts to Ultraglide In Black, this album is made up of covers of early Detroit techno songs. In 2013, they released a bubblegum pop record featuring all originals in this style called Ooey Gooey Chewy Ka-blooey! The Dirtbombs have released seven full-length albums, not counting singles, EPs and compilations. Collins has also recorded and released music with King Sound Quartet, The Voltaire Brothers, Danny Kroha, Wolfmanhattan Project and others (in addition to doing production work for other groups and his own).

“Chains of Love” starts off Ultraglide in Black with an undeniable fuzzy, yet soulful groove. A cover of a song by J.J. Barnes from 1967, The Dirtbombs begin this album with a song tackling themes of love and love lost. “If You Can Want” originally by Smokey Robinson & The Miracles comes next comes next in all its soulful, fuzzed out glory. “Underdog” is a song originally by Sly & The Family Stone, executed here with raved up garage, funk fashion. With lyrics such as “I know how it feels when you know you're real/But every other time/You get up and get a raw deal” and “I don't mind/I'm the underdog/No I can handle it/I'm the underdog,” this song brings forth a social commentary message of underdogs that have to prove themselves to be “twice as good.” “Your Love Belongs Under A Rock” is a short soulful track with ? and The Mysterians styled-organ sounds. Filled with enthusiasm and uninhibited Detroit rock and rock sounds, this track is the only original song found on Ultraglide In Black.

Other highlights include their take on Parliments “I’ll Wait,” Curtis Mayfield’s “Kung Fu,” Marvin Gaye’s “Got To Give It Up,” and “Living For The City.” Originally by Stevie Wonder and released in 1973, this song features some altered lyrics further emphasizing the urban struggle message and social commentary in the song with a fourth verse sung in Spanish. “Ode To A Black Man” is a song originally by Phil Lynott (of Thin Lizzy). This song is another strong moment with a bass heavy, moving rendition performed by The Dirtbombs that celebrates black leaders and cultural icons. “Living For The Weekend” is a raved up garage punk rendition of The O’Jays 1976 hit single that features a blues breakdown towards the ending moments. “I’m Qualified To Satisfy You” originally by Barry White features bouncing soulful bass with an unmistakable groove, while “Do You See My Love (For You Growing)” ends Ultraglide In Black. Originally by Jr. Walker & His All-Stars, it is found here by The Dirtbombs in a loose, yet spontaneous feel. Infusing garage with soul and a funk style, lyrics such as “Look into my heart baby/Look back at the memories/Tell me what do you see/Do you see my love for your growing” end Ultraglide In Black with a message that revels with possibility. 

House Rockin' Playlist (Originally Aired On February 12th, 2022):

1.  The Gories - Baby Say Unh! (Baby Say Unh! - Estrus Records - 1992)
2.  The Couvairs - Shake Baby (Shine On Sweet Starlet (Original Motion Picture Soundtrack) - Sympathy For The Record Industry - 1998)
3.  The Voltair Brothers - The Mother Ones (I Sing The Booty Electric - Fall Of Rome - 2003)
4.  Mick Collins & Danny Kroha - Welcome To The Cemetery Club (Winter Blues and Greens - Epitaphs and Elegies by Vincent Kim Fowley - Norton Records - 2013)
5.  Wolfmanhattan Project - Sticky (Blue Gene Stew - In The Red Recordings - 2019)
6.  The Dirtbombs - Jump and Shout (Ooey Gooey Chewy Ka-blooey! - In The Red Recordings - 2013)
7.  The Dirtbombs - Alleys of Your Mind (Party Store - In The Red Recordings - 2011)
8.  George "Wild Child" Butler - Gravy Child (Keep On Doing What You're Doing - Mercury Records - 1969(
9.  Mel Brown - Chicken Fat (Chicken Fat - Impulse! - 1967)
10. Howlin' Wolf - How Many More Years (Moanin' In The Moonlight - Chess Records - 1959)
11. Lonnie Johnson - There's No Love (Blues  - Bluesville - 1960)
12. The Meters - Funky Miracle (Look-Ka Py Py - Josie - 1969)
13. The Meters - Ease Back (The Meters - Josie - 1969)
14. Eddie Bo - Every Dog Gets Its Day (Tell It Like It Is/Every Dog Gets Its Day  - Ric Records/Quality - 1960)
15. Jackie Shane - Comin' Down (Any Other Way - Numero Group - 2017)
16. Jackie Shane - In My Tenement (Any Other Way - Numero Group - 2017)
17. Nina Simone - Mississippi Goddam Nina Simone (In Concert  - Phillips - 1964)
18. Salome Bey - Song From Blue S.A. (Salome Bey - CBC Radio Canada - 1970)
19. Andy And The Bey Sisters - Revenge (Andy And The Bey Sisters - RCA/Victor - 1961)
20. Yves Jarvis - Body of Work (Body of Work  - 2021)
21. Un Blonde - Understanding (Tenet - Bruised Tongue - 2015)
22. Faux Fur - Laundromat (Faux Fur - 2013)
23. Souvenir - Ransom (Collapse - 2021)
24. The Gories - Charm Bag (House Rockin' - Wanghead Records - 1989)
25. The Gories - Sister Ann (House Rockin' - Wanghead Records - 1989)
26. The King Sound Quartet - I Wouldn't Put It Past You (The Getdown Imperative - In The Red Recordings - 1997)
27. The Screws - Jesse Lee (Hate Filled Classics - In The Red Recordings - 1998)
28. Blacktop - Blazing Streets (I've Got A Baaad Feelin' About This: The Complete Recordings - In The Red Recordings - 2003)
29. The Dirtbombs - Burnt To Cinders (Horndog Fest - In The Red Recordings - 1998)
30. The Dirtbombs - I'll Wait (Ultraglide In Black - In The Red Recordings - 2001)

To hear this program, visit CJAM's schedule page for Revolution Rock and click the February 12 file to download/stream the episode.

Rolling Stones Exile On Main St. & Show # 920

 

 

Released in May of 1972, The Rolling Stones album Exile On Main St. was recorded at a time when there was a lot of tension and change going on in the world of The Rolling Stones. Having moved to France due to a new tax on high earners in England, they became literal exiles in France. They also left their record label being entangled with publishing rights issues and in general thee was a constant influx of hangers on at the villa (where they would record Exile), there was also a growing disparity within the band member’s personal lives. Musically there are elements of blues, soul, gospel, country and rock music. The recording of the album began in 1969, but when the band relocated to France in 1971 they began the search for a studio to record in. Having trouble finding something that was suitable for them, it was decided that they would set up their mobile recording truck outside of Keith Richards villa named Nellcote and record in the basement rooms there. The sessions were described as loose, disorganized and as stated by bassist Bill Wyman, not that glamorous. Recording stretched out into irregular hours in the days and nights that followed commencing with some overdubs that were done at Sunset Sound in Los Angeles. A lot of the time not all of the band were present on the recordings, since the sessions were so loose, sometimes certain people wouldn’t be there when they were recording. All this adds to the albums mystique and overall aesthetic.

“Rocks Off” starts off with a Keith Richards guitar riff and a snare hit by drummer Charlie Watts before a tambourine leads us into the beginning moments of this album before the song kicks in. As great as an opener as there could be for an album, “Rocks Off” is sleazy, greasy and captures the undeniable essence of the band. In between horn stabs from the horn section featuring Bobby Keys and Jim Price, Jagger sings with tension, chaos and of the rock and roll lifestyle. There is even a psychedelic breakdown around the 2-minute mark. “Rip This Joint” ups the tempo with rave up rockabilly sounds featuring a slightly altered Stones lineup. Bill Plummer plays an upright bass along with the rest of the Stones including pianist Nicky Hopkins who plays a Johnnie Johnson styled piano part. As Jagger sings the story that takes place across America from an outsiders perspective, this song is also said to be the blue print for future proto punk and punk bands with its breakneck speeds. The Rolling Stones version of Slim Harpo’s “Shake Your Hips” comes next with a 50s rock influence, blues and undeniable swagger. “Casino Boogie” rolls with a blues and boogie rhythm feel while the abstract lyrics that pull in different meanings such as “Million dollar sad” were done using William Burroughs cut up technique. Random words were written on torn up pieces of paper, mixed up and then picked out one by one by the band members. The order that is present on the song is the same order that was picked during this process. “Tumbling Dice” is another standout track on this album. With its unusual blues rhythms and lyrics such as “Baby, I can't stay/You got to roll me/And call me the tumblin' dice/Always in a hurry/I never stop to worry/Don't you see the time flashin' by,” Jagger crafts a story of an unfaithful gambler. This track also features Charlie Watts overdubbing drums over his existing drums giving them a bigger sound.

Side two starts off with “Sweet Virginia.” A hazy country track, carried by Charlie Watts cardboard sounding shuffle rhythm, the lyrics are ripe with vivid imagery that have been said to be influenced by Gram Parsons, drug use and the debaucherous atmosphere that surrounded the sessions. With words such as “Trying to stop the waves behind your eyeballs,” “Yes I’ve got the desert in my toenail,” and “Thank you for your wine, California/Thank you for your sweet and bitter fruits,” the song isn’t so literal as some might think. The song seems to present an over arching theme of getting through hard times when you’re down and out. “Torn and Frayed” sounds exactly as the title suggests. Mixing elements of soul, gospel and country the song follows the thread of the frayed coat of a musician that lives life on the road and is a look into the less glamorous moments of being a rock star. “Sweet Black Angel” features country, blues and world music rhythms while the lyrics are of a political nature and about civil rights activist Angela Davis. The piano driven rough, yet tender love ballad “Loving Cup” arrives next. Another highlight on this album, the song had its beginnings during the 1969 recording sessions for Let It Bleed. The song “Happy” is sung by guitarist Keith Richards. The song was written pretty much on the spot in a few hours. Since not all of the band members were around a the time, the song was recorded with producer Jimmy Miller on drums and Richards on vocals, guitar and bass. Guitar overdubs were later added by second guitarist Mick Taylor along with backing vocals by Jagger (in addition to some horn section overdubs from Bobby Keys and Jim Price). This song went on to be a top 40 single on the Billboard Hot 100 charts in 1972. “Turd On The Run” is not always liked by some Stones for some reason. Perhaps it is the title, but this is another great gem found among the gritty 18 songs that make up Exile On Main St. With its swampy blues rhythm, murky sounding at times humorous lyrics, this track was apparently sped up from the original recording to give it an unusual hectic sound.

“Ventilator Blues” features one of the few songwriting credits by guitarist Mick Taylor. This swampy blues number is indebted to Chess Records blues artists, soul music and has a title that was influenced by the lack of ventilation in the basement where they were recording. Since they were using a mobile recording unit outside and the weather in France at the time was quite warm, instruments were often going out of tune due to the heat and malfunctioning equipment. In the case of this song, they got some strange noises according to Richards and decided to leave it in. Lyrically dealing with the frustrations of life the song shows someone feeling the pressures of life closing in and evaporating around them. It provides no clear answers, but asks questions as it seeks some kind of ventilation or release from these frustrations. “Let It Loose” is a gospel inspired soul ballad. This emotionally charged song contains blues influences along with lyrics such as “Bit off more than I can chew/And I knew/Yeah I know what it was leading to,” and "In the bar you're getting drunk/whoa yeah yeah/Ain't in love, ain't in lust/whoa no no no” about a relationship that the character knows won’t last and can’t be maintained. “All Down The Line” starts of the fourth side of Exile On Main St. A more straight forward rock song with greasy blues spots throughout, lyrics such as “Well you can't say yes and you can't say no/Just be right there when the whistle blows/I need a sanctified mind to help me out right now,” seem to be looking forward while still being in the moment of chaos that surrounded them at the time. “All Down The Line” drives the Stones and Exile On Main St. into existential territory.

“Stop Breaking Down” comes next. A cover a song originally by Delta bluesman Robert Johnson, this song is reinterpreted with slide guitar from Mick Taylor, choppy blues guitar from Mick Jagger, harmonica, piano and an all around greasy groove from The Rolling Stones. Lyrically, this song even being a cover by Robert Johnson, takes on a new meaning here when redone by The Rolling Stones. “Shine A Light” is a soulful gospel influenced ballad that had its beginnings in 1969 when members of the band were working with Leon Russell. The song was originally about Brian Jones of The Rolling Stones, but the lyrics were changed following his death. Featuring piano and organ by Billy Preston, drums by producer Jimmy Miller, bass and lead guitar from Mick Taylor, guitar from Richards and vocals from Jagger, this powerful song has words dealing with hope and despair. “Soul Survivor” ends Exile On Main St. This mid-tempo deep cut, displays The Stones in their element. Featuring lyrics such as “I'll stowaway at sea, yeah/Ya make me mutiny/Where you are I won't be/You're gonna be the death of me” and “I’m a soul survivor,” this song encapsulates a strength and spirit to rise above adversity. 

While there was a lot of recording done during this time, Exile On Main St. was put together in a way that many feel captures the essence of rock and roll music and is The Rolling Stones at their best and most creative. When describing the album art that makes up Exile On Main St.’s cover, frontman Mick Jagger stated that it shows a “feeling of joyful isolation, grinning in the face of a scary and unknown future.” And while those themes do present themselves on this album, along with outlaw blues related themes, Exile On Main St. also features more universal themes. Musically the album seamlessly blends all the elements of rock and roll music up to that point in 1971 and beyond. With Exile On Main St, The Rolling Stones proved that sometimes even when exiled from everything you know you can find yourself.  

Rolling Stones Exile On Main St. Playlist:

1. The Rolling Stones - Title 5 (Exile On Main St: Deluxe Edition - Rolling Stones Records/Universal Music - 2010)
2. The Rolling Stones - I'm Going Down (Outtake) Exile On Main St: The Real Alternate Album
3. The Rolling Stones - Rocks Off (Exile On Main St. - Rolling Stones Records - 1972)
4. The Rolling Stones - Rip This Joint (Live) (Ladies & Gentleman: The Rolling Stones (Live 1972) - Rolling Stones Records/Eagle Vision - 2010)
5. The Rolling Stones - Shake Your Hips (Live) (The Montreux Rehearsals)
6. The Rolling Stones - Casino Boogie (Exile On Main St. - Rolling Stones Records - 1972)
7. The Rolling Stones - Tumblin' Dice (Live) (Ladies & Gentleman: The Rolling Stones (Live 1972) - Rolling Stones Records/Eagle Vision - 2010)
8. The Rolling Stones - Sweet Virginia (Exile On Main St. - Rolling Stones Records - 1972)
9. The Rolling Stones - Torn and Frayed (Exile On Main St. - Rolling Stones Records - 1972)
10. The Rolling Stones - Sweet Black Angel (Instrumental Version) (Exile On Main St: The Real Alternate Album - Red Tongue Records - 2012)
11. The Rolling Stones - Loving Cup (Alternate Take) (Exile On Main St: Deluxe Edition - Rolling Stones Records/Universal Music - 1972/2010)
12. The Rolling Stones - Happy (Live) (Ladies & Gentleman: The Rolling Stones (Live 1972) - Rolling Stones Records/Eagle Vision - 2010)
13. The Rolling Stones - Turd On The Run (Exile On Main St. - Rolling Stones Records - 1972)
14. The Rolling Stones - Ventilator Blues (Exile On Main St. - Rolling Stones Records - 1972)
15. The Rolling Stones - I Just Want To See His Face (Exile On Main St. - Rolling Stones Records - 1972)
16. The Rolling Stones - Let It Loose (Instrumental Version) (Exile On Main St: The Real Alternate Album - Red Tongue Records - 2012) 
17. The Rolling Stones - All Down The Line (Alternate Version) (Exile On Main St: Deluxe Edition - Rolling Stones Records/Universal Music - 1972/2010)
18. The Rolling Stones - Stop Breaking Down (Exile On Main St: Deluxe Edition - Rolling Stones Records/Universal Music - 1972/2010)
19. The Rolling Stones - Shine A Light (Alternate Version) Exile On Main St: The Real Alternate Album
20. The Rolling Stones - Soul Survivor (Alternate Version) (Exile On Main St: Deluxe Edition - Rolling Stones Records/Universal Music - 2010)
21. The Rolling Stones - Good Time Women (Exile On Main St: Deluxe Edition - Rolling Stones Records/Universal Music - 2010)
22. The Rolling Stones - I'm Not Signifying (Exile On Main St: Deluxe Edition - Rolling Stones Records/Universal Music - 2010)
23. The Rolling Stones - So Divine (Aladdin Story) (Exile On Main St: Deluxe Edition - Rolling Stones Records/Universal Music - 2010)

To hear this program, visit CJAM's schedule page for Revolution Rock and click the February 5 file to download/stream the episode.

Coming Up On Revolution Rock in February 2022!

As February arrives, Revolution Rock is prepping for its annual theme month programming. Every episode that airs in February will be devoted to a specific theme. Dave and Adam have some cool programming lined up ranging from our annual Black History Month program to our Revolution Surf episode. Revolution Rock can be streamed and downloaded from cjam.ca (and also after it airs on this website). Last year Revolution Rock became a syndicated program and can now be heard on twelve other campus/community radio stations across Canada in addition to CJAM FM.

Continue reading to find out about this year’s schedule for Theme Month:

Stones in Exile: The 50th Anniversary of The Rolling Stones Exile On Main Street Album
Saturday February 5th, 2021
7-9 PM EST
CJAM 99.1 FM (www.cjam.ca)

Originally released in May of 1972, Exile On Main Street is a double album released by The Rolling Stones. The recording of the album began in 1969 and continued into 1971 in the South of France in a villa rented by Keith Richard named Nellcote. At the time the band was living abroad as tax exiles, the basement rooms of the villa became the studio where the band would record the album. Recordings stretched across many days and nights as the band worked with a mobile recording unit. The sessions were described as disorganized and loose. At the time there were many other factors at play during the recordings including drug use, the conditions of the studio, growing disparity between the band members and their personal lives, hangers on and people coming by during the sessions. However as a result, Exile On Main Street was pieced together from these sessions in a double that many feel is The Rolling Stones at their best and most creative. Overdubs were done at Sunset Sound in Los Angeles. Musically the album dove into blues, country, gospel and rock and roll music in a variety of styles. Although it was met with some mixed reviews at the time of its release, it is now seen as one of their best. In 2010, a 40th anniversary edition of the album was released which featured a bonus disc made up of outtakes and alternate versions of songs recorded for the album. On this episode we will play the album in its entirety, but with a twist. We will be playing the full album, but made up of different versions of the songs from the sessions and live recordings. The show will also feature a selection of outtakes recorded from the session.

Houserockin’: Revolution Rock Celebrates Black History Month
Saturday February 12th, 2021
7-9 PM EST
CJAM 99.1 FM (www.cjam.ca)

In the mid 1980’s Mick Collins helped form the seminal and now legendary garage punk band The Gories in Detroit, Michigan. The band, who still plays live to this day features Mick Collins on vocals/guitar, Dan Kroha on guitar/vocals and Peg O’Neil on drums. After three albums and a series of singles the band broke up after a European tour in 1992. Collins also formed The Dirtbombs in 1992. The band started as a side project and started recording in 1995. They went on to go much further than that blended diverse influences such as punk, soul also featuring dual bass guitar and a dual drum and guitar lineup. The band has had an ever-changing lineup. Every album the band releases is different, but not in the traditional sense. For example 2011’s Party Store features rock covers of early Detroit techno and house music, 2001’s Ultraglide in Black is a collection of soul, R&B and Motown covers, 2013’s Ooey Gooey Chewy Ka-blooey! is a bubble gum record. Mick has also been involved in many other bands such as Blacktop, King Sound Quartet and more recently Wolfmanhattan Project. On this episode of Revolution Rock, we will have sets of music featuring music with Mick Collins, as well as sets of music from other artists and genres such as Nina Simone, Howlin' Wolf and Salome Bey in celebration of Black History Month.

Still YC: A Special On You’ve Change Records
Saturday February 19th, 2021
7-9 PM EST
CJAM 99.1 FM (www.cjam.ca) 

 You’ve Changed Records is an independent, artist run record label. Founded in 2009 by Daniel Romano and Steven Lambke, the label celebrated its 10th anniversary in 2019. The first official released on You’ve Changed Records was Shotgun Jimmie’s Still Jimmie in 2009. The label has released music by Shotgun Jimmie, The Weather Station, Marine Dreams, Partner, Nap Eyes, Leanne Betasamosake Simpson, Fiver, Jon McKiel, Status/Non-Status, Julie Doiron, music from Steven Lambke and Daniel Romano and other bands that he has been a part of or collaborated with such as Daniel Romano’s Outfit, Ancient Shapes, Baby Eagle, Julie Doiron. Each release that You’ve Changed releases has its own unique art/album covers and design. Romano started out playing in indie folk acts Attack In Black and Daniel, Fred & Julie. Steven Lambke is known as being a member of the band Constantines. He has also been the creative director of Sappyfest since 2017 and has released music as Baby Eagle and as a solo artist. In 2020, Daniel Romano released numerous albums at an amazing rate. Nine albums, an EP and a 22-minute track with Tool’s Danny Carey were released by Romano in 2020. A major feat for any artist and all of them are great. On this episode we will feature selections from the You’ve Change Records discography.

Revolution Surf 2022
Saturday February 26th, 2021
7-9 PM EST
CJAM 99.1 FM (www.cjam.ca)

Every year theme month ends with our annual surf rock special titled Revolution Surf. Early surf music’s sound was dominated by the use of reverb units that were developed by Fender guitars in 1961. In the future they would be built into the amplifier, but at this point in the early 60s, they were separate units utilizing springs that helped to create that reverby sound that emulates what waves sound like. Now you can just add it as a setting when using a computer or on a guitar pedal or amplifier. For this year’s episode there will be no theme. The episode will be made up of a mixture of new and old surf and instrumental music from the past and present. Whether it was made with an old-fashioned reverb unit or one of the more modern reverb methods, Revolution Surf will end out this year’s theme month once again with a mix of surf sounds.

Sorry Ma, Forgot To Take Out The Trash & Shows # 919 & 918

The first Replacements album Sorry Man, Forgot To Take Out The Trash was first released in 1981 on the Twin/Tone label. Although associated with other bands in the Minneapolis scene, they were different. While their uninhibited snotty energy tapped into punk, Paul Westerberg’s songwriting even in this early stage, stood out from the other bands at the time. Featuring Paul Westerberg on guitar/vocals, Tommy Stinson on bass, Bob Stinson on lead guitar and Chris Mars on drums, The Replacements first album featured 18 tracks.

The songs delved into themes of boredom, angst, despair, relationships, booze and everything in between. Containing now classic tracks such as “Takin’ A Ride,” “Customer,” “I Hate Music,” “Johnny’s Gonna Die,” “Shiftless When Idle,” and “I’m In Trouble,” throughout the Sorry Ma album, the songs are also filled a unique sense of humour and also abandon. Recorded at Blackberry Way in Minneapolis, Minnesota, the album was produced by Steve Fjelstad, Paul Westerberg and Peter Jesperson. Although it has been stated many times before, Peter Jesperson was instrumental in getting The Replacements not only gigs at The Longhorn (a venue he was helping book shows at), but he also helped get them a record deal to make Sorry Ma, Forgot To Take Out The Trash. Also a taste maker in the music scene in the Twin Cities at the time, when he first heard The Replacements 4-track demo tape, he flipped out. He became an instant lifelong fan and supporter. He also helped to record early demos of the band in addition to helping produce this album.

In 2021, a deluxe edition of Sorry Ma, Forgot To Take Out The Trash was released on Rhino Records. This edition, like the previous deluxe editions of their other albums that have come before this, expands a certain time period in the band’s history. This set features the original Sorry Ma album remastered with the B-side country ballad “If Only You Were Lonely,” along with 67 unreleased tracks and an unreleased live show live at 7th St Entry in Minneapolis on January 23rd, 1981. Included in the set is the original 4-track demo that got them their record deal, the demo that proceeded it (when they weren’t even known as The Replacements yet), a plethora of other early demos and recordings, there are alternate takes and outtakes from the Sorry Ma sessions as well. The 4 CD set also comes with a vinyl edition of the album made up from the alternate takes and some demos from this time period giving Sorry Ma a different sonic outlook called Deliberate Noise -The Alternate Sorry Ma, Forgot To Take Out The Trash. There is also a book with previously unreleased photos, interviews with the band members and associates as well as writings from band biographer Bob Mehr. Peter Jesperson, Rhino’s Jason Jones and Bob Mehr produced this deluxe set. Whichever version you listen to Sorry Ma, Forgot To Take Out The Trash is where it all began for The Replacements. There is chaos, reckless abandon and depth in the songs. Sorry Ma, Forgot To Take Out The Trash captures The Replacements in their earliest and rawest form.

Show 919 Playlist (Originally Aired On January 29th, 2022)(Destroyer, Teenanger, Cellos, The Replacements):

1. Broken Social Scene - Curse Your Fail
2. Gray - Wig
3. Ada Lea - Oranges
4. Fiver - Paid in Pride
5. The Sadies - Message To Belial
6. Bill Fay - Backwoods Maze
7. Good2Go - Hold Me Close
8. The Detroit Cobras - Bad Girl
9. The Retail Simps - Love Without Friction
10. Thee Headcoatees - Don't Try and Tell Me
11. Neu! - Hallogallo
12. Destroyer - Tinoretto, It's For You
13. Teenanger - Good, You?
14. Aversions - Sharp Left Turns
15. Devo - Strange Pursuit (Demo)
16. Trampoline Delay - Don't Let Go
17. Cellos - Moustache Rock
18. Lucy Dacus - First Time
19. Elvis Costello & The Imposters - Penelope Halfpenny
20. Basement Revolver - Tunnel Vision
21. Cat Power - Pa Pa Power
22. The Replacements - Lookin' For Ya (Demo)
23. The Replacements - Raised In The City (Demo)
24. The Replacements - Careless (Alternate Version)
25. The Replacements - I'm In Trouble (Alternate Version)
26. The Replacements - Don't Ask Why (Alternate Mix)

To hear this program, visit CJAM's schedule page for Revolution Rock and click the January 29 file to download/stream the episode.

 Show 918 Playlist (Originally Aired On January 22nd, 2022)(Fontaines D.C., Outtacontroller, Ronnie Spector, Dave Whitehead, Crissy DeVerbert, Hilary Bockham/Ida Red and Rachel Nagy Tributes):

1. Fontaines D.C. - Jackie Down The Line
2. Lammping - Everylasting Moors
3. Trampoline Delay - Personal Space
4. Outtacontroller - Parts Unknown
5. Matt Ellis - Everything Sucks/I Hate It All
6. Print Head - Only Being
7. Print Head - Trouble Doubt Brewin'
8. Howlin' Wolf - Who's Been Talkin'
9. Roy Orbison - Lana
10. Paul Simon - Run That Body Down
11. Al Green - La-La For You
12. No Frills - I Don't Want To Be Your Dog Anymore
13. Scarlet Drops - It's Time To Do
14. Tunic - Ex-Epic
15. L00ping - Wasn't There
16. Diamondtown - Stride
17. Lost Patrol - I’m Not The One
18. Lost Patrol - Grow Up Hard
19. The Guitar Army Ft. Dave Whitehead - Pills (Live at The Vic 1998)
20. Zellots - On The Dole
21. Zellots - Soldier
22. The Delmonas - Comin' Home Baby
23. The Delmonas - Peter Gunn Locomotion
24. Bruce Springsteen & the E-Street Band feat. Ronnie Spector - Be My Baby
25. The Ronettes - What'd I Say
26. Ronnie Spector - You Can't Put Your Arms Around A Memory
27. The Ronettes - Why Don't They Let Us Fall In Love
28. The Detroit Cobras - He Did It
29. The Detroit Cobras - Stay Down
30. The Detroit Cobras - Cha Cha Twist

To hear this program, visit CJAM's schedule page for Revolution Rock and click the January 22 file to download/stream the episode.

Revolution Rock: The 2021 Interviews & Show # 917

This year on Revolution Rock, the program featured eleven different interviews. Eight were audio based interviews that aired on the show and three were done through email specifically for this website. On this episode we featured highlights (or clips) from each of the audio interviews and music from each of the artists that were interviewed, whether it was for the radio program or for this website. Below you will find some info about these interviews plus the playlist and download/streaming links to the episode.

An Interview with Richard Hell (February 2021): 

In February 2021, as part of Revolution Rock’s annual theme month programming we spoke with New York punk icon Richard Hell. Known as one of the originators and pioneers during the early days of New York punk, Hell quit the music world in 1984 to focus on writing, only reappearing a few times on some music projects. Having co-founded Television, being one of the original members of The Heartbreakers (featuring Johnny Thunders and Jerry Nolan of The New York Dolls), Hell formed Richard Hell & The Voidoids in 1976 and released their debut album, Blank Generation in 1977. Hell’s look and aesthetic would go on as a template for punk music that would influence others, most notably The Sex Pistols, who in turn would influence their own music scene. The Voidoids first album is seen as a classic, with its title track still sounding as vital and thought provoking today. In 1982, he released the often misunderstood Destiny Street. The album has a long history, which Richard goes into detail about in the interview. It was reissued in 2021 as Destiny Street Complete via Omnivore Recordings. The set contains four versions of the album, along with a few outtakes. The original 1982 version remastered, the 2009 Destiny Street Repaired version, a newly remixed version of Destiny Street and a collection of demos that show early and different versions of the songs that would make up this album. Destiny Street Complete re-establishes the great moments of Destiny Street for everyone to hear. Richard Hell is an author, poet, musician and actor. In this interview Richard Hell covers the time period making Destiny Street, parts of his writing career and influences, along with his songwriting process in the Voidoids and more.

Listen to the full interview here:

Find the original post here.

An Interview with Patrick Flegel (of Cindy Lee/Women) & Michael Wallace (of Preoccupations/Women) (February 2021):

As part of a special program focusing on the 10th anniversary of Calgary band Women’s second and final album Public Strain we spoke with vocalist, guitarist and songwriter Patrick Flegel and drummer Michael Wallace. Recorded in the span of ten months in the dead of winter in Calgary by Chad VanGaalen, Public Strain explored more post punk sounds, often darker and more jarring, but at the same time there is something strangely beautiful that permeates this record. The album received widespread critical acclaim, eventually being long listed on the nominees for the Polaris Prize in 2011. Women toured heavily from 2008-2009. They also toured in support of Public Strain, but that tour was cut short in October 2010. Following a show that occurred in October 2010 in Victoria BC, Women stopped playing as a band. The band members went their separate ways. Bassist Matthew Flegel and drummer Michael Wallace went on to form the band Viet Cong (before changing their name to Preoccupations), guitarist/vocalist Patrick Flegel would continue creating music eventually creating music as Cindy Lee and Christopher Reimer joined the band The Dodos as their touring guitarist while collaborating and creating music until he passed away in his sleep unexpectedly in 2012. In these exclusive interviews Patrick talks about creating the music with Women for Public Strain, his influences as well as recording and performing as Cindy Lee. Michael Wallace, gives his own account of the sessions, recording with Chad VanGaalen and the moments leading up to the album, joining the band Women, Preoccupatons beginnings as well as plans for their next album. 

Listen to the full interviews here:

Find the original post here.

An Interview with Chad VanGaalen (March 2021):

Chad VanGaalen released World’s Most Stressed Out Gardner in 2021 on Sub Pop and Flemish Eye Records. The music that he creates while it is sometimes folk, sometimes psychedelic, sometimes indie rock, sometimes strange, is really its own thing. The universe in which the songs of Chad VanGaalen belong is a strange, wonderful, kind of messed up, cosmic place at times. As we enter these worlds we find ourselves absorbed by the sounds and stories that he produces. World’s Most Stressed Out Gardener is eclectic and offers more variety musically than ever before on one of his albums, but still has the same feel of the best of Chad VanGaalen’s work. In the interview Chad discusses how the album was created and altered when he came up with the song “Samurai Sword” just before the album was set to be printed, working on songs and recording. He also discusses his time recording Women’s Public Strain and working with members of the band on their first two albums, buying stuff of Kijiji, gardening and more.

Listen to the full interview here:

Find the original post here.

An Interview with Chris Murdoch (April 2021):

Halifax musician, DJ and writer Chris Murdoch released the full-length debut album Collapse with his band Souvenir in April of 2021. This followed 2020, Beating into Dust EP. In 2020, we also spoke with Chris for this website through email to discuss his music history playing in bands and Black Dots: An Afropunk Primer. Black Dots is an eight-page essay is somewhere in between a zine and pamphlet that also includes exclusive illustrations done by graphic designer/musician Raymond Biesinger. Inside over the course of 2800 words, Chris Murdoch covers his own experiences being a musician and attending shows in Halifax along with information about when Black first met punk in the UK and US. It was released through the Pentagon Black label in Montreal and over $3000 was donated to Black Lives Matter Solidarity Fund Nova Scotia from its sales. Souvenir is a band out of Halifax, Nova Scotia featuring bassist/vocalist Lachie MacDonald (Tom Fun Orchestra, Great Plains, Dyscontrol), guitarist/vocalist Dave Banoub (Jon Hynes) and Chris Murdoch on drums/vocals (Word On The Street, Weekend Dads, Outtacontroller). Produced by Charles Austin (Outtacontroller, Future Girls) out of Ocean Floor Studios in Halifax, Collapse is the debut full-length album from Souvenir. With all three members contributing vocals and songs, Collapse features nine songs and album cover artwork by illustrator Raymond Biesinger. In the interview Chris talks about the recording and writing process that the band went through to create Collapse, politics in punk and more. 

 Listen to the full interview here:

Find the original post here.

An Interview with Paul Jacobs (May 2021):

Montreal musician Paul Jacobs latest release Pink Dogs On The Green Grass was released via Blow The Fuse Records in 2021. With just thirteen tracks, this album follows 2020’s outtakes/demo collection Portrait of George (Demo & Songs I Forgot About) and 2018’s EASY. Already having several albums in his discography (and two releases as part of post punk group Pottery), Pink Dogs On The Green Grass shows Paul Jacobs branching out by finding a new way of approaching his music. Musically, references have been made to Cass McCombs, Kurt Vile, early Beck, but you can also hear the influence of 60s psychedelia and bands such as The Byrds and Lou Reed. Lyrically, Jacobs words are at times surreal. They are sometimes about different characters or observations and often take on cryptic meanings. While some have said that the lyrics reveal unwanted moments that stick with you, Pink Dogs On The Green Grass is much more than that. In the interview Paul talks about recording his new album, illustrating the videos for this album, who Bobby is from Pottery’s Bobby’s Motel album, David Lynch and more. 

Listen to the full interview here:

Find the original post here.

An Interview with Mark Arm & Steve Turner of Mudhoney (August 2021):

Every Good Boy Deserves Fudge is the second full-length album from Seattle’s Mudhoney. An expanded 30th anniversary edition was released by Sub Pop in 2021 featuring demos, outtakes and non-album tracks. Originally released on July 26th, 1991, the album shipped 50,000 copies when it was originally released. Just a few months later, Nirvana’s Nevermind would be released and the whole musical landscape would change. Prior to being recorded, Mudhoney recorded five tracks with producer Jack Endino (who also produced their Superfuzz Bigmuff EP and the Mudhoney album) in a 24-track studio. Unhappy with the results, guitarist Steve Turner pushed for a change of direction. Liking the results of Conrad Uno’s 8-track recording studio called Egg Studios on the Thrillsphere album by Tacoma, Washington’s Girl Trouble, the band decided to record a selection of punk covers with Uno to see what it would sound like recording there. Several of these songs came out on singles or on compilation albums, but not all of them. In spring of 1991, Mudhoney began recording Every Good Boy Deserves Fudge. On this album Mudhoney switches their focus embracing 60s garage influences such as The Sonics, Lollipop Shoppe, Neil Young, Spacemen 3, post hardcore, 80s hardcore and the sounds of bands such as Zounds and Hawkwind. In the interview Mark Arm & Steve Turner of Mudhoney talk about making the 1991 album, being in an unaired TV pilot for Fox, the influence of The Wipers, fuzz pedals and more. 

Listen to the full interview here:

Find the original post here.

An Interview with Matt Ellis (May 2021):

Hamilton musician Matt Ellis has played in many different bands such as The Vapids, Flesh Rag and PlasticHeads. Usually on guitar, Matt recorded a series of Ramones inspired EPs in 2020 at his home where he played all of the instrumentation. All of the proceeds from these releases went towards different non-profit organizations in Toronto and Hamilton. Following a remix, the addition of real drums provided by Jimmy Vapid of The Vapids, Curtis Tone from PlasticHeads and two new tracks, Full Moon Fever was released on vinyl at the end of February 2021 on Surfin Ki Records. With an obvious Ramones influence, the songs that make up Full Moon Fever pull from the Dee Dee Ramone penned catalogue of Ramones tracks with a dash of The Spits, DBOY and Seattle band HEAD. At 18 tracks, none of the songs on Full Moon Fever go past the two-minute mark. Running through themes of isolation, frustration, boredom and escapism, Full Moon Fever delves into a manic dynamic of punk rock and suburban paranoia. Ellis released an album with another band called Anxious Pleasers on cassette that featured members of Hamilton band TV Freaks. In January 2021, he released a new digital single titled Everything Sucks. Matt Ellis did an exclusive Q&A for this website covering his music influences/history, the making of Full Moon Fever, guitars and his favourite Ramones albums. 

Read the full interview/post here.

An Interview with Shawn McDonald (June 2021):

London, Ontario musician Shawn McDonald has been involved in numerous rock bands over the years. In 2021, he made several albums from his discography with different bands he’s been in available digitally for the first time. One of his earlier bands, Grassy Knoll & The Magic Bullit released the album Hollandays digitally. It was a lost, previously unreleased album. In addition to this album he made other albums from this band available through Bandcamp and other streaming services. In 2018, 2 was released by the band Baby Giant. Baby Giant is made up of musicians Shawn McDonald and Tim McDonald. The band started out around 2017 to record a collection of reworked/reimagined songs in commemoration of an earlier band that the McDonald’s had been in called Grassy Knoll & The Magic Bullit (that album is called Grassy Magic). Being in numerous bands such as The Fine Print, Dragsville, Hurricane & Able and many others Shawn McDonald really showcases his songwriting abilities on 2, both on his own and in collaboration with Tim McDonald. The album was recorded by Tim McDonald (credited as King Woobs). Shawn McDonald did a Q&A for this website covering the writing of several songs in Grassy Knoll & The Magic Bullit, some of the bands he has played/recorded with and what he is currently working on. 

Read the full interview/post here.

An Interview with Neil Jarvis (July 2021):

Perhaps best known as being in the Manchester band Sprinters, Get The Band Back Together is the third solo album released by Neil Jarvis. Prior to this Sprinters released two excellent albums, 2017’s Sprinters and 2019’s Struck Gold. Neil’s earlier solo albums were recorded the same way as this one was, on a 4-track cassette recorder. Weekends (2012) and Halloween Summer (2014) featured lo-fi, psych/surf influenced sounds that were sometimes experimental. Get The Band Back Together is more acoustic based, but it still features the sometimes haunting nostalgic feeling that is present throughout all of Neil’s songs. Recorded on a 4-track cassette recorder during lockdown in April 2020-June 2021, Get The Back Band Together takes Jarvis’ earlier tried and true method of recording/writing songs, but adds a sense of maturity and poignancy that sets this collection of songs apart from both Sprinters and his earlier work. Neil Did a Q&A for this website where he covers recording and releasing an album during the pandemic, the influence of musician David Berman and some of his earlier solo releases. 

Read the full interview/post here.

An Interview with The Garrys (October 2021): 

Get Thee To A Nunnery is the fourth full-length album by Saskatoon’s The Garrys. This three-piece sister trio features Erica Maier (guitar/vocals), Julie Maier (bass/vocals) and Lenore Maier (drums/vocals). They first started appearing on underground music radar with 2017’s Surf Manitou, which brought their prairie inspired surf dynamics and combined them with folk-like tales of Manitou Beach, SK, a family vacation spot that the Maier’s visited when younger. In 2020, The Garrys released their score to the 1922 silent film Haxan:Witchcraft Through The Ages, which was performed and recorded live as the film played in a theatre. They describe their music as “dreamy blood harmony surf rock doom-wop on morphine.” Get Thee To A Nunnery has been getting critical acclaim appearing on Bandcamp Daily, other sites and charting on the Earshot Top 50 Album Charts across campus radio in Canada. Revolution Rock spoke with Erica, Julie and Lenore Maier of The Garrys. In the interview they discuss their formation, recording/writing songs for Get Thee To A Nunnery, working with Dallas Good as producer, doing the live soundtrack to Haxan:Witchcraft Through The Ages and more.

Listen to the full interview here:

Find the original post here.

Show 917: The 2021 Interviews Playlist:

1. Richard Hell - Kid With The Replaceable Head  (Remastered) (Destiny Street Complete - Omnivore Recordings - 2021)

RICHARD HELL INTERVIEW CLIP

2. Richard Hell - Ignore That Door (Remixed)  (Destiny Street Complete - Omnivore Recordings - 2021)
3. Women - Narrow With The Hall (Public Strain - Flemish Eye - 2010/2020)

PATRICK FLEGEL (OF CINDY LEE/WOMEN) INTERVIEW CLIP

4. Cindy Lee - Love Remains (Cat O’Nine Tails - CCQSK Records - 2020)
5. Women - Everyone Is So In Love With You (Rarities 2007-2010 - Flemish Eye - 2020)

MICHAEL WALLACE (OF PREOCCUPATIONS/WOMEN) INTERVIEW CLIP

6. Preoccupations - Monotony (Preoccupations - Jagjaguwar/Flemish Eye - 2006)
7. Chad VanGaalen - Starlight (World's Most Stressed Out Gardener - Sub Pop/Flemish Eye - 2021)

CHAD VANGAALEN INTERVIEW CLIP

8. Souvenir - Ransom (Collapse - 2021)

CHRIS MURDOCH (OF SOUVENIR) INTERVIEW CLIP

9. Souvenir - Holding Pattern (Collapse - 2021)
10. Paul Jacobs - Half Rich Longer (Pink Dogs On The Green Grass - Blow The Fuse Records - 2021)

PAUL JACOBS INTERVIEW CLIP

11. Paul Jacobs - The Telephone (Revisited) (Story About Anything EP - 2018)
12. Mudhoney - Into The Drink (Every Good Boy Deserves Fudge (30th Anniversary Edition) - Sub Pop - 2021)

MARK ARM & STEVE TURNER (OF MUDHONEY) INTERVIEW CLIP

13. Matt Ellis - Flowers In The Moonlight (Full Moon Fever - Surfing Ki Records - 2021)
14. Grassy Knoll & The Magic Bullit - A-Jam (Hollandays - 2021)
15. Baby Giant - Japan (2 - 2018)
16. Neil Jarvis - Get The Band Back Together (Get The Band Back Together - On The Grind Records - 2021)
17. The Garrys - Devil’s Dip (Get Thee To A Nunnery - Grey Records - 2021)

ERICA, JULIE & LENORE MAIER (OF THE GARRYS) INTERVIEW CLIP

18. The Garrys - In The Dawn (Get Thee To A Nunnery - Grey Records - 2021)

To hear this program, visit CJAM's schedule page for Revolution Rock and click the January 15 file to download/stream the episode.

2021 Album Highlights & Shows # 917, 916

For our annual albums of the year episodes, Revolution Rock once again did not rank any of the albums with any specific number. The following selections for the two episodes posted here feature a mix of albums from 2021 in no specific order, but all of them were albums that we enjoyed. Below you will also find six write-ups from albums that were released in 2021, three written by Dave and three written by Adam. Following these words are playlists and download/listening links to two episodes featuring music released in 2021.

2021 Album Highlights:
Written by Dave Konstantino

Paul Jacobs - Pink Dogs On The Green Grass

Paul Jacobs latest release is Pink Dogs On The Green Grass is out via Blow The Fuse Records. With just thirteen tracks, this album follows 2020’s outtakes/demo collection Portrait of George (Demo & Songs I Forgot About) and 2018’s EASY. Already having several albums in his discography (and two releases as part of post punk group Pottery), Pink Dogs On The Green Grass shows Paul Jacobs branching out by finding a new way of approaching his music. Musically, references have been made to Cass McCombs, Kurt Vile, early Beck, but you can also hear the influence of 60s psychedelia and bands such as The Byrds and Lou Reed. Lyrically, Jacobs words are at times surreal. They are sometimes about different characters or observations and often take on cryptic meanings. While some have said that the lyrics reveal unwanted moments that stick with you, Pink Dogs On The Green Grass is much more than that. With Pink Dogs On The Green Grass, Paul Jacobs reveals that the grass sometimes turns yellow on the other side and that sometimes the green grass can be found in the every day moments we find ourselves in. 

The Garrys – Get Thee To A Nunnery

Get Thee To A Nunnery is the fourth full-length album by Saskatoon’s The Garrys. This three-piece sister trio features Erica Maier (guitar/vocals), Julie Maier (bass/vocals) and Lenore Maier (drums/vocals). They first started appearing on underground music radar with 2017’s Surf Manitou, which brought their prairie inspired surf dynamics and combined them with folk-like tales of Manitou Beach, SK, a family vacation spot that the Maier’s visited when younger. They also sung of sea monsters that lurked those parts. In 2020, The Garrys released their score to the 1922 silent film Haxan: Witchcraft Through The Ages, which was performed and recorded live as the film played in a theatre. They describe their music as “dreamy blood harmony surf rock doom-wop on morphine.” Surf, psychedelia, doo-wop, garage and cinematic sounds of composers such as Ennino Morricone influence the music, but it is so much more than that description. Produced by Dallas Good of the Sadies, Get Thee To A Nunnery presents The Garrys capturing that nostalgic feeling that they do so well, that exists both in the past and the present, as it questions topics relating to family roots in Saskatchewan, isolation and decay of rural life, worldviews and faith in different generations and oppression. It doesn’t just address the past saying everything is great because that isn’t how it was. While also taking influence from Shakepeare’s Hamlet, Get Thee To A Nunnery goes further in The Garrys’ songwriting abilities. It explores new and old themes placing them in larger contexts that drift out beyond the borders that we once knew.

Chad VanGaalen – World’s Most Stressed Out Gardener

World’s Most Stressed Out Gardener is the follow up to Chad VanGaalen’s 2017 album Light Information. If we are counting the two outtake albums that were released in 2020 (Odds & Sods 2, Lost Harmonies), it is his ninth studio album. Released in March 2021, World’s Most Stressed Out Gardener is an eclectic collection of songs from VanGaalen. The music that he creates while it is sometimes folk, sometimes psychedelic, sometimes indie rock, sometimes strange, is really its own thing. The universe in which the songs of Chad VanGaalen belong is a strange, wonderful, kind of messed up, cosmic place at times. As we enter these worlds we find ourselves absorbed by the sounds and stories that he produces. World’s Most Stressed Out Gardener offers more variety musically than ever before on one of his albums, but still has the same feel of the best of Chad VanGaalen’s work. Like his illustrations and animations, the songs that Chad VanGaalen creates capture a sense of something of the unknown, the otherworldly, visually and sonically. With World’s Most Stressed Out Gardener, Chad VanGaalen digs deep to show us a world that is dark, multifaceted and sonically captivating.

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Written by Adam Peltier

The Weather Station – Ignorance

Tamara Lindeman's past albums have displayed keen observations into human relationships, but her latest offering shifts the songwriter's insights to the relationship between people and the world around them. It would belittle Ignorance to think of it only as a “climate change” album; its exploration of complex themes and the intricacies existing between personal and ecology trauma refuse such a simple interpretation. Take the opener “Robber” - it may be about man-made environmental devastation, but it also evokes ideas of colonialism, capitalism, and meritocracy. However, there is no denying Lindeman's identification with nature on this album, from the pleading “Wear” to the cathartic closer “Subdivisions.” There is an artfulness to how Lindeman handles such themes, which in the wrong hands could be ham-fisted or pedantic. Instead, she offers an emotional vulnerability to her performance and lyrics, while never falling into fragility. In fact, the Weather Station has never sounded more confident or emboldened than on this record. Part of the album's charm is easily the band Lindeman assembled, whose performance incorporates elements of folk, baroque pop, and jazz, a combination which has led to many mid-70's Joni Mitchell comparisons. Certainly, Ignorance shares a lot of the warmth of albums like Court & Spark and Hissing of Summer Lawns, but distinguishes itself through its propulsive grooves and the immediacy of its lyrics. Rather than wallow in the environmental collapse of our world, Ignorance offers a passionate response to the societal apathy (and “ignorance”) that has led us down this path.

Dry Cleaning – New Long Leg

“Do everything feeling nothing.” Is there a greater distillation of how 2021 felt than this line? Florence Shaw's deadpan intonation is the perfect vessel to deliver this and the dozens of other quotable lyrics on New Long Leg, the debut album from the much hyped UK band Dry Cleaning. Unlike majority of other great white hopes touted by the British music press, Dry Cleaning delivered not only a solid album of grunge-tinged post-punk, but introduced the world to one of rock's most understated intense performers in Shaw. Her laconic delivery and dry observations imbue her lyrics with a mixture of dread and humour, reflecting the burned-out ennui felt by so many during the thick of these late-era capitalist pandemic years. Whether riffing on casual misogyny, Brexit, or eating Twix, Shaw should go down as one of the most unique and timely voices of the year.

Black Country, New Road - For the First Time

Long-associated tour mates of black MIDI (another band who released a fantastic album this year), the debut album by Black Country, New Road offered a breath of fresh air to the often hegemonic world of post-rock. While comparisons can be made to recent releases from Swans or Slint (who are name-checked on the track “Science Fair”), For the First Time is also indebted to klezmer music, free jazz, and noise. There probably isn't a greater crescendo this year than on the track “Sunglasses,” while the reserve of “Track X” shows the band also knows how to wring intensity from quieter compositions. Black Country, New Road have given listeners one of the most eclectic guitar rock releases of the year, and with a forthcoming sophomore album promised for 2022, continue to entice fans with wonders of where their sound will go next.

Show 916 (Originally Aired On January 8th, 2022)(Albums of 2022 Part Two):

1. King Khan Unlimited - Narcissist (Opiate Them Asses - Bargain Bin Records - 2021)
2. Visibly Choked - Third Time’s The Charm (Visibly Choked EP - Mothland - 2021)
3. La Luz - Watching Cartoons (La Luz - Hardly Art - 2021)
4. Bonnie ‘Prince’ Billy & Matt Sweeney – My Popsicle (Superwolves - Drag City Records- 2021)
5. Snail Mail – Automate (Valentine - Matador Records - 2021)
6. Leanne Betasamosake Simpson – OK Idicts (Theory of Ice - You've Changed Records - 2021)
7. The Weather Station – Robber (Ignorance - Fat Possum - 2021)
8. black midi – John L (Cavalcade - Rough Trade - 2021)
9. Black Country, New Road – Sunglasses aka The Guest (For the First Time - Ninja Tune - 2021)
10. Motorists - Surrounded (Surrounded - We Are Time - 2021)
11. TUNS - Double Down (Duly Noted - Murder Records - 2021)
12. Anxious Pleasers - Suck (Anxious Pleasers - Neon Taste Records - 2021)
13. Mononegatives - Living In The Age (Apparatus Division - Big Neck Records - 2021)
14. Jesse Fellows - Mail Bomb (The Four Oranges EP - 2021)
15. Ty Segall - Waxman (Harmonizer - Drag City Records - 2021)
16. Godspeed You! Black Emperor – Fire at Static Valley (G_d’s Pee AT STATE’S END! - Constellation Records - 2021)
17. Low – Days Like These (HEY WHAT - Sub Pop - 2021)
18. Nick Cave & Warren Ellis – Hand of God (Carnage - Goliath Records - 2021)
19. Chad VanGaalen - Nightwaves (The World's Most Stressed Out Gardener - Sub Pop/Flemish Eye Records - 2021)
20. Parquet Courts - Homo Sapien (Sympathy For Life - Rough Trade - 2021)
21. The Garrys - Sintatula (Get Thee To A Nunnery - Grey Records - 2021)
22. Viagra Boys -Ain’t Nice (Welfare Jazz - Year0001- 2021)
23. Paul Jacobs - Day to Day (Pink Dogs On The Green Grass - Blow The Fuse Records - 2021)
24. Paul Jacobs - Your Last Words (Pink Dogs On The Green Grass - Blow The Fuse Records - 2021) 

DOWNLOAD/LISTEN TO THIS EPISODE HERE.

Show 915 (Originally Aired On January 1st, 2022)(Albums of 2022 Part One):

1. Dry Cleaning – Scratchcard Lanyard (New Long Leg - 4AD - 2021)
2. illuminati hotties – Knead (Let Me Do One More - Hopeless Records - 2021)
3. Julie Doiron – The Letters We Sent (I Thought of You - You've Changed Records - 2021)
4. Andy Shauf - Spanish On The Beach (Wilds - Anti- - 2021)
5. Courtney Barnett - Sunfair Sundown (Things Take Time, Take Time - Mom + Pop - 2021)
6. Bill Jr. Jr. - Renaissance Man (Homebody - 2021)
7. Snake River - High Rides (The Lost Album - 2021)
8. Sunshiny Daze - The Night Knows (What The Day Don’t) (Clouds Melt Away - 2021)
9. Neil Jarvis - Time (Get The Band Back Together - On the Grind Records - 2021)
10. Danny Kroha - Come Out The Wilderness (Detroit Blues - Third Man Records - 2021)
11. Daniel Romano’s Outfit - Nocturne Child (Cobra Poems - You've Changed Records - 2021)
12. Hot Garbage - Sometimes I Go Down (RIDE - Mothland - 2021)
13. PONY - Couch (TV Baby - Take This To Heart Records - 2021)
14. Souvenir - Circles (Collapse - 2021)
15. Squid – G.S.K. (Bright Green Field - Warp - 2021)
16. Idles – When the Lights Come On (Crawler - Partisan Records - 2021)
17. Iceage – Dear Saint Cecilia (Seek Shelter - Mexican Summer - 2021)
18. Ryley Walker – Axis Bent (Course in Fable - Husky Pants Records - 2021)
19. PRIORS - VideoDrome (My Punishment On Earth - Brain Gum Records - 2021)
20. Wine Lips - Get Your Money (Mushroom Death Sex Bummer Party - Stomp Records - 2021)
21. Matt Ellis - My Neighbourhood Is A Dump (Full Moon Fever - Surfing Ki Records - 2021)
22. Amyl & The Sniffers - Security (Comfort To Me - Rough Trade/ATO Records - 2021)
23. Kid Congo & The Pink Monkey Birds - (Are You) Ready Freddy (Swing From The Sean DeLear EP - In The Red Records - 2021)
24. Packs - Cling Film (Take the Cake - Fire Talk/Royal Mountain Records - 2021)
25. TEKE::TEKE – Barbara (Shirushi - Kill Rock Stars - 2021)
26. Kiwi Jr. - Maid Marian's Toast (Cooler Returns - Sub Pop - 2021)
27. Ducks Ltd. - 'Twas Ever Thus (Modern Fiction - Carpark Records/Royal Mountain Records - 2021) 

DOWNLOAD/LISTEN TO THIS EPISODE HERE.