Elvis Costello & The Attractions Pump It Up & Show # 535

In April of 1978, Elvis Costello & The Attractions released the single for the song "Pump It Up". Also a part of the 1978 album This Year’s Model, this single featured an album outtake entitled “Big Tears” as its B-side. The song “Pump It Up” begins with a bass and drum intro featuring Costello’s rhythm section of The Attractions, Bruce Thomas on bass and Pete Thomas on drums (there is no relation between the two). The song picks up with spiraling and dizzying organ from Steve Nieve as Elvis Costello supplies the quirky guitar parts and vocals that are both equally aggressive and have a sense of paranoia. Lyrically, the song has been described as being “underscored with sexual menace” as stated by Stephen Thomas Erlewine of AllMusic. In the linear notes to the 2002 Rhino reissue of This Year’s Model Costello says that this song along with “Little Triggers” and “Hand In Hand” are “more cynical” and have “a guilty edge” to them as a result of the temptations and distractions of touring. This song is an excellent example of The Attractions musical abilities. Additionally, the album that this comes from is the first proper album to feature Elvis Costello and The Attractions as his backing band.

The B-side to this single, “Big Tears” is even more interesting for a few reasons. Firstly, the song lyrically is darker than it’s A-side, although both songs have an edgier construction. This song features 60s organ sounds by Steve Nieve along with the rest of The Attractions rhythm section and lead guitar from The Clash’s Mick Jones. His guitar is not noticeable at first, but once the chorus hits you can hear his undeniable style adding to the songs overall make up. Once again in the linear notes to the 2002 reissue of This Year’s Model Costello says that this song is the only “genuine outtake song from the This Year’s Model sessions. “ he goes on to say that he is not sure why the song did not make the album and adds further details behind Mick Jones appearance on this track. Costello notes that Mick’s band mates did not really approve of him being on that track and that he was originally brought in to play guitar on “Pump It Up”. “There is a version [of “Pump It Up” with Mick Jones on guitar] lying around somewhere on which he plays. However, he made much more difference to “Big Tears” Costello adds, summing up the tracks history. These two songs showcase both the frenetic and amphetamine paced rhythm abilities of The Attractions within Elvis Costello’s song writing powers.



Saturday Night Play List:

1. Useless Eaters - Walking In Circles
2. The Poles - CN Tower
3. Dan Sartain - Baby’s Town
4. Neil Young - All Those Dreams
5. Jack-O & The Tennessee Tearjerkers - Ditch Road
6. The Small Faces - Long Agos And Worlds Apart
7. Chris Crossroads - Dreams
8. Christian Bland & The Revelators - CB160
9. Paul Westerberg - Let’s Not Belong Together
10. Alvvays - Adult Diversion
11. The Twilight Sad - Pills I Swallow
12. Invasions - Born On A Wave
13. Paul Jacobs - Bag Of Bones (Do It Again)
14. The Gun Club - Sleeping In Blood City
15. The Gun Club - Mother Of Earth
16. Alex Chilton - Come On Honey
17. Teenage Head - Get Of My Back
18. Deja Voodoo - Big Pile Of Mud
19. The Mods - You Use Me
20. Actual Water - Double Negatives
21. Thee Oh Sees - Devil Again
22. The Black Angels - Bloodhounds On My Trail
23. Wreckless Eric - Grown Ups
24. The Stimulators - Loud Fast Rules
25. The Saints - Messin’ With The Kid (Live At The Hope And Anchor London 1977)
26. Chelsea - Urban Kids
27. Elvis Costello & The Attractions - Pump It Up
28. Elvis Costello & The Attractions - Big Tears

To download this weeks program, visit CJAM's schedule page for Revolution Rock and download the file for November 22. Or subscribe to Revolution Rock as a Podcast.

Elvis Costello & The Attractions Trust & Show # 410

Released in 1981, Trust was the fifth full length studio album to be released by Elvis Costello, the fourth with The Attractions and with the exception of one song “Sister’s Big Clothes” was produced by Nick Lowe, it would also be his fifth album as producer with Costello. Trust is known for being a different album in The Attractions catalogue, in the 2003 Rhino Reissue linear notes Costello states that with this record he wanted to “cross the melody of Armed Forces with the rhythm of Get Happy!” The album was also according to Costello his most drug influenced album, the lyrics were a bit darker, deeper and cynical, addressing political issues from the time and as a result the title Trust is intended to mean just the opposite. Musically the album branches out into varying styles, one of the first albums for Costello to do so, while it features many catchy Pop hooks, there are also numerous ballads and other offerings including several songs that were written before the My Aim Is True album was released that help make this album different from the previous four albums that were released by Elvis Costello & The Attractions.

The albums sessions were started initially at DJM Studios in London, as opposed to Eden Studios where they attractions had made the majority of their last three albums. The studio was made for a lighter, dryer sound and after attempting some recordings there, they relocated to Eden Studios to complete the album, which was recorded between October-November of 1980. This album produced an eclectic mix of songs, something Costello would later develop in more detail, but also at the same time display a sense of refinement. Songs such as “Clubland” lyrically displayed a sense of gloomier nature in terms of a political nature, while musically it had the R&B groove of Get Happy! with Jazz elements and the influence of The Police guitar-wise, “Pretty Words” displayed a sense of music from Armed Forces, while lyrically it addressed the UK Prime Ministers enthusiasm for Cold War “posturing” as stated by Costello and “Luxembourg” was a R&B Rockabilly influenced track. Other stand out tracks from this release included “New Lace Sleeves” a strong building ensemble piece, “From A Whisper To A Scream” a New Wave/Pop offering featuring dual vocals between Costello and Glen Tilbook of Squeeze and Martin Belmont of Graham Parker and The Rumour on guitar, “White Knuckles” was influenced by The Pretenders, while “Big Sisters Clothes” the only track not produced by Lowe was based on a bassline from The Clash.

Despite all the surrounding factors, the mood altering drugs, the influences, guest appearances of other musicians, and the diversity and maturity displayed here, Trust did not enter the top 40, something that at the time had not happened for several years. The album would age well, some even it calling it one of Costello’s best from his period with The Attractions. The sounds on this album display a maturing song writer and a style that would continue to be developed especially on his next album with the Attractions Imperial Bedroom. The Linear notes to the 2003 Rhino Reissue of Trust features Costello regaling in a tale when while on tour one of the drummers attempted to pull a “party trick” by cutting the neck tie of one of the bar patrons that did not go smoothly due to drunkenness, that story proves rather fitting when describing this album. Costello cut the proverbial tie of his past and broke out into a developing song writing approach, at the time rather drunkenly, but unlike the attempt at this in the linear notes, Costello pulled it off successfully, making Trust an album that despite the intention of its title, one we could rely on.


The Play List:

1. The Chords – I’m Not Sure
2. Elvis Costello & The Attractions – Pretty Words
3. Mystery Jets – Greatest Hits
4. Los Protones - El Verdugo
5. The Past Tense - Wolfman
6. Radio 4 – The Remedy (Live)
7 Golden Calgarians – Party In The Sun
8. Crash 80s – Nowhere To Hide (Live)
9. The Sturgeons – Noise For Youth (Yellow Sea Eel Hunt Demo)
10. Furious Frank – Whiskey Row
11. Neil Young & Crazy Horse – Oh Susannah
12. Chang-A-Lang - Japanese Eyes
13. Iggy Pop & James Williamson – I Got Nothin’
14. Elvis Presley – Crawfish
15. Frank Evans & The Topnotchers – Gotta Get Some Money
16. Vince Taylor & His Playboys - Right Behind You Baby
17. The Hives – Without The Money
18. The Reverend Horton Heat - Drinkin' and Smokin' Cigarettes
19. Ty Segall Band – Tell Me What’s Inside Your Heart
20. Dee Dee Ramone & Joey Ramone – I Am Seeing UFOs
21. Undertones – Here Comes The Summer
22. Mark Inside - House of Cards
23. The D4 – Outta Blues

To download this weeks program, visit CJAM's schedule page for Revolution Rock and download the file for June 26. Or subscribe to Revolution Rock as a Podcast.

Interesting and Controversial Moments on SNL & Show # 360

This week I thought I would visit three interesting and exciting moments in the musical history of the television program Saturday Night Live. While a whole radio show could be made out of the excellent musical performances that this show has produced over the years its beginnings, and numerous TV specials have been made surrouding such performances, i'm not sure if a radio program has focused on these performances.  Today I will focus on three moments, two of which created controversy with the show and the shows producer Lorne Michaels.

Elvis Costello & The Attractions – Less Than Zero/Radio Radio (1977)

In December of 1977, Elvis Costello & The Attractions appeared on Saturday Night Live as a last minute replacement for the Sex Pistols, who were unable to get passports. This is perhaps the most infamous appearance that a band had on the show. There have been a few reasons thrown around as to why the band were not supposed to play the song “Radio Radio”. It has been said that his US record label wanted Costello to play an already known song “Less Than Zero” for an audience for better promotional purposes of the American release of My Aim is True and This Years Model. Another reason given was that SNL producer Lorne Michaels did not want the song to be broadcast because of its lyrics which negatively portrayed the commercialized state of radio and media, and also that it would put the show off schedule. Regardless of what happened, in true Punk Rock fashion Costello stopped the band from playing “Less Than Zero” after a few bars and then launched into a furious rendition of the then unreleased “Radio, Radio”. Costello was banned from the show for 25 years, until 1989. Also in 1999 as part of SNL’s 25th anniversary The Beastie Boys began playing “Sabotage” only to be stopped by Elvis Costello, they then ran through an energy high version of “Radio Radio”.

The Replacements – Bastards of Young (1986)

In January of 1986, The Minneapolis Punk band The Replacements appeared on Saturday Night Live to promote their new album Tim, released on Sire Records. They got banned after their performance, but it was due to a few factors. For one, they showed up wasted for their performance, the second thing that occurred was apparently during the performance of this song and the second song (“Kiss Me On The Bus”) the band were uttering profanities. While they may have been off mic and not heard very clearly, this was most definitely due to their inebriations. The most obvious slip was apparently before the solo of “Bastards of Young” where singer Paul Westerberg said the F-word to the audience. As a result, the band were banned from Saturday Night Live. In re-runs of the episode this part was edited out. Paul Westerberg appeared on the program later on to promote his solo career, redeeming himself.

The Specials – Gangsters (1980)

The Ska revival act The Specials appeared on Saturday Night Live in 1980. This performance was not controversial per-se, but rather a highly energetic and fascinating live moment that occurred in the TV show’s history. This version of the bands then single “Gangsters” featured a band jumping around with excitement and guitar solos that grip you and suck you in. The band is clearly on playing excellently, they would also perform the song “Too Much Too Young” in a similar fashion. After watching this performance you can see and feel the energy of not only Punk attitude, but Rock and Roll.

This Week's Play List:

1. The Dundrells - Big Chunk of Fudge
2. The Cassettes - Reverberate
3. The Dials - Get Up and Dance
4. Planet Smashers - Hippopotamus
5. The Specials - Gangsters (Live SNL)
6. Bob Marley - Punky Reggae Party
7. King Tubby - Dub Seven
8. Arctic Monkeys - The Hellcat Spangled Shalalala
9. Hooded Fang - ESP
10. Pink Mountaintops - Single Life
11. Invasions - Rat Bastard
12. The Davey Parker Radio Sound - I Gotta Know
13. Chang A-Lang - Listen Up Buttercup
14. Young Circles - 2012
15. Audrey and The Agents - Don't Think Twice
16. Sloan - I've Gotta Know
17. Luger Boa - New Hot Nights
18. Dirty Pretty Things - Run Fatboy Run
19. Harlem - Gay Human Bones
20. Elvis Costello & The Attractions - Radio Radio (Live SNL)
21. The Replacements - Bastards of Young (Live SNL)
22. Motorhead - Too Late, Too Late
23. Nick Lowe - American Squirm
24. Magazine - My Mind Ain't So Open

To download this weeks program, visit CJAM's schedule page for Revolution Rock and download the file for July 12. Or subscribe to Revolution Rock as a Podcast.

Elvis Costello & The Attractions ... Get Happy! & Show # 350

The year 1979 was a busy one for Elvis Costello. He completed the album Armed Forces with his band Elvis Costello & The Attractions was on tour in American on the Armed Funk Tour and produced an album for The Specials. Controversy would be brought into his world, when in April of 1979 while on tour he made some drunken derogatory remarks about James Brown and Ray Charles that were taken out of context during a conversation with Stephen Stills and Bonnie Bramlett at a hotel bar in Columbus, Ohio. Costello apologized for the remarks at a press conference explaining the situation. At the same time The Attractions were working on and rehearsing material for their next album that would be titled Get Happy! The album originally had more of a New Wave sound in the same vein as Armed Forces, but the band were unhappy with the results. Elvis Costello & The Attractions re-arranged the songs in order to give them a Soul and R&B feel. It has been hinted at that perhaps the songs on Get Happy! reflected this influence because of the events that preceded it. Costello had this to say in the 2002 linear notes to the Rhino reissue of Get Happy!

“It might have been tempting to claim that I had some noble motive in basing this record on the music that I had admired and learned from prior to my brush with infamy. But if I was trying to pay respects and make such amends, I doubt if pride would have allowed me to express that thought after I had made my rather contrived explanation... I simply went back to work and relied on instinct, curiosity, and enduring musical passions. “

The band recorded the album in Hilversum, Netherlands at Wisseloord Studios to get away from the distractions and as Costello highlights in the above quotation, the band went back to work. The result was a twenty song canvas of songs painted with a Soul and R&B style. Get Happy! as a term has a few origins. In regards to Gospel music “getting happy” refers to receiving the Holy Spirit, but it is also the title of a song by Harold Arlen/Ted Koehler. The artwork for the album was designed by Barney Bubbles, who had done artwork for Costello and numerous other artists in the past, he worked as an art designer for Stiff Records, Radar, and F-Beat Records to name a few. It was made to reflect a retro worn out feel, complete with ring marks.

Regardless of the events the preceded it Get Happy! is an energetic Soul stomping album with twenty songs, many short, but straight to the point moments reflecting Costello’s rage, humour and Pop sensibilities. Songs such as “Opportunity” ooze with R&B and Soul, while “The Imposter” is an original Soul New Wave rave up. The album features two cover songs “I Can’t Stand Up (For Falling Down)” is a song originally by Sam & Dave and it was released as the first single for this album, and “I Stand Accused” which is a song that was regular feature of the bands early live sets originally by the 60s band The Merseybeats. “New Amsterdam” is a Pop masterpiece equivalent to the Pop stylings of “Oliver’s Army”, while “High Fidelity”, and “Riot Act” all stand on their own as Pop songs based on their own merits. The album features so many moments that highlight Costello’s ability as a song writer venturing in a different direction. The band is dead on, Bruce Thomas’ R&B grooves are amped up on this album and and they adapt well to the Soul inspiration on this record (a Soul groove was always dominant on Attractions records, but not as dominant as this one), while Steve Nieve adds Booker T. styled flourishes on organ and Pete Thomas solidifies the beat. Get Happy! also marked fourth album in Costello’s catalog of five amazing albums that were released in succession (from My Aim Is True to Trust), all of which were produced by Nick Lowe. When released in 1980, Get Happy! went to number eleven on the US Pop album charts and number two on the UK album charts.

This Week's Play List:

1. Television - See No Evil
2. Red Light Driver - Celeste Celeste
3. Starlites - I Can See You
4. The Sherlocks - Stefany
5. The Chessmen - Time Machine
6. Gorillaz - Hillbilly Man
7. Golden Hands Before God - The Ladder
8. Neil Young & The Sadies - This Wheel's On FIre
9. Street Chant - Scream Walk
10. High Mother - Tryin Too Hard
11. The Spys - Watching You
12. Johnny Thunders & The Heartbreakers - Don't Mess With Cupid (Live At Max's Kansas City 1979)
13. Ramones - California Sun
14. Bok Bok - Misfit
15. Buzzcocks - Paradise
16. Beastie Boys - Lee Majors Come Again
17. The Soles - Broken Ghost
18. The Smiths - Suffer Little Children (Troy Tate Sessions Version)
19. Undertones - You've Got My Number
20. The Kills - Getting Down
21. The Strokes - Taken For A Fool
22. The Doors - I Looked At You
23. Elvis Costello & The Attractions - The Imposter
24. Elvis Costello & The Attractions - I Stand Accused

To download this weeks program, visit CJAM's schedule page for Revolution Rock and download the file for May 3. Or subscribe to Revolution Rock as a Podcast.

Pump It Up.. The Elvis Costello Story & Show # 145

This post used to feature information about Elvis Costello & The Attractions.  For more information on Elvis Costello & The Attractions visit these links:

Pump It Up: An Article About The Pump It Up Single

Trust: An Article on Elvis Costello & The Attractions Trust Album

Get Happy: An Article On Elvis Costello & The Attractions Get Happy! Album

Here's what was played on the show:

1. Ramones - carbona not glue
2. The Damned - neat, neat, neat
3. Ugly Ducklings - nothin'
4. The Jury - who dat?
5. Midnight Angels - i'm suffering
6. The Pretty Things - buzz the jerk
7. 13th Floor Elevators - you're gonna miss me
8. The Dogs - my life
9. Dead Boys - sonic reducer
10. Teenage Head - something else
11. The Gruesomes - the witch
12. Young Canadians - Hawaii
13. 999 - emergency
14. The Clash - pressure drop
15. The Saints - lost and found
16. Madness - the prince
17. The Beat - twist & crawl
18. The Selector - street felling
19. The Specials - nite klub
20. Elvis Costello & The Attractions - accidents will happen
21. Elvis Costello & The Attractions - clean money
22. The Features - city scenes
23. Albert Hammond Jr. - postal blowfish
24. Arctic Monkeys - balaclava
25. Queens of the Stone Age - era vulgaris
26. The Stooges - end of christianity
27. KO & the Knockouts - go-getter
28. King Beez - little girl

And here are some cool Elvis Costello videos:

Radio, Radio (SNL 1977)
Beastie Boys & Elvis Costello - Radio, Radio (SNL)
Pump It Up Video
(I Don't Want To Go To) Chelsea Video
Oliver's Army Live