Richard Lloyd Interview: Radio Brain Drain Edition & Shows # 733, 734 & 735

Richard Lloyd is perhaps best known as being the guitarist in the influential New York band Television, however, his involvement in music goes back further than that up to the present day. Prior to playing guitar, Lloyd studied and played drums. In his teens, Lloyd became friends with Velvert Turner, who was the only person to ever get guitar lessons from Jimi Hendrix. Through Turner, Lloyd learned guitar secondhand from Hendrix’s lessons. At a young age Lloyd also made his first public appearance on stage with blues legend John Lee Hooker. After a stint in LA, Lloyd relocated to New York to check out the music scene at the time, which featured the New York Dolls. By 1973, he had met Terry Ork and through Ork it would lead to an encounter with Tom Verlaine (then known as Tom Miller). Television formed not too long after with their early lineup featuring Richard Hell on bass, Billy Ficca on drums, Lloyd on lead guitar and Verlaine on guitar/vocals. The first thing that Television recorded was “Little Johnny Jewel” which would not only be their first single, but the first single on Terry Ork’s label, Ork Records. By the time this single was recorded Hell had quit the band and was replaced by Blondie bassist Fred Smith. With Smith on bass and the solidness that he brought in terms of bass playing, the band found the right elements to make their sound work in the way that they wanted.

The album Marquee Moon was recorded in New York and released in February of 1977. Recorded with no special effects of the day and with basically just a band playing in a room sound, the album did well in the UK upon its release, but sold poorly in the US at the time. Now, Marquee Moon is viewed as not only a highly influential album, but also as one of the best albums recorded from this time period. The band was embedded within the CBGB’s music scene in this time period alongside bands like Talking Heads, Ramones, Blondie to name a few. They were also one of the last bands to release an album from this early music scene. The music of the band on this release has been described as having elements of 60s garage rock and elements of jazz, especially in the guitar work of Verlaine and Lloyd. Television released their second full-length album in 1978 called Adventure. Despite featuring two songs from their live repertoire, the album was not as well received as Marquee Moon. Adventure was not as straightforward as its predecessor in terms of production and the songs, however, it has since become more appreciated than it was upon its original release. Following some live dates, Television split up later that year. Adventure did do well in the UK once again reaching #7 on the UK album charts, but success in the US eluded Television at the time. The band reunited many years later recording a third album in 1992. They played live occasionally for many years following this, but Lloyd left the band in 2007. The band still performs live, but with a different guitarist, Jimmy Rip.

In 1979, Richard Lloyd released his first full-length album entitled Alchemy. This ten-track album featured many New York musicians such as drummer Vinny DeNunzio (formerly of The Feelies), James Maestro on guitar (of The Bongos), and Fred Smith of Television/Blondie on bass. The album was intended to have more of a personal/sentimental and pop feel, as stated by Lloyd on his website. His second solo album wasn’t released until 1986. It was released in the US in 1987. The album was recorded in Sweden and features primarily Scandinavian musicians. The album is a much heavier record than Alchemy, featuring some blues elements. Fields of Fire was reissued in a deluxe album format in 2007 featuring a second CD of an alternate/revisited version of the album. In addition to solo material Richard Lloyd has been a session musician and has played with Matthew Sweet, John Doe (of X), Rocket From The Tombs and others. In 1987 Lloyd released the live album Real Time, The Cover Don’t Matter (2001), The Radiant Monkey (2007), and The Jamie Neverts Story (2009), an album made up of a collection of Jimi Hendrix covers. In 2016, Richard Lloyd released the album Rosedale. An album in which he played the majority of the instruments, Billy Ficca (of Television) and Chris Frantz (of Talking Heads) are featured on drums on some tracks as well.

In 2017, Richard Lloyd released his autobiography Everything Is Combustible. As stated in the subtitle of the book, it covers being in Television, involved in the CBGB’s music scene, and being in rock and roll for five decades. A forthcoming album is coming out in November 2018 on Plowboy Records called The Countdown.

Check out this interview that Dave and Adam of Revolution Rock did with Richard Lloyd below:



Show 735 (Richard Lloyd Radio Brain Drain Special)(Originally Aired On August 16th, 2018):

1. Television - Venus (Marquee Moon - 1977)
2. Television - Ain't That Nothin' (Adventure - 1978)

Richard Lloyd Interview Part 1

3. Richard Lloyd - Blue and Grey (Alchemy - 1979)
4. Richard Lloyd - Watch Yourself (Field of Fire - 1986)
5. Richard Lloyd - Summer Rain Alchemy (Alchemy - 1979)

Richard Lloyd Interview Part 2

6. Richard Lloyd - Should Have Known Better (Alchemy - 1979)
7. Television - Horizontal Ascension (1974 Ork Rehearsal) (Poor Circulation - 1998)
8. Television - Double Exposure (Demo) (Double Exposure - 1988)
9. Richard Lloyd - (I Thought) You Wanted To Know (New York New York: Ork Records Box Set - 2015)
10. Richard Lloyd - Connection (Get Off My Cloud/Connection - 1981)
11. Television - The Fire (Adventure - 1978)
12. Television - See No Evil (Marquee Moon - 1977)

Richard Lloyd Interview Part 3

12. Matthew Sweet - Sick of Myself (100% Fun - 1995)
13. Richard Lloyd - Fire Engine (Real Time - 1987)
14. Television - Little Johnny Jewel (Little Johnny Jewel - 1975)
15. Richard Lloyd - Wait Till Tomorrow (The Jamie Neverts Story - 2009)
16. Television - Marquee Moon (Marquee Moon - 1977)

Download This episode here.


Show 734 (Originally Aired On August 11th, 2018)(David Byrne, Motor City Muscle Festival, Ox, Mink DeVille):

1. David Byrne - Gasoline and Dirty Shirts
2. Sextile - Paradox
3. Poisoned - It Won't Last
4. Ultravox! - Hiroshima Mon Amour
5. Teenage Fanclub - Metal Baby
6. The Jam - All Mod Cons
7. Supergrass - Caught By The Fuzz
8. Pontuation - Ciao Bye Ciao
9. Go Four 3 - Someone
10. Zoom - They Only Come Out At Night
11. Actual Water - Open Votes
12. Mexican Knives - Wait 4 Ever
13. The Gories - Boogie Chillun
14. The Gories - Chick-In
15. The Gories - There But For The Grace of God
16. Death - You're A Prisoner
17. Iceage - You're Nothing
18. The Locusts Have No King - Shotgun Wedding
19. Bruce Springsteen - State Trooper
20. Condition - Rancho Deluxo
21. Ox - Brand New Key
22. Dead Ghosts - Summer With Phil
23. It's All Meat - You Don't Notice The Time You Waste
24. Steely Dan - With A Gun
25. The Unusuals - Measure For Measure
26. The Sonics - Don't Be Afraid of the Dark
27. X - Soul Kitchen
28. Mink DeVille - She's So Tough
29. The Clash - Red Angel Dragnet

To download this weeks program, visit CJAM's schedule page for Revolution Rock and download the file for August 11.

Show 733 (Originally Aired On August 4th, 2018)(White Stripes, Pow Wows, The Dirty Pretty Things):

1. The Seeds - Pushin' Too Hard
2. The Creation Factory - You Be The Judge
3. The White Stripes - Let's Shake Hands (Live)
4. The Dirtbombs - Headlights On
5. The Walkmen - The Rat
6. Carlo - Meathead
7. Fitness - Physical Copies
8. Electricity - Cool Thunder
10. TOPS - Dayglo Bimbo
11. Pow Wows - Killing Floor
12. Pow Wows - Killing Me
13. Dusty Mush - The Ostrich Effect
14. White Lung - Vegas
15. Chad VanGaalen - Static Shape
16. John Lennon - Tight A$
17. Stompin' Tom Connors - Love's Not The Only Thing
18. Greg Cartwright - Love Won't Leave You A Song
19. Johnny West - Wicked Town
20. The Spooky But Nice - Everytime
21. Spoon - All The Pretty Girls Go To The City
22. Patti Smith - Kimberly
23. Radio Birdman - Man With Golden Helmet
24. Nerve Breakers - I Can't Help You
25. Wire - Men 2nd (Fifth Demo Session)
26. Jawbox - Cruel Swing
27. The Dirty Pretty Things - Gin & Milk
28. The Dirty Pretty Things - Gentry Cove

To download this weeks program, visit CJAM's schedule page for Revolution Rock and download the file for August 4.

Ork Records New York, New York & Show # 610

Ork Records was originally started in 1975 to release Television’s first single “Little Johnny Jewel”. The song, said to be about Iggy Pop was a longer track and had to be split into two parts to fit onto a 45 single. This rough early version of Television before they would release their cleaner and wonderfully crafted Marquee Moon is an example of what you would find on Ork Records. Ork documented a scene with sounds that at the time were not defined and featured bands that you may not have even heard of. It documented the early New York new wave and punk scene.

Terry Ork, which the label would be named after, first arrived in New York in the 1960s and became, according to the Numero Group’s website “fugitive of Andy Warhol’s Factory”. He didn’t make a connection with the New York underground CBGB’s scene until he started working as a manager at Cinemabilla, a bookstore with a film literature slant. Here he met Richard Hell and Richard Lloyd and would eventually become the manager of Television. Charles Ball would also help guide the label and help to acquire the likes of Alex Chilton, who would release several singles for Ork. The label also captured music from other bands such as The Feelies, Cheetah Chrome, Lester Bangs and lesser-known bands such as Marbles, Chris Stamey and the dBs, The Idols and numerous others. Ork Records would stop in 1980, but not before they released a collection of bands that documented the New York CBGB’s scene, an alternative to the music released by Ramones, Television and Blondie.

Rob Sevier and Ken Shipley of The Numero Group set about collecting all the known releases by Ork Records and would eventually release Ork Records: New York, New York. This is the complete discography of all the singles/music released by Ork Records and features a 190-page book in addition to several songs that were intended to be released by Ork, but never were due to financial constraints. The set was released in a variety of formats in October 2015. In the lyrics to Television’s “Little Johnny Jewel” Tom Verlaine sings “He’s just trying to tell a vision/Some Thought this was sad/Others thought it mad”. This can be applied to the Ork Records philosophy. Said to be the first punk label, Ork never really made a lot of money, but was a very influential label. They set out showing a different side of music in 1975. Whether the music was rough sounding, or in the realm of punk, new wave or power pop, the label and the music had something different to say. The songs were energetic, sometimes on the more literate side and sometimes strange, but this is what drew people to the music of Ork and that time period. And for many people, it still does.

Numero Group Website: Ork Records: New York, New York



Playlist For Episode 600:

1. The Coathangers - Perfume
2. Art Bergmann - Mirage
3. Babeours - Shoelace
4. Sightlines - Idea Of The North
5. Ramones - I Don't Wanna Go Down To The Basement
6. Pow Wows - No Thirteen
7. The Gruesomes - Hey!
8. The Gories - Telepathic
9. The Painted Ship - And She Said Yes
10. This Machine Kills Robots - Sea Fairies
11. Cellos - Sea Legs
12. Mike & The Melvins - Annalisa
13. Prince - Partyman
14. Sharon Jones & The Dap-Kings - Take Me With U
15. Patti Smith - When Doves Cry
16. The Jesus And Mary Chain - Alphabet Street
17. Richard Hell - (I Belong To The) Blank Generation
18. The Feelies - Fa Ce La
19. Alex Chilton - Take Me Home
20. Minutemen - Bob Dylan Wrote Propaganda Songs
21. Minutemen - One Chapter In The Book
22. Teenanger - Dawn (Demo)
23. The Scenics - I Killed Marx
24. Magazine - Touch And Go
25. Buzzcocks - What Do I Get (Demo)
26. Siouxsie And The Banshees - Hong Kong Garden
27. Johnny Thunders - Endless Party
28. The Waldos - Golden Days

To download this weeks program, visit CJAM's schedule page for Revolution Rock and download the file for April 23. Or subscribe to Revolution Rock as a Podcast.

Television's Adventure & Show # 515

Television’s second full-length album Adventure was originally released in 1978 and was panned by critics. Comparisons were made to the band’s debut album Marquee Moon, which captured a certain raw quirkiness. Marquee Moon also had the benefit of featuring the best songs from the bands live set, which they had been playing for a few years. On Adventure the band went for something different. With more of a budget than the previous album, Adventure features a more laidback approach to the overall songs found on the album and several songs that were made up in the studio. As guitarist, vocalist and songwriter, Tom Verlaine stated in the 2003 Rhino reissue linear notes “The tempos [on Adventure] aren’t as pushed. We thought maybe some of the songs on Marquee Moon were a little too fast, and I was thinking about Memphis beats, pretending the studio was like 110 degrees and we were sloppin’ around playing in a thumpy kind of way.” As a result Adventure comes off with a more textured sound. There are keyboards, backing vocals and a more layered sound overall.

Adventure was recorded at Record Plant NYC and Soundmixers in New York from September of 1977 to November of 1977 and then released in April of 1978. The band worked with producer John Jansen. The songs still feature the sound that Television had been known for such as the intertwining guitar work of Tom Verlaine and Richard Lloyd, but the rough edges that cornered the songs on Marquee Moon have been rounded off a bit. Adventure features eight songs, as did its predecessor, starting off with the track “Glory”. This song called one of the band’s most accessible commercial sounding tracks, features reverb laden drums, staccato guitar rhythms simultaneously mixed in with intertwining Television guitar leads and an R&B bass groove. The layered textured sounds also work in conjunction with Verlaine’s lyrics that seem to portray a sort of epiphany with lines such as “When I see the glory/I ain’t gotta worry” and “How could I argue with a mirror/She looked at me. Yes I hear her”. “Days” features some intricate guitar work from Verlaine and Lloyd that come together like interlocking gears amongst the song’s pop sensibilities. The song’s reflective lyrics come to fruition in the chorus with its lush layered vocals that repeat the word “Days”.

“Foxhole” is one of the more aggressive songs on Adventure. The song actually dates back to the band’s live set pre-dating this album. The song recalls a “Jumpin’ Jack Flash” roughness and deals with a war-like atmosphere lyrically with lyrics portraying a character jumping for cover amongst the chaos. “Careful” follows completing the second and final song on this album that is pulled from the band’s early live set staples. This song goes all the way back to when Richard Hell was still in the band. Portraying a theme of indifference lyrically, the song also features almost country-like guitar rhythm parts at times. Another interesting point about this song is that the vocals were recorded approximately twelve feet away from the microphone adding a certain creative strangeness to its overall vibe. As Verlaine stated once again in the 2003 Rhino reissue linear notes “Years ago people sang like 12 feet away from the microphone. I wanted to see what that sounded like. I did it, but then wouldn’t sing it again [laughs]. It’s a very strange sound.”

“The Fire” showcases the band stepping into experimental territory. The song was written during the recording sessions for Adventure and features keyboard and Ondes Martenot, an instrument with a sound eerily similar to the Theremin. The song also features what Tom Verlaine calls an “Eastern European” vibe. To add to the song’s darker textures apparently Verlaine used a knife for a guitar slide part in the song, instead of a traditional guitar slide. “Ain’t That Nothin” features stop and start structures and a middle section that has the same chords as The Kinks “I Need You” as a guitar solo and bassline add to the other elements at play here. “Ain’t That Nothin’” wouldn’t have been out of place on Marquee Moon. “The Dream’s Dream” closes out Adventure. Originally an instrumental track entitled “Cairo”, Verlaine tried to capture a “Middle Eastern” sound on this track. The song is a mini-epic clocking in at six minutes and forty-five seconds with complex time signatures, creating an overall moody piece to end out Adventure.

The band also recorded a song called “Adventure” which is where the album’s title originates from, but this track was left off of the album. This has caused some fans of the band to debate on whether the track “Adventure” was left off the album due to time restraints of the vinyl record, its not being fully finished or because of a loss in fidelity on the track due to “groove cramming” discovered during the album’s test pressing process. The track itself found it’s way onto the 2003 reissue with a few other bonus tracks and features blues rhythm’s executed raunchily by guitarist Richard Lloyd. Lyrically, the song boasts lyrics stating “I love adventure/I need a new adventure now”, which describes what the band was going for on this album. Television could have easily made another album like Marquee Moon, but they didn’t. This album is not drastically different from the sound that Television was known for, it is just more produced and in some parts less raw than the beams of mysterious light that illuminated audiences on 1977’s Marquee Moon. Adventure breaks from the mysterious light and heads to a new setting, one that is not too different from Marquee Moon. Adventure brings in new shades of light to Television’s developed sound.



Saturday Night Play List:

1. True Lovers - Guilty Pleasure # 9
2. Tijuana Panthers - Torpedo
3. The Howlies - Dirty Woman
4. Library Voices - Windsor Hum
5. The Schomberg Fair - Drunkard's Prayer
6. The Orwells - Southern Comfort
7. Swans - A Little God In My Hands
8. Perky Pat — The Coloniel
9. Antheads - Think Fast
10. Crystal Swells - Kelly Does Bayside
11. Bad Brains - The Regulator
12. The Jesus And Mary Chain - You Trip Me Up
13. Kestrels - Wild Eyes
14. Telstar Drugs - Unglued
15. Alex Chilton - Lost My Job
16. Jack White - High Ball Stepper
17. The Rockatones - Everythings Gone Wrong
18. One Way Street - In My Eyes
19. Canadian Squires - Leave Me Alone
20. The Iguanas - Outer Limits
21. Mach Kung-Fu - Hit Nation
22. The Deadly Ones - The Moonlight Surfer
23. Beck - Orphans
24. The Clash - Wrong'Em Boyo
25. Undertones - Teenaged Kicks (Live Amsterdam Paradiso 1980)
26. The Scavengers - Money In The Bank
27. The Government - Zippers Of Fire
28. Wire - The 15th
29. Franz Ferdinand - All For You Sophia
30. Television - Glory
31. Television - Ain't That Nothin' (Single Version)

To download this weeks program, visit CJAM's schedule page for Revolution Rock and download the file for June 28. Or subscribe to Revolution Rock as a Podcast.

The Neon Boys & Show # 479

 

The Neon Boys were a short lived band featuring members of Television (Tom Verlaine on guitar, Billy Fica on drums) and Richard Hell on bass and vocals. The bands existence would be brief only lasting from 1972-1973, but this band was the initial beginnings in the lineage of what would become two highly influential bands in the New York CBGB’s scene of the late 70s. The bands sound featured early budding elements that would be later displayed in the bands Television and Richard Hell & The Voidoids respectively, but during their early existence as a band they would not release any material officially. A seven inch split EP would be eventually released in 1980. The first two tracks would be recordings by the aforementioned Neon Boys, while the B-side contained two Richard Hell & The Voidoids tracks “Don’t Die” and a different mix of the song “Time”. “That’s All I Know (Right Now)” featured echoes of The Velvet Underground and the 13th Floor Elevators, while the version of “Love Comes In Spurts” reflected a proto-Punk dynamic influenced by 60’s Garage Rock musically. These four songs comprised the EP initially when released in 1980, but the song “High Heeled Wheels” was added to the EP when it was issued by Overground Records in 1991. This song leans more towards the sounds of Richard Hell and The Voidoids early material with Jazz sounding basslines.

In addition to these three Neon Boys tracks a few others have also been recorded, but were never released according to the book From The Velvets To The Voidoids by Clinton Heylin. “Poor Circulation, “Tramp” and “Hot Dog” are said to be the three remaining, unreleased tracks. Richard Hell would go on to play in Television with Verlaine and Fica, but leave to join The Heartbreakers with Johnny Thunders. He left after playing with The Heartbreakers for a short period to form Richard Hell & The Voidoids. Verlaine would go on with Television releasing two full length albums, before venturing into a solo career. This EP and the songs by The Neon Boys in particular are a document of Verlaine and Hell’s 1972-73 period and showcase a first draft of what would become Television and then eventually Richard Hell & The Voidoids.



This Week's Play List:

1. Monomyth – Trash Day
2. Astral Gunk – Herky Jerky
3. The Crescendos – Now She’s Mine
5. Screaming Lord Sutch & The Savages – Dracula’s Daughter
6. Luke Thompson & The Howl – Stack O’Lee
7. Breeze – Serve The Servants
8. Hooded Fang – Tourette’s
9. Luck of Eden Hall – Sassafras Overcoat
10. Teenage Fanclub – Slow Fade
11. Sebadoh – Oxygen
12. Frantic Elevators - Hunchbank Of Notre Dame
13. Toy Dolls - She Goes To Finos
14. The Teardops – Colors
15. Tanz Der Youth – Delay
16. Unknown Mortal Orchestra – Faded In the Morning (Acoustic Version)
17. Lost Patrol – And I Walked Out
18. Television – Careful (Brian Eno Demo)
19. The Neon Boys – High Heeled Wheels
20. Thee Rum Coves – GCSB
21. The Spy’s – Underground
22. XTC – Statue of Liberty
23. Public Image Limited – Fodderstompf

To download this weeks program, visit CJAM's schedule page for Revolution Rock and download the file for October 22. Or subscribe to Revolution Rock as a Podcast.

Friction... The Television Story ... Show # 141

Television was interesing band that came out of the New York CBGB's scene in the late 70s. The group would be influenced by The Rolling Stones, 13th Floor Elevators, Count Five and Velvet Underground. In addition to this, it is apparent that Tom Verlaine and the band had an interest in Jazz music. In 1975, Tom Verlaine and Richard Hell formed Television. After recording a demo and playing live with the band, Hell would leave the group to form his own. Fred Smith (ex Blondie bassist) would replace Hell. The group would have Richard Lloyd on rhythm guitar and Billy Ficca on drums (Verlaine would be vocalist/guitarist). Despite making a demo produced by Brian Eno, the band did not get signed. It wasn't until the group recorded the song "Little Johnny Jewel" (a song apparently about Iggy Pop) on their own record label that they would get notice. The song became a hit with the underground and in 1976 they would sign to Elektra Records. The group also convinced CBGB's owner Hilly Kristal to let them play at his club which stood for (Country Blue Grass and Blues music), Television were the first rock band to play at CBGB's. The place would become a significant venue for the New York Punk Rock movement of the late 70s.

When Marquee Moon was released in 1977 it received recognition, but did poorly in album sales. It did fairly well in the UK (reaching #28 on the charts), but it did not do well in America. The album is a classic album, that employed garage rock, jazz influenced guitar lines and a rhythm style that would influence New Wave and Post Punk. The album was originally made up of eight tracks. When it was re-issued in 2003, it was expanded with alternate versions of songs and other bonus tracks. Songs featured on the album such as "See No Evil", "Prove It", and "Friction" really stand out. The song "Venus" is an interesting composition. Lyrically it addresses finding safety in the lost arms of the mythological Greek statue Venus de Milo. There is also the ten minute "Marquee Moon". When "Marquee Moon" was originally released in 1977, it faded out a little after 9 minutes. The re-issue contains the full version of the song without a fade out, it lasts for almost 11 minutes. These songs combined with the wonderful weaving guitars supplied by Verlaine and Lloyd, all make the album a work of art.

Television's second album Adventure, would be released in 1978. The album did better sales-wise in America, and would eventually become a top ten hit in the UK. It was produced differently. Instead of the album sounding straight to the point (as Marquee Moon did), Adventure features a different side of the band. It still had great songs such as "Foxhole", "Careful" and "Glory". Both "Foxhole" and "Careful" were songs that the band played during their early lives shows. Members of the band all had their own visions of what Television should be which would partly lead to their break up. That combined with Richard Lloyd's drug related issues, would cause Television to break up in 1978. Fred Smith would re-join Blondie and the two guitarists, Verlaine and Llyod would pursue solo careers.

In 1991, the group re-formed and recorded an album Television that would come out in 1992. The reunion did not last long, they would stop touring in 1993. In 2001, the group reformed again for a few shows in the UK. Several bootlegs of the band exist. There are live releases such as The Blow-Up, Live At The Academy and Live At The Old Wardorf are all excellent examples of the bands live qualities. Television was yet another band that were around for a short time that made a huge impact. While the albums did not sell that much at the time they influenced numerous other bands musically.

Here's the play list:

1. Neil Young – don’t let it bring you down (live Massey Hall 1971)
2. Tell-tale hearts – I get up in the morning
3. The Shades – new clientele
4. The Jam – going underground
5. The Zeros – radio fun
6. Riff Raff – what’s the latest
7. Klark Kent – don’t care
8. The Gears – baby runaround
9. Magazine – shot by both sides (single version)
10. Elvis Costello & The Attractions – (i don't want to go to) chelsea (BBC)
11. XTC – science friction
12. Hot, Hot, Heat – save us s.o.s.
13. Pointed Sticks – somebody’s mom
14. Young Canadians – just a loser
15. Smugglers – paper doll
16. Rolling Stones – she said yeah
17. The Metros – on the radio waves
18. Television – prove it
19. Television - see no evil (alternate version)
20. Red Hot Chili Peppers – I get around (live)
20. Talking Heads – with our love
21. The Visitors – hell yes
22. The Hives – see through head
23. Dead 60’s – horizontal
24. Fiction Plane – two sisters
25. The Jam - that's entertainment
26. Buzzcocks - ever fallen in love
27. Wire - i am the fly