Showing posts with label The King Khan & BBQ Show. Show all posts
Showing posts with label The King Khan & BBQ Show. Show all posts

Monday, February 18, 2019

The King Khan & BBQ Show Radio Special & Show # 762


The King Khan & BBQ Show are a Canadian garage duo from Montreal. The band is comprised of King Khan and BBQ, which is an alias for Mark Sultan. The duo formed in 2002 after a series of bands that both Khan and Sultan were playing with disbanded. Prior to this, Sultan and Khan collaborated in a band called The Spaceshits, who disbanded in 1999. When King Khan, then going by the name Blacksnake, decided to live in Berlin, that group ended. He would go on to form King Khan & The Shrines following this. Around this time Mark Sultan formed the garage rock band Les Sexareenos. In 2002, Sultan began performing and recording as a one-man band under the name BBQ. It was not too long after this that Khan and Sultan began collaborating and recording together. With Mark Sultan (aka BBQ) on drums (bass and snare drum), guitar, vocals and King Khan on vocals and lead guitar, the band mixed elements of punk rock and doo wop, combined with their garage rock mentality to create a sound all their own.

The first self-titled King Khan & BBQ Show album was released in 2005 on Goner Records in the US and on Hazelwood Records in Europe. The King Khan & BBQ Show was recorded in Hamburg, Germany by DM Bob. The album captured the band tapping into a sweaty, wild, rock and roll atmosphere. In the same spirit of early rock and roll, The King Khan & BBQ Show featured songs such as “Waddlin’ Around” which chugs along with a 60’s garage rhythm, doo wop, and heart wrenching vocals provided by Mark Sultan and “Fish Fight,” a R&B rave up complete with Chuck Berry rhythms and driving punk dynamics. This song, like many on the album show that even though there isn’t bass on the album, the songs have a lot of soul. “Hold Me Tight” taps into a Cramps-like groove, complete with the words “Hold Me Tight” that come in near the choruses which sound like they are from Bobby Pickett’s 1962 Halloween classic “Monster Mash,” “Am I The One” features Sultan on vocals and a lone electric guitar and echoes 50s rock ballads, while “Mind, Body & Soul” claws and floats with an undeniable groove that sucks the listener into the King Khan & BBQ Show universe.

Following the release of the band’s first album, they embarked on a world tour playing in the US, Europe and South America. The band gained a reputation for their wild, energetic and controversial live shows. In 2006, they released What’s For Dinner? For this album, King Khan & BBQ Show sunk deeper into their own universe blending their early rock and roll, garage, soul and doo wop influences adding more of a mix of punk influences. “Treat Me Like A Dog” features a faster garage stomping rhythm as Mark Sultan howls over top, “I’ll Never Belong” is a bittersweet love song with lyrics such as “And after all/I'm on my way again/Come back who knows when/But you never let me go/But I will never belong to you” that is sung with soul as musically 50s rock and roll meets 60s garage. “Zombies” is snarled out by King Khan as Sultan holds a loose groove in the background. Lyrically with words like “I don’t wanna be alone tonight/I’m gonna walk with the zombies baby,” the song exudes a 70s punk influence as the character in it would rather wander into a world of horrors than to be confined to the boringness of the relationship reflected in this song. “Dock It # 8” ramps up a Chuck Berry influence as it attacks superficial rock and roll clichés lyrically, “Too Much In Love” drifts into doo wop territory with its infectious groove, “Learn My Language” is a 15 second punk rock attack that draws on a Black Flag influence, while “Blow My Top” brings hypnotizing grooves, and "What’s For Dinner?” is a catchy song with revved up garage riffs and lyrics that delve into family life paranoias.

Invisible Girl followed in 2009. This album was recorded at Moon Studios in Berlin and The Bomb Shelter in Brooklyn, New York. The production qualities seem to be less lo-fi than previous releases from the band, however, there is an undeniable raunchiness and humour that runs throughout. The album features songs such as the innuendo filled opening track “Anala,” the punk infused “Animal Party,” the sure to offend soulful punk of “Tastebuds” and the soulful, 50s/60s rock blend of “I’ll Be Loving You.” The album’s title track could be one of the catchiest songs ever written by the band with its psychedelic guitar tremolo effects and irresistible choruses. The hooks and melodies found here are extremely strong, but also the sleaziness factor is also high. On Invisible Girl the band found a balance between their wild outlandishness that at times offends and their ability to write strong song hooks. During the tour for Invisible Girl, Leo Chip (of the band Deadly Snakes), joined The King Khan & BBQ Show for some live dates as a drummer/organist. However, in 2010 the band split.

In 2015, The King Khan & BBQ Show returned with the album Bad News Boys. Recorded and produced in Sultan’s Berlin studio, Bad News Boys begins with the doo wop, garage stomp of “Alone Again”, a song drenched in 50s rock ‘n’ roll influences. Sung by this duo’s drummer, rhythm guitarist and main vocalist Mark Sultan, the song strikes a powerful, yet melodic chord that not only introduces us to King Khan & BBQ Show’s first album in a while, but it is also seeped in 50’s rock ballad drama. “Alone Again” evokes a togetherness in contrast to the songs surface message. The King Khan & BBQ Show are alone and together again creating their own brand of musical mayhem. “Illuminations” sung by King Khan shines with a 70s punk groove, while he sings of being a spark in the dark within a world of bright distractions as the chorus tells us “Illuminations/Don’t let them leave you behind,” “Ocean Of Love” brings back the band’s soulful influence, mixed with their brand of doo wop and in this case, sand dusted, glassy rhythms. “Snacking After Midnight” brings rusty rhythms and B-horror movie lyrics, along with the murky “Killing The Wolfman.” “Never Felt Like This” is a nostalgic love song, as with ‘’Buy Bye Bhai,” which brings forth strong, haunting soulful melodies.

The King Khan & BBQ Show have continued to tour off and on since 2011/2012. Throughout this band, after their initial split and even currently, King Khan and Mark Sultan have continually collaborated and recorded with other musicians and recorded music on their own. Most recently Mark Sultan has released a full-length album called Let Me Out and King Khan released his solo album Murderburgers in 2017. The music that they create whether it is together, with other groups or on their own taps into a musical world that can be soulful, or raw and dirty rock and roll. As stated in a press release for Bad News Boys “Their mission is to revere rock’n’roll – the real stuff – enough, so that they are permitted to invoke its spirits and ghosts using magick, using their raw soul - for good or for bad - to evoke the smells and feelings that confuse and delight.”

Check out these extended interviews with King Khan and Mark Sultan:






The KK&BBQ Show Playlist:

1. The King Khan & BBQ Show - Illuminations (Bad News Boys - In The Red Recordings - 2015)
2. The King Khan & BBQ Show - I'll Never Belong (What's For Dinner? - In The Red Recordings - 2006)
3. The King Khan & BBQ Show - Fish Fight (The King Khan & BBQ Show - Goner Records - 2005)
4. The King Khan & BBQ Show - Animal Party (Invisible Girl - In The Red Recordings - 2009)
5. The Spaceshits - 60 Nights of Boredom (Misbehavin' - Sympathy For The Record Industry - 1999)

KING KHAN INTERVIEW

6. King Khan & His Sensational Shrines - Spread Your Love Like … Peanut Butter (Spread Your Love Like Peanut Butter - Sounds of Subterrania - 2000)
7. King Khan & The Shrines - Land of the Freak (What Is?! - Vice Records - 2007)

MARK SULTAN/BBQ INTERVIEW

8. Mark Sultan - Believe Me (Let Me Out - Dirty Water Records - 2018)
9. Mark Sultan - Axis Abraxas (Whatever I Want - In The Red Recordings - 2011)
10. Les Sexareenos - Everybody Sexareeno! (Live In Bed - Sympathy For The Record Industry - 2000)
11. The Ding-Dongs - Ding-Dong Party (The Ding-Dongs - Norton Records - 2010)
12. The Tandoori Knights - Bucketful (Curry Up! It's The Tandoori Knights - Norton Records - 2010)
13. The Almighty Defenders - All My Loving (The Almighty Defenders - Vice Records - 2009)
14. The King Khan & BBQ Show - Hold me Tight (The King Khan & BBQ Show - Goner Records - 2005)
15. The King Khan & BBQ Show - What's For Dinner? (What's For Dinner? - In The Red Recordings - 2006)
16. The King Khan & BBQ Show - Ocean of Love (Bad News Boys - In The Red Recordings - 2015)
17. The King Khan & BBQ Show - Invisible Girl (Invisible Girl - In The Red Recordings - 2009)

Download/stream this episode here!

Friday, February 01, 2019

Coming Up On Revolution Rock in 2019!

February is theme month once again for Revolution Rock. I will be doing a different themed program for each of the four weeks in February 2019. This year’s programming will begin with a program devoted to the music of James Brown. Each program will air on a Saturday from 7-9 PM and can be streamed/listened to online via www.cjam.ca or on the FM dial at 99.1 FM in the Windsor/Detroit area.

Revolution Funk: The Music of James Brown
Saturday February, 2nd
7-9 PM
CJAM 99.1 FM (www.cjam.ca)

James Brown’s “Funky Drummer” was originally recorded at a jam session in 1969. The song was released as a two-part single via King Records in 1970 and eventually released on the compilation album In The Jungle Groove in 1986. The song however, is one of the most sampled songs in hip hop and popular music. The break in the song around the five minute twenty second mark features a drum break played by Clyde Stubblefield has been sampled over one thousand times and is weaved among so many songs its often hard to keep track. This is just one of the songs that has been sampled by music created by James Brown. It is also an example of the vast influence he has had on music. James Brown, often known as “The Godfather of Soul” helped to secularize gospel music and in turn had a role in the creation of soul music. He would combine these elements of soul and R&B music to lay the foundations and to help create funk music. With his emphasis on the first note of every measure (known as “the one”), Brown and his band developed the downbeat, which created a groove that would become his signature.

In addition to this this, Brown addressed many social and political issues through his music with songs such as “Don’t Be A Dropout”, “Say It Loud (I’m Black and I’m Proud)”, “Funky President (People It’s Bad)”, and “Talkin’ Loud and Sayin’ Nothing” to name a few. By the early 70’s James Brown and his band, The J.B.’s established a funk sound that can be heard on songs such as “Get Up (I Feel Like Being A) Sex Machine”, “Soul Power”, “Hot Pants”, “Make It Funky”, and “The Payback”. James Brown became a major figure in music in the 20th century and also provided captivating live shows that often involved his unique dance moves. With dance moves such as the mashed potato, the funky chicken, the robot and his tour de force move, the split, Brown had a combination of factors that made him influential in numerous ways. All of this earned him the nick name “The Godfather of Soul”. Revolution Rock celebrates Black History Month by playing music from James Brown’s catalogue, along with deep cuts, live recordings and a variety of other selections. Also joining the program will be guest host Graeme Sylvio of CJAM’s Sylvio & Soul radio program.

Love Bites: The Music of Pete Shelley
Saturday February, 9th
7-9 PM
CJAM 99.1 FM (www.cjam.ca)

Pete Shelley formed the early punk band Buzzcocks in the UK with Howard Devoto in 1976 after seeing a Sex Pistols gig in Manchester in 1975. Along with Steve Diggle and John Maher, Buzzcocks recorded and released their Spiral Scratch EP in 1977 on their independent label, New Hormones. It was one of the first independent releases during the UK punk era of the late 70s, put out without the help of major record labels. Adhering to the DIY punk ethos, the success of this release inspired other bands to DIY labels to put out music on their own. Shortly after this release, Howard Devoto left the group, with Shelley taking the lead vocal/lead guitar role in the group. Steve Diggle switched to rhythm guitar from bass and bassist Steve Garvey would eventually join the group that when combined with drummer John Maher, formed the classic Buzzcocks band lineup.

Signing to United Artists, Buzzcocks mastered the art of the short pop song. The song “Ever Fallen In Love (With Someone You Shouldn’t’ve), was inspired by a line from the movie Guys and Dolls and has been called a pop masterpiece by many. The music he created often combined elements of punk, pop and power pop, to create catchy, memorable songs, often dealing with love gone wrong. Lyrically, his songs were often witty and open to interpretation and challenged the conventions of song writing. In addition to playing in Buzzcocks, Shelley’s also had a solo career, beginning with 1980’s Sky Yen. This album ventured into electronic and drone music. 1981’s Homosapien explored electronic pop and synthesizer based music, in its early pioneering days. For this episode, Revolution Rock will devote an entire program to music that has been created by Pete Shelley, featuring music from Buzzcocks, his solo career and other projects that he has been a part of.

The King Khan & BBQ Show Radio Special
Saturday February, 16th
7-9 PM
CJAM 99.1 FM (www.cjam.ca)

The King Khan & BBQ Show are a Canadian garage duo from Montreal. The band is comprised of King Khan and BBQ (which is an alias for Mark Sultan). The duo formed in 2002 after a series of bands that both Khan and Sultan were playing with disbanded. Prior to this, Sultan and Khan collaborated in an earlier band called The Spaceshits, who disbanded in 1999. When King Khan, then going by the name Blacksnake, decided to live in Berlin, that group ended. He would go on to form King Khan & The Shrines following this. Around this time Mark Sultan formed the garage rock band Les Sexereenos. In 2002, Sultan began performing and recording as a one-man band under the name BBQ. It was not too long after this that Khan and Sultan began collaborating and recording together. The first self-titled King Khan & BBQ Show was released in 2005 on Goner Records in the US and on Hazelwood Records in Europe.

With Mark Sultan (aka BBQ) on drums (bass and snare drum), guitar, vocals and King Khan on vocals and lead guitar, the band mixed elements of punk rock and doo wop, combined with their garage rock mentality to create a sound all their own. Following the release of the band’s first album, they embarked on a world tour playing in the US, Europe and South America. The band gained a reputation for their wild, energetic and controversial live shows. More albums followed with 2008’s What’s For Dinner? and 2009’s Invisible Girl. During the tour for Invisible Girl, Leo Chip (of the band Deadly Snakes), joined The King Khan & BBQ Show for some live dates as a drummer/organist. However, in 2010 the band split. In 2015, The King Khan & BBQ Show returned with the album Bad News Boys. They have continued to tour off and on since 2011/2012. Throughout this band, after their initial split and even currently, King Khan and Mark Sultan have continually collaborated and recorded with other musicians and recorded music. Most recently Mark Sultan has released a full-length album called Let Me Out and King Khan released his solo album Murderburgers in 2017. This episode of Revolution Rock will feature selections from The King Khan & BBQ Show catalogue, along with a selection of other songs that both King Khan and Mark Sultan have recorded solo or with other groups.

Revolution Surf: The 13th Edition: Horror Themed Surf Rock
Saturday February, 23rd
7-9 PM
CJAM 99.1 FM (www.cjam.ca)

On Saturday February 23rd, the 13th annual edition of Revolution Surf will air on CJAM FM. To commemorate this episode, the program will be made up entirely of horror themed tracks. Horror themed surf songs have been something that has been present in surf music for quite some time. Many horror-based themes have surfaced in surf/instrumental rock songs going back to the beginnings of surf music. Most likely due to the influx of the many monster movies of the time period, this type of surf music has been combined with film and TV on countless occasions adding a different mood and dimension to whatever it is associated with. Horror themed surf music is often creepy and spooky sounding, although some of it has often been seen as kitschy or cheesy. This type of surf music has operated parallel to the sunnier themed surf songs that have been created in the genre. On this episode expect to hear spooky tracks from artists such as The Deadly Ones, The Ghastly Ones, Messer Chups and many others. This year’s Revolution Surf program will once again feature a guest segment from Surf Rock Radio’s Derk Brigante and more surprises!

Saturday, January 02, 2016

2015 Highlights (Shows # 593 & # 594)

This year to count down my favourite releases for Revolution Rock, I did something a little be different. Me and my occasional co-host Adam both picked 15 of our favourite releases from 2015 and did two programs focusing on them. Below are a list of our top 15 albums, a short write up on some of these albums and the playlists/download links to the two episodes of Revolution Rock that focused on our favourite releases from 2015.

Dave’s 15 of 2015:

1. Dead Ghosts – Love And Death And All The Rest
2. Pow Wows – Broken Curses
3. Young Rival – Interior Light
4. La Luz – Weirdo Shrine
5. Thee Oh Sees – Manipulator Defeated At Last
6. What Seas What Shores – Spiritual Nap Machine
7. Middle Sister – Cries Of The Wild
8. Diamond Rugs – Cosmetics
9. Mick Futures – Banned From The Future
10. The King Khan & BBQ Show – Bad News Boys
11. Thee Rum Coves – Thee Rum Coves
12. Courtney Barnett - Sometimes I Sit And Think And Sometimes I Just Sit
13. Fuzz – II
14. The Famines – Too Cool & Other Songs
15. Protomartyr – The Agent Intellect

Adam’s 15 of 2015:

1. Tame Impala – Currents
2. Viet Cong – Viet Cong
3. Courtney Barnett – Sometimes I Sit and Think, and Sometimes I Just Sit
4. Titus Andronicus – The Most Lamentable Tragedy
5. Sleater-Kinney – No Cities to Love
6. Mount Eerie – Sauna
7. Destroyer – Poison Season
8. Ought – Sun Coming Down
9. Father John Misty – I Love You, Honeybear
10. Deerhunter – Fading Frontier
11. Jim O'Rourke – Simple Songs
12. Waxahatche – Ivy Tripp
13. Protomartyr – The Agent Intellect
14. Wilco – Star Wars
15. Kurt Vile – B'lieve I'm Goin’ Down

A few write-ups from a selection of our top 15 of 2015:

1. Dead Ghosts - Love And Death And All The Rest


Love And Death And All The Rest is the third full-length album released by Vancouver’s Dead Ghosts. Dead Ghosts first formed in 2007 by guitarist/vocalist Bryan Nicol and guitarist Andrew Wilkinson. They then added Mike Wilkinson on drums and Maurizo “Moe” Chiumento on bass to complete the group’s line-up. The band drew influences of 60s garage rock, blues, country, 50’s rock and doo-wop, but blended those influences with a lo-fi aesthetic. Although you can break it down several different ways, when discussing their sound Bryan Nicol describes it just as “rock n’ roll music”. On Love And Death And All The Rest, Dead Ghosts take their lo-fi rock n’ roll sound adding psychedelic R&B frequencies and broadcast twelve songs with an organic groove. Despite being recorded in a barn with a non-traditional studio atmosphere, the production on this album is cleaner and the best that Dead Ghosts have sounded on record to date.

2. Pow Wows - Broken Curses

In 2011, Pow Wows served up a potent fizzy cocktail with Nightmare Soda. In the mix we found the ingredients were made up of garage, punk, surf and R&B influences. 2012 and 2013 brought singles to quench our thirst, but with Broken Curses Pow Wows have shaken things up yet again. The fizzy cocktail that was once served to us in 2011 has now exploded in a ten-track blast. Like a dried up soda that has crusted over, this album offers a new grittiness in the spirit of the cyclic fuzz driven sounds of Davie Allan & The Arrows, garage, punk and surf music all in a modern context. With Broken Curses, Pow Wows provide us with their own unique garage noir lyrics and musical style in ten tracks that has a dizzying cohesiveness to it.


3. Young Rival - Interior Light

Interior Light is the third full-length album by Hamilton’s Young Rival. Released on Toronto’s Paper Bag Records, the sounds on this album have been described as “Roy Orbison tripping on acid with Ray Davies and Bradford Cox.” Found on the back of the LP this description goes perfectly with the term that Young Rival coined to describe the music created during the recording of this album, croon-psych. Produced by Graham Walsh and Young Rival guitarist/vocalist Aron D’Alesio, the band took their time when creating the sounds for Interior Light. Even the album’s cover has an interesting backstory. It was adapted from an old stained glass window from 1987 by Benjamin Nelson in collaboration with Young Rival bassist John Smith. This design was mixed in with an array of colours that compliment the music found on Interior Light.

4. La Luz - Weirdo Shrine

Recorded in an old surf shop by Ty Segall, La Luz’s second full-length album comes off with more of a hazier mood to it as opposed to this Seattle band’s first album, It’s Alive. In addition to the hazy feeling that glides across all of the tracks on Weirdo Shrine, the lyrical subject matter is also darker. Inspired by the Charles Burns graphic novel Black Hole, many of the themes that were found across its pages seep their way into Weirdo Shrine’s lyrics and overall mood. La Luz’s undeniable 60s surf rock influence from bands such as Dick Dale and The Ventures are still apparent, but the band combines this with their strong vocal harmonies ala The Shangri-Las or The Ronnettes, adding a bit of doo-wop and subtle soul influences in with their love of surf music for a sound that is uniquely their own.

5. Thee Oh Sees - Mutilator Defeated At Last

Throughout Mutilator Defeated At Last’s nine tracks, Thee Oh Sees dig into a groove so deep that it will burn holes in your speakers. John Dwyer arrives energized with his new incarnation of Thee Oh Sees, who despite having mostly new members still sound like Thee Oh Sees. There is an undeniable sound to Thee Oh Sees, perhaps it is similar to the mysteriously creepy feeling expressed by the sneaky creature knocking on the palace door in the album’s closing track. With Mutilator Defeated At Last, John Dwyer and Thee Oh Sees knock on another door, yielding different results that at times draws a similar effect to the sounds explored on 2013’s Floating Coffin. Regardless of which door the band chooses to venture to, Thee Oh Sees are once again victorious.


6. What Seas What Shores - Spiritual Nap Machine

T.S. Eliot’s “Marina” evokes a vast array of emotions and themes said to be associated with being reunited with someone you never thought you would see again. The first line of this poem is where Windsor, Ontario’s What Seas, What Shores draws their name. What Seas, What Shores ambient, post-rock instrumental sounds are experimented with more so on Spiritual Nap Machine, their highly anticipated second full-length album. Spiritual Nap Machine features songs that drift in dream-like quality (“Texas”, “Invisible Architecture”), to more aggressive sounds (“Gugelhupf”, “The Ibex”). Breaking down the music on this release you can hear the influences of post-rock, progressive, math rock and several elements of ambience throughout. “Czar Bomba” simmers with a brooding fiery intensity, while the album’s title track flirts with experimental ambient textures. Like the “Woodthrush calling through the fog” in the last lines of Eliot’s “Marina”, the music on What Seas, What Shores Spiritual Nap Machine calls out to the listener with an emotive musical depth that differs from the generic fog of modern mainstream music.

7. Middle Sister - Cries Of The Wild

Cries Of The Wild is the new album made by Windsor’s Middle Sister. As each song progresses something different reveals itself within its construct. Their 2014 EP was described as “mid-century folk rock and chamber pop, whose sounds are flush with Canadiana,” Cries Of The Wild isn’t far off from that description. The line-up on this recording consists of singer/guitarist Colin Wysman, Kaitlyn Kelly (piano/mandolin/vocals), James Oltean-Lepp (bass), Stu Kennedy (violin/guitar) and Nate Gelinas on drums. Dave Dubois plays bass in the band’s current line-up. Recorded by Mark Plankce at Sharktank Studios on analog tape, the sounds found here strike a chord with the influences of Bonnie Prince Billy, Godspeed You! Black Emperor, Simon & Garfunkel and the sounds of post rock.

8. Diamond Rugs - Cosmetics

What do Deer Tick’s John McCauley, Robbie Crowell, Ian St. Pe (formerly of The Black Lips), Hardy Morris of Dead Confederate, Bryan Dufresne of Six Finger Satellite, Steve Berlin of Los Lobos and a trash bag used as an instrument all have in common? You can find all of this on Cosmetics, the sophomore album by the band Diamond Rugs. The term supergroup is tossed around in articles about this band that seems to focus on all the outside elements that make up this band and while that is important, it is the songs themselves and their content that make this album and band so striking. Building on 2012’s self-tiled fourteen-track release, Cosmetics adds more groove, soul and chemistry to Diamond Rugs aesthetic.

9. Mick Futures - Banned From The Future

Banned From The Future is the debut full-length album by Sudbury’s Mick Futures, a pseudonym for Strange Attractor drummer and Statues bassist/vocalist Mitch Houle. At fifteen tracks, there is a lot of content, although most of the songs found on Banned From The Future are relatively short, some barely over one and a half minutes. The music pulls from the ubiquitous synth-driven sounds of the 80s, but specifically the sounds of artists such as early Brian Eno, Gary Numan, Devo and Kraftwerk. Futures also dons other subtler influences such as The Wipers, Buzzcocks and Wire. The songs that make up Banned From The Future can at times have a bleak view, but there is also a silver lining of hopeful optimism. Banned From The Future takes the cold icy dystopian views of the past and applies it to the present.

10.  The King Khan & BBQ Show - Bad News Boys

Bad News Boys begins with the doo-wop, garage stomp of “Alone Again”, a song drenched in 50s rock ‘n’ roll influences. Sung by this duo’s drummer, rhythm guitarist and main vocalist Mark Sultan (aka BBQ), the song strikes a powerful, yet melodic chord that not only introduces us to King Khan & BBQ Show’s first album in six years, but it is also seeped in 50’s rock ballad drama. During the song’s three minute time frame, lead guitarist King Khan plays his own blend of arpeggio-drunk-a-billy guitar riffs amongst his doo-wop backing vocals and BBQ’s primal backbeat groove. While this song contains the obvious elements of a love song, it also is somewhat symbolic given The King Khan & BBQ Show’s chaotic history. In 2010, the band announced they were splitting up for good following the release and tour of 2009’s Invisible Girl. “Alone Again” evokes a togetherness in contrast to the songs surface message. The King Khan & BBQ Show are alone and together again creating their own brand of musical mayhem.

Show 594 - Best of 2015 Part Two Playlist:

1. The Scenics - Sunshine World (In The Summer - Dream Tower Records - 2015)
2. The Pointed Sticks - - Impatient (Pointed Sticks - Sudden Death Records - 2015)
3. Ty Segall - The Picture (Mr. Face EP - Famous Class - 2015)
4. Deerhunter - Snakeskin (Fading Frontier - 4AD - 2015)
5. Father John Misty - The Ideal Husband (I Love You, Honeybear- Sub Pop - 2015)
6. Ought - Beautiful Blue Sky (Sun Coming Down - Constellation - 2015)
7. Destroyer - Midnight Meet The Rain (Poison Season - Merge Records - 2015)
8. King Khan & BBQ Show - Ocean Of Love (Bad News Boys - In The Red Records - 2015)
9. Mick Futures - A Few Pieces (Banned From The Future - Telephone Explosion - 2015)
10. Diamond Rugs - Voodoo Doll (Cosmetics - Sycamore Records - 2015)
11. Middle Sister - Tongue Of Silver (Cries Of The Wild - Self-Released - 2015)
12. What Seas What Shores - Czar Bomba (Spiritual Nap Machine - Mudtown Records - 2015)
13. Mount Eerie - Turmoil (Sauna - P.W. Elverum & Sun Ltd. - 2015)
14. Sleater-Kinney - Fade (No Cities To Love - Sub Pop - 2015)
15. Titus Andronicus - Dimed Out (The Most Lamentable Tragedy - Merge Records - 2015)
16. Courtney Barnett - Elevator Operator (Sometimes I Sit And Think, And Sometimes I Just Sit - Mom + Pop Music - 2015)
17. Viet Cong - Pointless Experience (Viet Cong - Jagjaguwar - 2015)
18. Thee Oh Sees - Poor Queen (Manipulator Defeated At Last - Castle Face - 2015)
19. Thee Oh Sees - Rogue Planet (Manipulator Defeated At Last - Castle Face - 2015)
20. La Luz - I’ll Be True (Weirdo Shrine - Hardly Art - 2015)
21. Young Rival - Elevator (Interior Light - Paper Bag Records - 2015)
22. Pow Wows - Rebel Stomp (Broken Curses - Get Hip Recordings - 2015)
23. Tame Impala - Let It Happen (Currents - Interscope Records - 2015)
24. Dead Ghosts - All In A Row (Love And Death And All The Rest - Burger Records - 2015)

Download this show here!

Show 593 - Best of 2015 Part One Playlist:

1. Jaill - Look At You (Brain Cream - Burger Records - 2015)
2. Archie & The Bunkers - I’m Not Really Sure What I’m Gonna Do (Archie & The Bunkers - Dirty Water Records - 2015)
3. Mexican Knives - Killer Snake (Mexican Knives - Fever Dreammms/Bellyache Records - 2015)
4. Mac DeMarco - No Other Heart (Another One - Captured Tracks - 2015)
4. Library Voices - Slacker (Lovish - Nevado Records - 2015)
5. John Grant - Down Here (Grey Tickles Black Pressure - PTKF - 2015)
6. Daniel Romano - The One That Got Away (Came Back Today) (If I’ve Only One Time Askin’ New West Records - 2015)
7. Tea Leaves - The Sun (Wooden Hands Self-Released - 2015)
8. Colleen Green - I Want To Grow Up (I Want To Grow Up - Hardly Art - 2015)
9. Damaged Bug - Jet Set In Jungle (Cold Hot Plumbs - Castle Face - 2015)
10. Protomartyr - I Forgive You (The Agent Intellect - Hardly Art - 2015)
11. The Famines - Attack Machine Blues (Too Cool & Other Songs - Pentagon Black - 2015)
12. Fuzz - Let It Live (II - In The Red Records - 2015)
13. Courtney Barnett - Nobody Really Cares If You Don’t Go To The Party (Sometimes I Sit And Think, And Sometimes I Just Sit - Mom + Pop Music - 2015)
15. Thee Rum Coves - Simple Little Lie (Thee Rum Coves - Self-Released - 2015)
16. Kurt Vile - Dust Bunnies (B'lieve I'm Goin' Down - Matador Records - 2015)
17. Wilco - Pickled Ginger (Star Wars - dBpm records - 2015)
18. Protomartyr - Pontiac 87 (The Agent Intellect - Hardly Art - 2015)
19. Waxahatchee - The Dirt (Ivy Tripp - Whichita Recordings - 2015)
20. Jim O'Rourke - Half Life Crisis (Simple Songs - Drag City Records - 2015)
21. Bob Dylan & The Band - Lunatic Princess (The Cutting Edge - Columbia Records - 2015)
22. Bob Dylan & The Band - I Wanna Be Your Lover (The Cutting Edge - Columbia Records - 2015)
23. Bob Dylan - Sad Eyed Lady Of The Lowlands (Take 3 Complete) (The Cutting Edge - Columbia Records - 2015)

Download this show here!

Saturday, April 11, 2015

The King Khan & BBQ Show Bad News Boys & Show # 555


Bad News Boys begins with the doo-wop, garage stomp of “Alone Again”, a song drenched in 50s rock ‘n’ roll influences. Sung by this duo’s drummer, rhythm guitarist and main vocalist Mark Sultan (aka BBQ), the song strikes a powerful, yet melodic chord that not only introduces us to King Khan & BBQ Show’s first album in six years, but it is also seeped in 50’s rock ballad drama. During the song’s three minute time frame, lead guitarist King Khan plays his own blend of arpeggio-drunk-a-billy guitar riffs amongst his doo-wop backing vocals and BBQ’s primal backbeat groove. While this song contains the obvious elements of a love song, it also is somewhat symbolic given The King Khan & BBQ Show’s chaotic history. In 2010, the band announced they were splitting up for good following the release and tour of 2009’s Invisible Girl. “Alone Again” evokes a togetherness in contrast to the songs surface message. The King Khan & BBQ Show are alone and together again creating their own brand of musical mayhem.

“Illuminations” follows next. Sung by King Khan, this song shines bright with a gritty 1978 punk groove, while King Khan sings of being a spark in the dark within a world of bright distractions as the chorus tells us “Illuminations/Don’t let them leave you behind”. The King Khan & BBQ Show then re-introduce their dark B-movie style and at times silly/ramshackle lyrics in a mix of salty tambourines and strong vocal melodies in “Kiss My Sister’s Fist”, an element that returns at several points on this album. On “Buy Bye Bhai” the band amps up their soul influences. Despite it’s lo-fi production, this song rises above it’s production techniques with its offbeat, soulful Otis Redding influenced vocal melodies and warped guitar dynamics. “D.F.O” shows The King Khan & BBQ Show flexing their hardcore punk twang in a toilet humoured track that lasts less than a minute and one that breaks up the filthy, but beautiful “Buy Bye Bhai” and the slow chugging melodies of “We Are The Champion”. This song was originally released as a single to prior to the album’s release in 2014.

“Ocean Of Love” brings back the band’s soulful influence, mixed with their brand of doo-wop and in this case, sand dusted, glassy rhythms. “Snacking After Midnight” brings rusty rhythms and cartoonish/B-horror movie lyrics, along with the murky “Killing The Wolfman”. This song treads through muddy swamp verses while the song’s paranoid lyrics conjure up images of “chemical werewolves, moons“ and ends with a howl. “Never Felt Like This” is a nostalgic love song, as with ‘’Buy Bye Bhai”, brings in a strong soulful influence. The song lyrically as with the opening number, could be seen as a reunion of sorts after a long hiatus. Bad News Boys ends with an odd curveball, as we are thrown into the noisy punk assault of “Zen Machines”. This song has obviously thrown off several reviewers, who claim the song is the weakest moment on this twelve-track release. This song is a barrage of fast punk riffs, which references late night talk show host Conan O’Brien and ends as if there is a CD or record skipping. The album ends on a riotous note, one that is perhaps unexpected. This could be a sign of things to come from The King Khan & BBQ Show. Sounds like this were last explored on 2006’s What’s For Dinner? This song shakes things up, making the album less predictable than what some people may predict, while at the same time hitting the notes on the sounds we might expect from The King Khan & BBQ Show.

Initially, The King Khan & BBQ Show stated that they would be changing their name to Bad News Boys, a name that they were going to go by many years ago prior to settling on The King Khan & BBQ Show. Fortunately they kept The King Khan & BBQ Show moniker and instead called the album Bad News Boys. Fittingly, this album treads in the band’s earlier musical territory, while at the same time not taking itself too seriously. Six years is sometimes the entire lifespan of a band, but with Bad News Boys, The King Khan & BBQ Show chime in with their primitive, melodic sounds and an undeniable chemistry together as musicians. The music found on this album is similar to the band’s previous releases, but there are small subtleties that make it different. However, that is not necessarily the point. The King Khan & BBQ Show are a raunchy, sloppy, raw rock ‘n' roll band. Bad News Boys proves that they still have what it takes to entertain the average listener. The bad news for some would be if you expected any different.

Saturday Night Playlist:

1. Jerry Lee Lewis - Wild One
2. Deja Voodoo - Gotta Have Money
3. Just Brothers - Sliced Tomatoes
4. Pere Ubu - Life Stinks
5. Jay Reatard - Screaming Hand
6. Summer Cannibals - Show Us Your Mind
7. C & C Surf Factory - Takeshiesque
8. Surf Kitties - Breaker
9. The Nomads - Bounty Hunter
10. The Dictators - California Sun
11. Pink Wine - Persistent Cops
12. Pow Wows - Surfin’ Dirge
13. Parquet Courts - Ducking & Dodging (Live)
14. The King Khan & BBQ Show - Ocean Of Love
15. The King Khan & BBQ Show - Killing The Wolfman
16. Painted Ship - Frustration (Alternate Version)
17. Pissed Jeans - Half Idiot
18. The Birthday Party - Nick The Stripper
19. Nick Cave & The Bad Seeds - I'm Gonna Kill That Woman
20. Titus Andronicus - Titus Anronicus
21. Sonic Youth - Burning Spear
22. Andrew Jackson Jihad - No One
23. Diamond Rugs - Motel Room
24. Bob Dylan & The Band - Edge Of The Ocean
25. The Rolling Stones - Complicated
26. The Normals - Almost Ready
27. Strange Attractor - Anything
28. The Cramps - Drug Train
29. The Black Lips - The Best Napkin I Ever Had
30. The Stooges - Down On The Street (Take 13)
31. The Strokes - Take It Or Leave It
32. The Replacements - If Only You Were Lonely

To download this weeks program, visit CJAM's schedule page for Revolution Rock and download the file for April 11. Or subscribe to Revolution Rock as a Podcast.

Tuesday, April 13, 2010

Ten of Hearts...The Mark Sultan Story....Show # 295


Coming from Montreal, Quebec, Canadian musician Mark Sultan has been in numerous bands. He started out playing drums with a band called Powersquat, they were known for their live shows which often turned violent. By 1995, Sultan helped form the band The Spaceshits where he would become lead vocalist. The Punk/Garage band would become known for their live shows as well, which were sometimes violent and would not last more than 10 to 15 minutes. They were often over the top featuring fireworks and flood lights. As a result, the band was banned from many clubs and in 1996 they released their first EP tilted I'm Dead. Winter Dance Party, The Spaceshits first full length album was released in 1997 on the Sympathy for the Record Industry label. After a European tour and being banned from numerous venues in Montreal, The Spaceshits split up by 1999.

Sultan's next band was Les Sexereenos. The band took their name from a pulp novel by Ron Haydock. Mark Sultan was not only the lead singer in this group, he was also the drummer at the same time. The bands sound drifted more towards Garage Rock and featured organ. They released two albums Live! In the Bed (2000) and 14 Frenzied Shakers in 2001. The bands albums were released on the Sympathy for the Record Industry label and in 2005, 28 Party Dancers from Montreal's Finest a compilation of the bands seven inch releases was released. The band has played several live shows with bands such as the Detroit Cobras, the Von Bondies, and the Deadly Snakes. By 2002, Les Sexereenos were pretty much over and Mark Sultan began recording under the name BBQ. In BBQ, Sultan drummed, sang and played guitar simultaniously. a self titled debut was released by BBQ in 2003 on Alien Snatch Records and it adopted more of a Garage Rock sound. In 2005, BBQ's second full length album Tie Your Noose was released on Bomp! Records. In the very same year, Sultan recorded a single with a new band called The Mind Controls (covering guitar and vocals), who adopted more of a Punk sound. Growing dissatisfied with being a one man band, Sultan teamed up with formed Spaceshits bassist King Khan to become the band The King Khan & BBQ Show. 

In 2005 The King Khan & BBQ Show released their first self titled album, and toured America, South America, Austraila and Europe.  The band mixed elements of Garage Rock, Doo Wop and Punk. What's for Dinner? their second album was released in 2006 on In the Red Records and in 2009 The King Khan & BBQ Show released their third full length album Invisible Girl. Mark Sultan released his frantic debut album The Sultanic Verses in 2007. In 2010 Mark Sultan released his newest album titled $. The album was released on Sultan Records, an independent record label owned by Mark Sultan that features many Garage Rock bands. Mark Sultan has played under numerous names and in 2009 recorded an album under the band name The Almighty Defenders with members of The Black Lips and King Khan. The Ding Dongs, a project featuring Mark Sultan and Bloodshot Bill will be releasing an album in 2010 on Norton Records.

This is the last day to vote for the CJAM awards.  So if you are a visitor of this blog and or listener of my radio show, your vote would be greatly appreacted for Revolution Rock.  Vote Now!

The Play List:
1. The Wipers - Return of the Rat
2. Stone Temple Pilots - Tumble in the Rough
3. Pluto - Locked and Loaded
4. Burnt Ones - Gonna Listen To T-Rex (All Night Long)
5. The Dishrags - Vicious (Live)
6. The Evaporators - Crispy Space Bacon
7. Mark Sultan - Go Beserk
8. Mark Sultan - I Get Nothin from My Girl
9. The Cinch - Mystery Train
10. The Spades - Tear It Apart
11. Eddie & The Hotrods - 96 Tears
12. New York Dolls - Private World
13. The Ugly - To Have Some Fun
14. The Vapors - News At Ten (Single Version)
15. T.Rex - Jeepster
16. The Who - Heatwave
17. Awesome Color - Zombies
18. The Misfits - Hollywood Babylon
19. Magazine - My Mind Ain't So Open
20. Codine Velvet Club - Hollywood
21. Blondie - I Know But I Don't Know
22. TV Smith's Explorers - Walk Away
23. XTC - Life Begins at the Hop
24. Devo - Gut Feeling

To download this weeks program, visit CJAM's schedule page for Revolution Rock and download the file for April 13. Or subscribe to Revolution Rock as a Podcast.

Tuesday, January 05, 2010

2009 Highlights...Show # 281

Today's program was composed entirely of albums that were released in the year 2009. The last nine songs on the show constituted my favourite nine releases from 2009. While re-issues were included in the list (The Beatles Remasters, Nirvana's Bleach 20th Anniversary Edition, and The Vaselines - Enter The Vaselines), I did not count them in the top nine list, due to the fact that they have already been released prior to 2009. The following are my favourite nine releases from the year 2009:

1.  The Black Lips - 200 Million Thousand

200 Million Thousand was the follow up to 2007's Good Bad Not Evil. This album differed from their 2007 release, instead of continuing with a similar sound the band went for a dirtier and darker Garage/Psychedelic sound. While the album does feature many great Pop moments ("Short Fuse","Drugs", Just Like Staring Over", and "I'll Be With You" ), the album has more of sleaze element than their previous album (Good Bad Not Evil). The 14 track album even features a Rap song "The Drop I Hold" and a cover of The Iguana's (Iggy Pop's first band) "Again & Again", that is mixed in with The Black Lips unique blend of fuzzy Atlanta, Georgia Garage Rock.


2.  Sloan - Hit & Run EP

Released fairly close to the end of 2009, this five track EP was released in digital form only. Of the five songs featured here two are from Bassist Chris Murphy ("Take It Upon Yourself", "Oh Dear Diary"), and one each from the other Sloan band members "Midnight Mass" (Jay Ferguson), "It Is Never" (Patrick Pentland), and "Where Are You Now?" (Andrew Scott). Overall the EP is a mix of Pop, 70's and 60's Rock, and is a great example of Sloan's excellent musical output of the last few years. A must for any Sloan fan and essential for anyone looking for a great underrated Canadian band.



3.  Julian Casablancas - Phrazes For The Young

This was the first full length solo release from Strokes frontman Julian Casablancas. The album is comprised of eight songs, all of which reflect a love for the 80's. While there are only eight tracks here, it still features some great enjoyable tracks that stand out on their own such as "Out of the Blue", "River of Brakelights", and "11th Dimension". This track seems like a nod to the New Wave influences employed on The Strokes album Room On Fire. The albums title Phrazes for the Young, is referencing Oscar Wilde's Phrases and Philosophies for the Use of the Young.



4.  Pearl Jam - Backspacer


Backspacer is Pearl Jam's follow up to 2006's Pearl Jam. The songs on this album reflect more of a Pop and New Wave nature, the album was also produced by Brendan O'Brien (he hasn't worked with the band since 1998's Yield). Recorded at a variety of places in the US, Backspacer is said to be the bands most rehearsed record and the one with the most positive lyrics from front man Eddie Vedder. The album was released on the bands own Monkeywrench label and through Universal Music Group internationally. Cover art for the album was designed by editorial cartoonist Tom Tomorrow (real name Dan Perkins) and it features nine images created by Perkins. 


5.  The Almighty Defenders - The Almighty Defenders


Released in September 2009, The Almighty Defenders is a group made up of two bands King Khan & BBQ Show and The Black Lips. This 11 track album was recorded in Berlin (where King Khan was living) after The Black Lips had to cancel their tour of India following an incident on stage. In eight days, this new supergroup laid down the eleven tracks, it was released on Vice Records. The music on this album can be described as Gospel influenced Garage Rock.





6.  King Khan & BBQ Show - Invisible Girl

Released in November of 2009, Invisible Girl is yet another R &B and Garage Rock album, on my list, this one comes from King Khan & BBQ Show. While this duo (Originally from Montreal) has released several albums, this album is the bands third full length.  Elements of Sam Cooke, The Sonics, Chuck Berry, good old fashioned R & B, (not the new overproduced kind) and trashy elements of 60's Garage are all over this record.  





7.  The Dead Weather - Horehound 

In 2009, a band popped up featuring Jack White and Alison Mosshart of the Kills. The band consists of Jack White (drums/vocals/guitar), Alison Mosshart (lead vocals/guitar), Dean Fertita (guitar/organ/piano), and Jack Lawrence on bass. The group formed in January 2009, from a Jam session at Jack White's Third Man Studios in Nashville, Tennessee. Following the session, the band began writing material and recorded quickly. Horehound was released in July of 2009, and did very well on the charts. The band was said to have been halfway done their second album in October of 2009.



8.  War Child: Heroes Compilation

This album is comprised of 15 bands doing cover songs. It features artists such as Beck (covering Bob Dylan), Yeah Yeah Yeah's (covering Ramones), The Kooks (covering The Kinks), and Franz Ferdinand (covering Blondie). The album also features a cover of "Straight To Hell" by Lilly Allen featuring Mick Jones of The Clash. Another interesting fact is that each song that was to be covered was selected by the original artist themselves. Artwork for the album was done by John Squire, former Stone Roses guitarist. For more information visit the Warchild Homepage



9.  Franz Ferdinand - Tonight

Produced by Dan Carey, Tonight draws on the bands earlier sound, bringing in elements of electronica, dub/reggae, 80's synthesizer music. The album is based around the concept of a night out partying and the morning after. The album cover photos (taken by Søren Solkær Starbird in Glasgow) have the look and feel of Berlin-era David Bowie. The album was well received and released by Domino Records in January of 2009, a bonus disc of Dub remixes was released in June of 2009 titled Blood.




Other interesting releases from 2009 were The Beatles re-issues.  This is an obvious choice, but these re-issues have been a long time coming.  The design and packaging are of excellent quality, and I highly recommend any of these albums.  The Vaselines - Enter The Vaselines, is an excellent collection of all the material that The Vaselines have put out, it is complete with demos, live material and studio recordings.  Rhino released the Where the Action Is box set.  This four CD collection features 100 songs from the Los Angeles area from the time period of 1965-1968, this is yet another great addition to the Nuggets series.  As far as new releases go, The Crocodiles released an eight track album titled Summer of Hate that seems very new wave influenced, and The Howlies released a great 60's Garage influenced album called Trippin' With The Howlies

Best of 2009 Play List:

1. Portugual. The Man - Everyone is Golden
2. John Doe & The Sadies - Stop the World and Let Me Off
3. Spiral Beach - Domino
4. The Vaselines - Dum Dum
5. Arctic Monkeys - My Propeller
6. Nirvana - About A Girl (Live Pinestreet Theatre 1990)
7. The Beatles - Think For Yourself
8. The Mustangs - That's For Sure
9. Neil Young - Everybody Knows This is Nowhere (45 Version)
10. Ex-Boyfriends - Born To Be Kicked Out
11. Yellow Wood - Chinese Women Unite!
12. The Crocodiles - Refuse Angels
13. The Horrors - I Can't Control Myself
14. Franz Ferdinand - Send Him Away
15. The Howlies - Sea Level
16. Beck - Leopard Skin Pill Box Hat
17. Dead Weather - 60 Feet Tall
18. King Khan & BBQ Show - Zombies!
19. Almighty Defenders - I'm Coming Home
20. Pearl Jam - Got Some 
21. Julian Casablancas - Out of the Blue 
22. Sloan - Where Are You Now?
23. Black Lips - Short Fuse

To download this weeks program, visit CJAM's schedule page for Revolution Rock and download the file for January 5th. Or subscribe to Revolution Rock as a Podcast.