Showing posts with label The Nelsons. Show all posts
Showing posts with label The Nelsons. Show all posts

Saturday, December 26, 2020

Revolution Rock: The 2020 Interviews & Show # 862


This year on Revolution Rock, we’ve done more interviews than in any other year of the program. In 2020 the program featured ten different interviews, six audio based interviews that aired on the show and four that were done via email specifically for this website. On this episode we featured highlights (or clips) from each of the audio interviews and music from each of the artists that were interviewed, whether it was for the radio program specifically or for this website. Below you will find some info about these interviews plus the playlist and download links to the episode.

An Interview with Bloodshot Bill (February 2020):


In February 2020 as part of Revolution Rock’s Theme Month based programming we spoke with Montreal musician Bloodshot Bill. Bloodshot Bill plays his own brand of wild rockabilly and 50s rock influenced music. Sometimes operating as a one-man band live and sometimes performing with others, Bloodshot Bill releases music at a prolific pace. In this interview we discussed some of the collaborations that he has done throughout his career with other artists, leather jackets, his guitar, some of the strangest shows he has played, comic books and more. In April 2020, he released Get Loose Or Get Lost on Goner Records and several EPs (Spit On My Rubber (with The Televisionaires), Lost Gems From The Studio Vault Vol 1, Trick & Treat Vol 2, Outta My Head Vol 1 & 2). He also released a Halloween themed song with Mark Sultan as part of The Ding-Dong’s called Blood! Blood! Blood!, is featured on recordings put out by King Khan in 2020, released a rap album by G-Fine, and a compilation album of hard to find European singles called Tattletale Vol 1.

Listen to the full interview here:



Find the original post here.

An Interview with Dale & Dom D’Amore of The Nelsons (May 2020):

The Nelsons were a band from Windsor, Ontario. They are often considered the first supergroup in Windsor as they were made up of two parts of the Windsor band The Spy’s (guitarist Dale D’Amore & bassist Joe Desrameux) and two parts of The Hardtops (bassist/vocalist Dom D’Amore & drummer Dave Garrant). The band went through many lineup changes throughout their existence and played live shows frequently in Windsor, London and Detroit, but never officially released any recordings. This exclusive interview was done through Q&A for this website and covers their entire history. One of their unreleased songs “Cub’s Boogie” is featured on the radio show in this post (download/streaming links are below the playlist).



An Interview with Nigel Chapman of Nap Eyes (May 2020):

Halifax band Nap Eyes released their fourth full-length album, Snapshot of a Beginner in March 2020. We spoke with vocalist/guitarist/songwriter Nigel Chapman. Introspection is ever present in the music of Nap Eyes. The music and lyrics of Nap Eyes have a way of identifying with the listener in a personal way, as if the songs are about them. Musically, Nap Eyes have drawn comparisons to bands such as The Velvet Underground, Television, The Clean, Leonard Cohen, this one comes into its own also adding elements of bands such as early Walkmen, Yo La Tengo, and the music of David Berman. Production wise, Snapshot of a Beginner was produced by James Elkington and Jonathan Low at The National’s Long Pond Studio. For most of the band’s recorded output they have recorded live off the floor with minimal to no overdubs. This album differs in that aspect adding additional layers to the production of the Nap Eyes sound. Nap Eyes also released a digital single in 2020 called Snake Oil/Child's Romance.  In this interview Nigel discusses releasing an album in the pandemic, how Nap Eyes formed, and songwriting processes.

Listen to the full interview here:



Find the original post here.

An Interview with Dale D’Amore & Frank Carlone of The Spy’s (June 2020):

The Spy’s first and only single “Underground/Machine Shop” was originally released in 1980 and has since become somewhat legendary. Even after the bands split in 1980, it is still sought after. In the decades that followed, interest in The Spy’s has only grown. They were featured on the Smash The State Volume 2 compilation album in 1994, along with a collection of other early Canadian punk acts. In 2001, a compilation album entitled Original Punk Rock From Canada 1979-1980 was issued on the Incognito label. The album features demos that the band did of six songs in 1979 that were regular features of their live shows, the 1980 single and some live recordings of new songs from the 90s reunion show. Out of print for decades, Ugly Pop Records reissued The Spy’s “Underground/Machine Shop” single in 2012. In November 2020, The Spy’s released their single digitally for the first time on streaming services such as Spotify and Apple Music. The collection also includes six previously unreleased recordings. Guitarist Dale D’Amore and vocalist Frank Carlone did an exclusive Q&A interview for this website that covers their entire history.

Read the full interview/post here.

An Interview with Chris Murdoch (Writer, Musician and Drummer in Souvenir)(July 2020):

Chris Murdoch has been involved in numerous bands in and around the Halifax music scene. Some of his credits include being in Outtacontroller, Word On The Street and Botfly to name a few. Recently Murdoch has been playing drums and writing songs with Souvenir. This band just released an EP entitled Beating Into Dust in February 2020. In June 2020, Montreal based label Pentagon Black released the first of their Pentagon Black Pamphlet Information Series. Black Dots: An Afropunk Primer is an eight-page essay written by Halifax musician, DJ and writer Chris Murdoch. The eight-page essay is somewhere in between a zine and pamphlet that also includes exclusive illustrations done by graphic designer/musician Raymond Biesinger. Inside over the course of 2800 words, Chris Murdoch covers his own experiences being a musician and attending shows in Halifax along with information about when Black first met punk in the UK and US. During the first initial days of the release, orders came in and numbers quickly surpassed the 500 mark. Over 1601 copies of Black Dots: An Afropunk Primer have sold with over $3000 donated to Black Lives Matter Solidarity Fund Nova Scotia. You can still get a copy over at the Pentagon Black website. This exclusive interview was done through Q&A for this website and covers Murdoch’s growing up in Halifax, writing Black Dots: An Afropunk Primer, bands that he has been a part, recorded with and a lot more. Several recordings from bands he has been in are featured on the radio show in this post (download/streaming links are below the playlist).

Read the full interview/post here.

An interview with Jarrett Sampson of Tough Age (September 2020):

Toronto’s Tough Age released their fourth full-length album Which Way Am I? on Mint Records in August 2020. Originally from Vancouver, but located in Toronto since 2015, Tough Age have released what many feel is their strongest album to date. Tough Age is made up of singer/guitarist Jarrett Samson, Penny Clark on bass/vocals and Jesse Locke on drums. Musically the album draws from the sonic textures of indie bands such as The Clean, The Chills, The Bats and other early New Zealand bands on the Flying Nun record label. Recorded once again with producer Peter Woodford (TOPS, Moss Lime, Homeshake, Tess Roby) at The Bottle Garden in Montreal and mixed by Jay Arner, Which Way Am I? is just one of those albums that you can’t really describe why it affects you so much. In this interview Jarrett discusses the recording of Which Way Am I?, comic books, releasing a zine of poems/lyrics, the band Cub and more. Several recordings from this critically acclaimed album and one album outtake (“Waiting Here”) are featured on the radio show in this post (download/streaming links are below the playlist).

Listen to the full interview here:



Find the original post here.

An Interview with Steve Sidoli of Teenanger (October 2020):

Teenanger released their sixth studio album titled Good Time on October 2nd. Put out through Telephone Explosion Records, Good Time is a lean record that wields a large burst of creative energy. The band finds a deeper groove on this record as they lock in on each of the eight tracks that make up Good Time and further expand the post punk wavelengths that they explored on 2017’s Teenager. They do this while still keeping their thought provoking and subversive lyrical subject matter in tact. Produced by drummer Steve Sidoli in their newfound rehearsal space/functional studio named Studio Z and mixed by Sandro Perri, the title of the album may be tongue-in-cheek, it may not. Teenanger’s lyrical subversion and irreverent humour shine through as they harness their creative energies to create a new post punk aesthetic for themselves. In this interview with drummer Steve Sidoli, he discusses the recording of Good Time, how Teenanger has evolved, Nick Cage and Jeff Goldblum movies, the music video for “Romance For Rent” and more.

Listen to the full interview here:



Find the original post here.

A Live Performance and Interview with Johnny West (November 2020):

Johnny West has been making music in Windsor for some time. Usually recording in his home studio, Johnny West has released a prolific amount of music. West releases his music independently, usually on CD and often discusses it through his website.  Some of his critically acclaimed albums include 2008’s Chicken Angel Woman With A Triangle, 2009’s Love Songs For Nihilists, and 2011’s Gift For A Spider to name a few. Johnny West released Year of the Sleepwalk, a 48-song uncompromising, genre bending double album in early 2020. Year of the Sleepwalk spans a wide breadth of eclectic musical genres (folk, blues, jazz, blue grass, bossa nova, shoe gaze) and features several guest/cameo musicians. To coincide with this release, Revolution Rock did a lengthy Q&A for this website covering the album’s history and some of Johnny’s as well. In addition to all of this, Johnny filmed a live performance in his studio that was also shared on this site. This radio show in this post featured two recordings from Year of the Sleepwalk (download/streaming links are below the playlist).

Read the full interview/post here. You will also find the live studio performance here.


An Interview with Michael Lachowski & Vanessa Briscoe Hay of Pylon (November 2020):

Forming in the late 1970s in Athens, Georgia, Pylon were made up of four art students from the University of Georgia. Featuring guitarist Randy Bewley, bassist Michael Lachowski, drummer Curtis Crowe and singer Vanessa Briscoe Hay, Pylon took their brand of danceable post-punk to amazing heights in their initial run from 1979-1983. The original premise of the band was to play a live show in New York once, be featured in New York Rocker magazine and then break up. Fortunately, they stuck around longer than that. In November 2020, New West Records released Pylon Box, comprising the band’s first two albums, a demo tape and selected outtakes, singles and live recordings. Throughout the years, interest in the band has continued. Revolution Rock spoke with bassist Michael Lachowski and vocalist Vanessa Briscoe Hay discussing their recent box set Pylon Box. They also reflect in detail on some moments in the band’s career such as the developments between their albums Gyrate and Chomp, touring with Gang Of Four, how their background in art school influenced the music that they created and more. The radio show in this post features two songs from Pylon Box (download/streaming links are below the playlist).

Listen to the full interview here:



Find the original post here.

An Interview with King Khan (December 2020):

Originally from Montreal, but now residing in Berlin, King Khan has been known for his garage/punk music in bands such as The King Khan & BBQ Show, The Spaceshits, LTD, leading the R&B/soul inspired King Khan & The Shrines and collaborating with many others. Yet another prolific artist interviewed for Revolution Rock in 2020, King Khan released his first ever jazz album, Infinite Ones, at the end of October 2020. The album draws influences from composers such as Alice Coltrane, Rahsaan Roland Kirk, Philip Kelan Cohran, Bernard Herrmann, Ennio Morricone, Miles Davis, Sun Ra, John Carpenter and Quincy Jones. It also takes on influences from film noir and old Bollywood films. It also features contributions from members of the Sun Ra Arkestra and Calexico. In this interview King Khan discusses his jazz album, Infinite Ones, he also discusses his current activism causes, creating the Black Power Tarot and how he first met the Sun Ra Arkestra. This episode featured two selections from Infinite Ones and one new song from an upcoming punk album featuring a new band with Khan called The King Khan Unlimited.

Listen to the full interview here:

Show #862:  The 2020 Interviews Playlist:

1.  Bloodshot Bill - Don't Let Go (Get Loose Or Get Lost - Goner Records - 2020)
2.  Bloodshot Bill - A Cheat (Get Loose Or Get Lost - Goner Records - 2020)

BLOODSHOT BILL INTERVIEW CLIP

3.  Bloodshot Bill - Straight To The Moon (Get Loose Or Get Lost - Goner Records - 2020)
4.  The Nelsons - Cubs Boogie (Unreleased)
5.  Nap Eyes - If You Were In Prison (Snapshot of a Beginner - Royal Mountain Records/Jagjaguwar - 2020)

NIGEL CHAPMAN (OF NAP EYES) INTERVIEW CLIP

6.  Nap Eyes - Snake Oil (Snake Oil/Childs Romance - Jagjaguwar - 2020)
7.  Nap Eyes - Dark Link (Snapshot of a Beginner - Royal Mountain Records/Jagjaguwar - 2020)
8.  The Spy's - Underground (Underground/Machine Shop Single - 2020 Remaster)
9.  Souvenir - Promises (Beating Into Dust EP - 2020)
10. Outtacontroller - Mutations (Television Zombies - P. Trash Records/Young Modern/Southpaw Records - 2015)
11. Tough Age - My Life's A Joke & I'm Throwing It Away (Which Way Am I? - Mint Records - 2020)
12. Tough Age - Anti-Anxiety Exercises (Which Way Am I? - Mint Records - 2020)

JARRETT SAMPSON (OF TOUGH AGE) INTERVIEW CLIP

13. Tough Age - Waiting Here (Waiting Here Single - 2020)
14. Teenanger - Good Time (Good Time - Telephone Explosion - 2020)

STEVE SIDOLI (OF TEENANGER) INTERVIEW CLIP

15. Teenanger - Touching Glass (Good Time - Telephone Explosion - 2020)
16. Johnny West - Vector (Year of the Sleepwalk - Tosteestosta Music - 2020)
17. Johnny West - Firecrackers (Year of the Sleepwalk - Tosteestosta Music - 2020)
18. Pylon - Volume (Gyrate - DB Records/New West Records- 1980/2020)

MICHAEL LACHOWSKI & VANESSA BRISCOE HAY (OF PYLON) INTERVIEW CLIP

19. Pylon - Reptiles (Channel One Version) (Pylon Box - New West Records - 2020)
20. King Khan - The World Will Never Know (Infinite Ones - Ernest Jenning Record Co./Khannibalism - 2020)

KING KHAN INTERVIEW CLIP

21. King Khan - A Hard Rain's Gotta Fall  (Infinite Ones - Ernest Jenning Record Co./Khannibalism - 2020)
22. King Khan Unlimited - Pigment Of Your Imagination (Opiate Them Asses - Ernest Jenning Record Co./Khannibalism - 2021)

To hear this program, visit CJAM's schedule page for Revolution Rock and click the December 26 file to download/stream the episode.

Saturday, May 09, 2020

The Nelsons: An Interview & Show # 828


The Nelsons formed when two Windsor punk bands merged together. Often called the first supergroup in Windsor, The Nelsons were made up of two parts of the band The Spy’s (guitarist Dale D’Amore and bassist “Coma Joe” Desrameaux) and two parts of the band The Hardtops (guitarist/vocalist Dom D’Amore and drummer Dave Garant). While the band had punk leanings, The Nelsons took a more rock based approach to their music drawing influences from the 50s and 60s having a sound once described as “heavy, but fast, rock and roll, easily danceable and very entertaining” in an article in The Lance in 1981. This band is often mentioned in articles about The Spy’s and other Windsor bands from the early 80s time period such as The Dry Heaves, but not too much is known about them.

The Nelsons played live in places in Windsor, Detroit and London, Ontario from about 1981 until about 1985-1986. They built up a following and had different lineup changes throughout their existence. Bassist Joe Desrameaux left the band before they made it into the studio to make any recordings. Dom D’Amore would switch to bass (his original instrument of choice in The Hardtops), guitarist Shawn McAiney would join on guitar and Dale would leave the band after a few years to move onto other musical pursuits. Following the split, various members of the band went on to be part of or form other bands. Dale has been playing with Guitar Army since the 90s. This band has featured members from this time period and others (Dave Garant currently plays drums in this group). The Nelsons never officially released any music, but their live shows are often talked about. It’s just one of those things. You had to be there.

Continue reading for an interview that Revolution Rock with Dale D’Amore (guitarist) and Dom D’Amore (vocalist/guitarist/bassist) of The Nelsons. They provide insights into The Nelsons band history, recording and playing live.

RR: How and when did The Nelsons form, who was in the band and how did you come up with the band name?


Dale: Well the Spy’s were about done and Coma Joe and I wanted to keep working together. The Hardtops were packing it in so it was perfect. Joe and I hooked up with my brother Dom and Dave Garant from the Hardtops to form The Nelsons. I always thought the first lineup could be like Sonics Rendezvous Band, playing hard, fast rock and roll.

The name I think came from Frank Carlone [singer/guitarist in The Spy’s]. I am not too sure on that.

Dom: I think it was 1981 when the Nelson’s formed… if not, it’s close. Seems like an eternity ago. I have no recollection of how we came up with the name. I’ve spent the last several decades believing it was my idea… but now I’m not sure. Lol! I had a punk band called The Hardtops and Dale of course had The Spy’s. Both bands began to wither from within and The Hardtops drummer Dave Garant and I merged with Dale and Joe Desrameaux from The Spy’s. I was playing bass but was happy to move to guitar in The Nelsons since Joe really wanted to stay on bass. Not sure if he played a six string back in the day?

RR: Did The Nelsons ever release any recordings at all officially and what was it like trying to make recordings back then as compared to now? Were there plans to put out a single or an album at the time?

Dom: There were several versions of The Nelsons over time, but I don’t think there was a studio recording with the original lineup. Joe left the band, I moved to the bass and a better guitar player, Shawn McAiney joined. Good guy, a friend. God, we all went to the same high school. This is what I remember anyway. Dale tends to hold this stuff closer to the heart than I do. He may remember it differently… and he’ll likely be correct.

Dale: No release of anything that I know of. I wanted to put out a record, but we had no money and the economy was a mess. Not too many people were buying records because no one had work. Recording was harder I think, you needed big tapes and so on, now it's all done on a computer, you can record anyplace it seems now. We were working on getting gigs, I mean nowadays you send out an electronic press kit and book shows somewhere. Back then you had to make long distance calls. We had a couple of managers who got us gigs in Detroit and London, Ontario. We were to tour with The Romantics but it all fell a part.

RR: The Nelsons did play live a lot. Do you have any particular memorable live moments from your years with this band that you’d be willing to share?

Dom: Well it’s probably no surprise, but I don’t think I was ever sober when we gigged. Not polluted drunk, but definitely altered so it’s hard to pick a particular moment. We were playing mostly originals, so we were often relegated to some pretty raunchy places that didn’t really understand us… like The Cedar Lounge in London ON. I suppose some of the highlights would be playing in Michigan at a couple of punk bars called Nunzio’s and the once famous Bookies Club 870.

Dale: Well we did play a lot. I liked the gigs out of town we were doing lots of originals and cool covers. I remember opening for Teenage Head at Dannys that was cool, and a weeklong gig at Sacs pub at the University of Windsor was real cool.

RR: You recently started a Facebook page for The Spy’s and an old newspaper article was posted not long ago about doing a video for two Nelsons songs. What do you remember about making that video and when was the last time you saw the video?

Dale: Well the bad thing is we never saw the fucking video! I don’t know what happened. The guy held the video up and we kind of forgot about it, that’s what I remember. We did not pay for it so we couldn`t push the guy too much. We did get the audio recording though.

RR: The article also mentions songs that were recorded for this video, “When’s It Gonna End?” and “Company Man”. What can you tell us about these songs that you recorded for this video and how do you feel the music that The Nelsons made differed from your earlier band The Spy’s/The Hardtops?

Dale: Yeah, I wrote “When’s It Going To End?”, it was a funky kind of blues song. I later used the riff for a song called “Rock and Roll Bitch” that I wrote with Jamie Greer for the 2011 Magnificent Bastards album. And “Company Man” was a cool rockabilly type song Dom wrote. I really liked that song. I thought it would have sold lots of records.

For me The Nelsons songs I wrote were a little less punk, more good old rock and roll stuff. Dom wrote some great stuff during that time.

Dom: I wrote “Company Man”. It wasn’t a punk-type song, but more influenced by a couple of English bands that I loved, T-Rex and Status Quo… still love em! The theme was loosely based on a story a journalism prof told me. He worked in PR for Massey Ferguson and other huge companies and talked about how the company wanted you to immerse your entire life and family into the organization.

RR: What do you remember about the Nelsons song "Never Hated Fun" whether recording or otherwise? What was the song writing process like in The Nelsons?


Dom: I remember that Dale wrote it and it was a regular set opener in our live shows. I vaguely remember recording it, but never liked the way I sung it. I think it was about Dale’s angst with the evolution of the punk scene, as it became fashionable.

I wrote songs and Dale wrote songs... I can’t remember if Joe ever wrote any in the band, he wasn’t in it long… and I can’t recall Shawn McAiney writing any either. Dale or I would bring the basic song to practice, show the rest of the band and just build it from there. There was no e-files to send back in those days.

Dale: “Never Hated Fun” was the first song that I wrote for The Nelsons. Coma Joe and I wrote a couple together, one called “Traveling”, kind of a 1960`s tune and another called “Paying Bills” or “Them Bills”, I can't remember, lol. I think Joe played “Them Bills” when he was in Toast with Jamie Greer. It was a kick ass punky tune. “Never Hated Fun” was about the same old faces and places we played and hung out at. There was a big change coming for us as a band and for the whole Windsor Punk scene. Pat Sprague (Hardtops/Guitar Army) always said that that song should be our single. R.I.P. Pat.

The recording was funny it was at Aldon studio and I had a Orange amp 100 watts with a Marshall cabinet that needed to be cranked, but we could not turn up at the studio so the sound is a bit lame.

So when Coma Joe left it was just Dom and I writing songs. I would bring one in and he would bring one and have the boys come up with their parts, but yeah just the two of us writing. Near the end of my time with The Nelsons some of my songs were too punky as I remember hearing, lol. We were playing lots of different places and the band was heading to a new direction. The band did real well after I left I must say, but the focus was not really on original music as much.

RR: What can you tell us about some of the newly discovered songs that you’ve shared with us? How did you rediscover them and do you remember where/when you recorded them?

Dale: The songs are a bit weak at times but really it was a good time for me I was learning so much.

The songs are on tape and I had them put to CD. I don’t have all the recordings. I think we had 8 or 10 songs studio recordings, I hope one of the guys have it. Actually all these recordings are after Coma Joe left (he went on to start a family) and Dom is on bass and Shawn McAiney is on second guitar. I have some live recordings with Coma Joe live at the Cedar Lounge in London Ontario. We do “Machine Shop”,” Underground” and a couple powerhouse tunes we wrote together plus covers of Canned Heat and The MC5.

The songs were recorded at Aldon Studio in West Windsor, same place the video was shot. It was a four-track studio and Don the owner would wear a red sport jacket and be real uptight lol. I don’t think he cared for me much, sneaking in alcohol to the sessions lol. The same studio Contradance did their E.P.

Dom: I can’t find the old tapes I have, though I believe they are in my home somewhere. I remember packing them up when my kids were young and hiding them in a safe place so the kids didn’t get at them. I hid them really good… or my wife chucked them and doesn’t want to admit it. Ha!

RR: How long were The Nelsons a band for and what was the next band you were a part of?


Dale: Well I left in 1982 or 83 not too sure, and Pat Sprague of The Hardtops and later Guitar Army replaced me. They went on to be a very popular band until late 1980`s. I don’t know why they broke up. I went to California and played with a blues band and a punk rock band for a month or two. I came back to Windsor and had a short-lived band with Karen Marrero called Killing Time. Karen went on to front Lost Patrol and I went to Toronto and formed Too Much Too Soon. We had some success in the tough Toronto band market.

Dom: The Nelson’s went on until about 1985 or 86… I think. Dale moved to Toronto at some point to try and make it in the music biz. In the end I was the only original member and I actually had the most fun in that last lineup. We played all the bars and played events around Windsor and Chatham. We still played originals but mostly covers that were danceable rock. We mixed in new stuff, old stuff and originals. We actually had a huge following for a year or two and the members all became good friends. Jerry Raniwsky, drums, Mike Obradovich, guitar and keys, Pat Sprague, lead guitar and me on bass. I played in several bands with Pat and Jerry afterwards.

RR: Dale, the last couple of years you’ve been playing with a few bands. You were in a band with South River Slim briefly and are still playing with Guitar Army. What are your plans next musically?

Dale: Well Guitar Army is still playing and recording, it will be 27 years come November 2020. I play once a month at Phog with Guitar Army or Dale D`Amore and the Home Rockers and all over the Windsor. Lol

We were working on another Show in Las Vegas for May 2020, but this pandemic killed everything for that. I recorded some tracks of songs that I had and was planning to release it at the end of May, but with this shit going on it’s all on hold. Strangely enough I have a song that I recorded a year or so ago titled "I Am The Last One Standing" that was due out and on the album, but it is too close to this lock up we are in to put out. May be real strange.

Here are some additional questions where Dom discusses his time with The Hardtops and The Ronald Reagan Story:

RR: The Hardtops are often mentioned in articles about bands from this time period in Windsor's history. How/when did The Hardtops form and what do you remember of your time with this band? Was there ever any documentation made of the band (through photos or demos/recordings)?

Dom: I had played in a couple of cover rock bands as lead singer prior to The Hardtops. The band immediately prior to The Hardtops was called Legacy. We were playing Van Halen and such. Dale was a budding guitar player and I brought him into the band as the rhythm player. He was really into the punk thing… which I didn’t quite have my head around yet. He left Legacy to start what ended up being The Spy’s. They practiced in the basement of our family home and I went to see a gig or two. I remember thinking it was kind of cool and figured I’d start a band. I was learning to play the guitar as well and found that it was more fun making up my own songs than it was to learn other people’s tunes. Plus you certainly didn’t need to play your instrument well to be accepted in the punk scene and the general simplicity and energy of the music made it a good fit. It was also a time when bands like Toto and Journey were all over the radio, and I couldn’t relate to that stuff. I always liked music that was harder, faster and more on the edge, like Kiss, Rush (early days), Sabbath, Slade… though I did have a couple of guilty pleasures like, Dire Straits and Roxy Music. It seemed like I could get a band on the scene pretty easily. I contacted my high school buds Pat Sprague and Dave Garant. Pat was a great guitar player, and Dave is an awesome drummer. They were both interested so I picked up a bass guitar. I found it much easier to master than the 6-string. I started making up new songs… though I did the writing on the 6-string. We practiced on the abandoned top floor of a place on the corner of Pelissier and Chatham, which at the time was called Fiddler’s (we played there too)… later it was Cadillac Jack's and most recently the Beer Market I think? That was 1978 or 79. Soon we started playing the local punk shows. Lots of fun. We also did a studio recording of about 10 songs… which I can’t locate at the moment.

RR: You played bass on some recordings with one of Frank Carlone’s post Spy’s bands, The Ronald Reagan Story. What do you remember of your brief time being a part of that band, recording with them and playing live shows with them (or being on the same bill with them)?

Dom: OMG. The Ronald Reagan Story was so much fun. Frank wrote the tunes. He was brilliant, particularly his lyrics. Brian Chick (drummer) also wrote one that was on the recording. Oh yeah, we did a studio recording. Again…. wish I could find it.

I can’t remember which band (Hardtops, Nelsons) I was in at the time, but I remember thinking it was weird to be in 2 bands on the same scene… not sure why? So I decided that I would wear a mask and create a character. I had a goalie mask at home… like the one Jason of Friday The 13th fame wore. I utilized that, along with wrestling training gear and called myself Dr. Death. The character was also supposed to be a former pro-wrestler. I had the wrestling gear because I was actually on the U of W wrestling team at the time. Goofy, but great times.

*Listen to this week's episode of Revolution Rock to hear several unreleased songs by The Nelsons*

Show # 828 Playlist (Originally Aired On May 9th, 2020)(The Nelsons, Daniel Romano, METZ, Tony Allen, Kraftwerk and The Stranglers):

1. METZ - Acid
2. Blessed - Thought
3. No Aloha - Work Shirt
4. Dumb - Party Whip
5. The Stranglers - Goodbye Toulouse
6. The Stranglers - No More Heroes
7. The Victims - T.V. Freak
8. The Outcasts - Self Conscious Over You
9. Psychic Void - Small Talk
10. The Tearjerkers - Bus Stop
11. The Quivers - Nice To Meet You
12. The Nelsons - Cub's Boogie
13. The Nelsons - Never Hated Fun
14. The Nelsons - Company Man (Live)
15. The Nelsons - Machine Shop (Live at The Cedar Lounge - London, ON)
16. Don't Bother - Your Head
16. Ty Segall & Mikal Cronin - High School
17. Ty Segall - Cents
18. Kraftwerk - The Robots
19. Kraftwerk - Showroom Dummies
20. Wares - Tether
21. The Clean - Change Your Head
22. Bloodshot Bill - Switch' Gears
23. Daniel Romano - They Haven't Got A Word For That Yet
24. Fela Kuti & Africa 70 - Zombie
25. Torsade - Naïve
26. Fontaines D.C. - Winter In The Sun
27. Fontaines D.C. - A Hero's Death

Download/listen to this show here!