Showing posts with label Richard Hell. Show all posts
Showing posts with label Richard Hell. Show all posts

Saturday, January 15, 2022

Revolution Rock: The 2021 Interviews & Show # 917

This year on Revolution Rock, the program featured eleven different interviews. Eight were audio based interviews that aired on the show and three were done through email specifically for this website. On this episode we featured highlights (or clips) from each of the audio interviews and music from each of the artists that were interviewed, whether it was for the radio program or for this website. Below you will find some info about these interviews plus the playlist and download/streaming links to the episode.

An Interview with Richard Hell (February 2021): 


In February 2021, as part of Revolution Rock’s annual theme month programming we spoke with New York punk icon Richard Hell. Known as one of the originators and pioneers during the early days of New York punk, Hell quit the music world in 1984 to focus on writing, only reappearing a few times on some music projects. Having co-founded Television, being one of the original members of The Heartbreakers (featuring Johnny Thunders and Jerry Nolan of The New York Dolls), Hell formed Richard Hell & The Voidoids in 1976 and released their debut album, Blank Generation in 1977. Hell’s look and aesthetic would go on as a template for punk music that would influence others, most notably The Sex Pistols, who in turn would influence their own music scene. The Voidoids first album is seen as a classic, with its title track still sounding as vital and thought provoking today. In 1982, he released the often misunderstood Destiny Street. The album has a long history, which Richard goes into detail about in the interview. It was reissued in 2021 as Destiny Street Complete via Omnivore Recordings. The set contains four versions of the album, along with a few outtakes. The original 1982 version remastered, the 2009 Destiny Street Repaired version, a newly remixed version of Destiny Street and a collection of demos that show early and different versions of the songs that would make up this album. Destiny Street Complete re-establishes the great moments of Destiny Street for everyone to hear. Richard Hell is an author, poet, musician and actor. In this interview Richard Hell covers the time period making Destiny Street, parts of his writing career and influences, along with his songwriting process in the Voidoids and more.

Listen to the full interview here:

Find the original post here.

An Interview with Patrick Flegel (of Cindy Lee/Women) & Michael Wallace (of Preoccupations/Women) (February 2021):

As part of a special program focusing on the 10th anniversary of Calgary band Women’s second and final album Public Strain we spoke with vocalist, guitarist and songwriter Patrick Flegel and drummer Michael Wallace. Recorded in the span of ten months in the dead of winter in Calgary by Chad VanGaalen, Public Strain explored more post punk sounds, often darker and more jarring, but at the same time there is something strangely beautiful that permeates this record. The album received widespread critical acclaim, eventually being long listed on the nominees for the Polaris Prize in 2011. Women toured heavily from 2008-2009. They also toured in support of Public Strain, but that tour was cut short in October 2010. Following a show that occurred in October 2010 in Victoria BC, Women stopped playing as a band. The band members went their separate ways. Bassist Matthew Flegel and drummer Michael Wallace went on to form the band Viet Cong (before changing their name to Preoccupations), guitarist/vocalist Patrick Flegel would continue creating music eventually creating music as Cindy Lee and Christopher Reimer joined the band The Dodos as their touring guitarist while collaborating and creating music until he passed away in his sleep unexpectedly in 2012. In these exclusive interviews Patrick talks about creating the music with Women for Public Strain, his influences as well as recording and performing as Cindy Lee. Michael Wallace, gives his own account of the sessions, recording with Chad VanGaalen and the moments leading up to the album, joining the band Women, Preoccupatons beginnings as well as plans for their next album. 

Listen to the full interviews here:


Find the original post here.

An Interview with Chad VanGaalen (March 2021):

Chad VanGaalen released World’s Most Stressed Out Gardner in 2021 on Sub Pop and Flemish Eye Records. The music that he creates while it is sometimes folk, sometimes psychedelic, sometimes indie rock, sometimes strange, is really its own thing. The universe in which the songs of Chad VanGaalen belong is a strange, wonderful, kind of messed up, cosmic place at times. As we enter these worlds we find ourselves absorbed by the sounds and stories that he produces. World’s Most Stressed Out Gardener is eclectic and offers more variety musically than ever before on one of his albums, but still has the same feel of the best of Chad VanGaalen’s work. In the interview Chad discusses how the album was created and altered when he came up with the song “Samurai Sword” just before the album was set to be printed, working on songs and recording. He also discusses his time recording Women’s Public Strain and working with members of the band on their first two albums, buying stuff of Kijiji, gardening and more.

Listen to the full interview here:


Find the original post here.

An Interview with Chris Murdoch (April 2021):

Halifax musician, DJ and writer Chris Murdoch released the full-length debut album Collapse with his band Souvenir in April of 2021. This followed 2020, Beating into Dust EP. In 2020, we also spoke with Chris for this website through email to discuss his music history playing in bands and Black Dots: An Afropunk Primer. Black Dots is an eight-page essay is somewhere in between a zine and pamphlet that also includes exclusive illustrations done by graphic designer/musician Raymond Biesinger. Inside over the course of 2800 words, Chris Murdoch covers his own experiences being a musician and attending shows in Halifax along with information about when Black first met punk in the UK and US. It was released through the Pentagon Black label in Montreal and over $3000 was donated to Black Lives Matter Solidarity Fund Nova Scotia from its sales. Souvenir is a band out of Halifax, Nova Scotia featuring bassist/vocalist Lachie MacDonald (Tom Fun Orchestra, Great Plains, Dyscontrol), guitarist/vocalist Dave Banoub (Jon Hynes) and Chris Murdoch on drums/vocals (Word On The Street, Weekend Dads, Outtacontroller). Produced by Charles Austin (Outtacontroller, Future Girls) out of Ocean Floor Studios in Halifax, Collapse is the debut full-length album from Souvenir. With all three members contributing vocals and songs, Collapse features nine songs and album cover artwork by illustrator Raymond Biesinger. In the interview Chris talks about the recording and writing process that the band went through to create Collapse, politics in punk and more. 

 Listen to the full interview here:

Find the original post here.

An Interview with Paul Jacobs (May 2021):

Montreal musician Paul Jacobs latest release Pink Dogs On The Green Grass was released via Blow The Fuse Records in 2021. With just thirteen tracks, this album follows 2020’s outtakes/demo collection Portrait of George (Demo & Songs I Forgot About) and 2018’s EASY. Already having several albums in his discography (and two releases as part of post punk group Pottery), Pink Dogs On The Green Grass shows Paul Jacobs branching out by finding a new way of approaching his music. Musically, references have been made to Cass McCombs, Kurt Vile, early Beck, but you can also hear the influence of 60s psychedelia and bands such as The Byrds and Lou Reed. Lyrically, Jacobs words are at times surreal. They are sometimes about different characters or observations and often take on cryptic meanings. While some have said that the lyrics reveal unwanted moments that stick with you, Pink Dogs On The Green Grass is much more than that. In the interview Paul talks about recording his new album, illustrating the videos for this album, who Bobby is from Pottery’s Bobby’s Motel album, David Lynch and more. 

Listen to the full interview here:


Find the original post here.

An Interview with Mark Arm & Steve Turner of Mudhoney (August 2021):

Every Good Boy Deserves Fudge is the second full-length album from Seattle’s Mudhoney. An expanded 30th anniversary edition was released by Sub Pop in 2021 featuring demos, outtakes and non-album tracks. Originally released on July 26th, 1991, the album shipped 50,000 copies when it was originally released. Just a few months later, Nirvana’s Nevermind would be released and the whole musical landscape would change. Prior to being recorded, Mudhoney recorded five tracks with producer Jack Endino (who also produced their Superfuzz Bigmuff EP and the Mudhoney album) in a 24-track studio. Unhappy with the results, guitarist Steve Turner pushed for a change of direction. Liking the results of Conrad Uno’s 8-track recording studio called Egg Studios on the Thrillsphere album by Tacoma, Washington’s Girl Trouble, the band decided to record a selection of punk covers with Uno to see what it would sound like recording there. Several of these songs came out on singles or on compilation albums, but not all of them. In spring of 1991, Mudhoney began recording Every Good Boy Deserves Fudge. On this album Mudhoney switches their focus embracing 60s garage influences such as The Sonics, Lollipop Shoppe, Neil Young, Spacemen 3, post hardcore, 80s hardcore and the sounds of bands such as Zounds and Hawkwind. In the interview Mark Arm & Steve Turner of Mudhoney talk about making the 1991 album, being in an unaired TV pilot for Fox, the influence of The Wipers, fuzz pedals and more. 

Listen to the full interview here:

Find the original post here.

An Interview with Matt Ellis (May 2021):

Hamilton musician Matt Ellis has played in many different bands such as The Vapids, Flesh Rag and PlasticHeads. Usually on guitar, Matt recorded a series of Ramones inspired EPs in 2020 at his home where he played all of the instrumentation. All of the proceeds from these releases went towards different non-profit organizations in Toronto and Hamilton. Following a remix, the addition of real drums provided by Jimmy Vapid of The Vapids, Curtis Tone from PlasticHeads and two new tracks, Full Moon Fever was released on vinyl at the end of February 2021 on Surfin Ki Records. With an obvious Ramones influence, the songs that make up Full Moon Fever pull from the Dee Dee Ramone penned catalogue of Ramones tracks with a dash of The Spits, DBOY and Seattle band HEAD. At 18 tracks, none of the songs on Full Moon Fever go past the two-minute mark. Running through themes of isolation, frustration, boredom and escapism, Full Moon Fever delves into a manic dynamic of punk rock and suburban paranoia. Ellis released an album with another band called Anxious Pleasers on cassette that featured members of Hamilton band TV Freaks. In January 2021, he released a new digital single titled Everything Sucks. Matt Ellis did an exclusive Q&A for this website covering his music influences/history, the making of Full Moon Fever, guitars and his favourite Ramones albums. 

Read the full interview/post here.

An Interview with Shawn McDonald (June 2021):

London, Ontario musician Shawn McDonald has been involved in numerous rock bands over the years. In 2021, he made several albums from his discography with different bands he’s been in available digitally for the first time. One of his earlier bands, Grassy Knoll & The Magic Bullit released the album Hollandays digitally. It was a lost, previously unreleased album. In addition to this album he made other albums from this band available through Bandcamp and other streaming services. In 2018, 2 was released by the band Baby Giant. Baby Giant is made up of musicians Shawn McDonald and Tim McDonald. The band started out around 2017 to record a collection of reworked/reimagined songs in commemoration of an earlier band that the McDonald’s had been in called Grassy Knoll & The Magic Bullit (that album is called Grassy Magic). Being in numerous bands such as The Fine Print, Dragsville, Hurricane & Able and many others Shawn McDonald really showcases his songwriting abilities on 2, both on his own and in collaboration with Tim McDonald. The album was recorded by Tim McDonald (credited as King Woobs). Shawn McDonald did a Q&A for this website covering the writing of several songs in Grassy Knoll & The Magic Bullit, some of the bands he has played/recorded with and what he is currently working on. 

Read the full interview/post here.

An Interview with Neil Jarvis (July 2021):

Perhaps best known as being in the Manchester band Sprinters, Get The Band Back Together is the third solo album released by Neil Jarvis. Prior to this Sprinters released two excellent albums, 2017’s Sprinters and 2019’s Struck Gold. Neil’s earlier solo albums were recorded the same way as this one was, on a 4-track cassette recorder. Weekends (2012) and Halloween Summer (2014) featured lo-fi, psych/surf influenced sounds that were sometimes experimental. Get The Band Back Together is more acoustic based, but it still features the sometimes haunting nostalgic feeling that is present throughout all of Neil’s songs. Recorded on a 4-track cassette recorder during lockdown in April 2020-June 2021, Get The Back Band Together takes Jarvis’ earlier tried and true method of recording/writing songs, but adds a sense of maturity and poignancy that sets this collection of songs apart from both Sprinters and his earlier work. Neil Did a Q&A for this website where he covers recording and releasing an album during the pandemic, the influence of musician David Berman and some of his earlier solo releases. 

Read the full interview/post here.

An Interview with The Garrys (October 2021): 

Get Thee To A Nunnery is the fourth full-length album by Saskatoon’s The Garrys. This three-piece sister trio features Erica Maier (guitar/vocals), Julie Maier (bass/vocals) and Lenore Maier (drums/vocals). They first started appearing on underground music radar with 2017’s Surf Manitou, which brought their prairie inspired surf dynamics and combined them with folk-like tales of Manitou Beach, SK, a family vacation spot that the Maier’s visited when younger. In 2020, The Garrys released their score to the 1922 silent film Haxan:Witchcraft Through The Ages, which was performed and recorded live as the film played in a theatre. They describe their music as “dreamy blood harmony surf rock doom-wop on morphine.” Get Thee To A Nunnery has been getting critical acclaim appearing on Bandcamp Daily, other sites and charting on the Earshot Top 50 Album Charts across campus radio in Canada. Revolution Rock spoke with Erica, Julie and Lenore Maier of The Garrys. In the interview they discuss their formation, recording/writing songs for Get Thee To A Nunnery, working with Dallas Good as producer, doing the live soundtrack to Haxan:Witchcraft Through The Ages and more.

Listen to the full interview here:

Find the original post here.

Show 917: The 2021 Interviews Playlist:

1. Richard Hell - Kid With The Replaceable Head  (Remastered) (Destiny Street Complete - Omnivore Recordings - 2021)

RICHARD HELL INTERVIEW CLIP

2. Richard Hell - Ignore That Door (Remixed)  (Destiny Street Complete - Omnivore Recordings - 2021)
3. Women - Narrow With The Hall (Public Strain - Flemish Eye - 2010/2020)

PATRICK FLEGEL (OF CINDY LEE/WOMEN) INTERVIEW CLIP

4. Cindy Lee - Love Remains (Cat O’Nine Tails - CCQSK Records - 2020)
5. Women - Everyone Is So In Love With You (Rarities 2007-2010 - Flemish Eye - 2020)

MICHAEL WALLACE (OF PREOCCUPATIONS/WOMEN) INTERVIEW CLIP

6. Preoccupations - Monotony (Preoccupations - Jagjaguwar/Flemish Eye - 2006)
7. Chad VanGaalen - Starlight (World's Most Stressed Out Gardener - Sub Pop/Flemish Eye - 2021)

CHAD VANGAALEN INTERVIEW CLIP

8. Souvenir - Ransom (Collapse - 2021)

CHRIS MURDOCH (OF SOUVENIR) INTERVIEW CLIP

9. Souvenir - Holding Pattern (Collapse - 2021)
10. Paul Jacobs - Half Rich Longer (Pink Dogs On The Green Grass - Blow The Fuse Records - 2021)

PAUL JACOBS INTERVIEW CLIP

11. Paul Jacobs - The Telephone (Revisited) (Story About Anything EP - 2018)
12. Mudhoney - Into The Drink (Every Good Boy Deserves Fudge (30th Anniversary Edition) - Sub Pop - 2021)

MARK ARM & STEVE TURNER (OF MUDHONEY) INTERVIEW CLIP


13. Matt Ellis - Flowers In The Moonlight (Full Moon Fever - Surfing Ki Records - 2021)
14. Grassy Knoll & The Magic Bullit - A-Jam (Hollandays - 2021)
15. Baby Giant - Japan (2 - 2018)
16. Neil Jarvis - Get The Band Back Together (Get The Band Back Together - On The Grind Records - 2021)
17. The Garrys - Devil’s Dip (Get Thee To A Nunnery - Grey Records - 2021)

ERICA, JULIE & LENORE MAIER (OF THE GARRYS) INTERVIEW CLIP

18. The Garrys - In The Dawn (Get Thee To A Nunnery - Grey Records - 2021)

To hear this program, visit CJAM's schedule page for Revolution Rock and click the January 15 file to download/stream the episode.

Saturday, February 06, 2021

Destiny Street Complete: An Interview With Richard Hell & Show # 868

Originally released in 1982 on the Red Star label, Destiny Street is the second and final album by Richard Hell & The Voidoids. It followed their classic debut released on Sire Records in 1977, Blank Generation.  In between this time, Richard Hell & The Voidoids toured the UK for 19 dates with The Clash. A single also came out in 1979, recorded and produced by Nick Lowe (The Kid With The Replaceable Head/I’m Your Man) on Jake Riviera’s Radar Records. However, Hell didn’t really like to tour. The Voidoids would still tour, but infrequently and only when they had to. Due to this, the band lineup would change often.  When it came time to record the follow up to Blank Generation, The Voidoids featured original members Richard Hell on bass/vocals and Robert Quine on guitar, Naux (Juan Maciel) on second guitar and Fred Maher on Drums. Destiny Street was recorded and mixed in about a three-week span in 1981. Richard Hell was also in a different state at this time, finding it difficult to go into the studio on some days. As stated in his autobiography I Dreamed I Was A Very Clean Tramp he was “Strung so tightly … couldn’t tolerate the thought of stepping outside.”

The album opens with “The Kid With The Replaceable Head." Attacking at a wilder pace than the 1979 single version, the song also has an undeniable swing to it. As the solos trade off and Hell’s bass drives in between, Fred Maher’s drums deliver an undeniable groove. With lyrics such as “They say he's dead, he's my three best friends/He's so honest that the dishonest dread” this song, Hell’s attempt to write a pop song, starts off Destiny Street questioning identity and being honest with yourself. “I Gotta Move” is a reinterpreted and energetic version of a song originally by The Kinks. It is also the second track on Destiny Street and the first of three covers. “Going Going Gone” a song originally by Bob Dylan follows.  The song brings down the tempo contrasting with the earlier up-tempo tracks. Everything about this track excels. The guitar work by Quine, the bass and vocals by Hell deliver an honesty and desperation that penetrates not only this track, but also all of Destiny Street. “Lowest Common Dominator” drives with pseudo disco rock grooves, the guitar work by Naux is scathing as it accelerates in the verses (he trades off solos with Quine later on in this track) and with the propelling drums and bass that really digs in with the vocals. Lyrically, with words such as “Acknowledging at all that you have had an effect/Well, that alone will make you feel so tough/Oh, we'll just leave you knowin'/Your worm insides are showin'/And that's a revenge enough,” “Lowest Common Dominator” delivers seething lyrics about the dominating, two face type of person. “Downtown At Dawn” flirts with 80s styled New York funk. The lyrics operate like a riddle with a poignancy as the listener wanders in and out of the late 70s/early 80s New York nightlife and themes of alienation, anxiety and despair paint themselves throughout the lyrics.  

“Time” is one of Richard Hell’s best songs. Both lyrically and musically this song sucks the listener into its vortex, not in an aggressive way, but more in a jangly, trance-like way. While there is an influence of The Byrds found here, the song is completely its own. The guitar work and solos on this song and on “Going Going Gone” by Robert Quine are in a class of their own. Lyrically, the song with its strong melodies and poetically honest lyrics such as “Only time can write a song that's really really real/The most a man can do is say the way its playing feels/And know he only knows as much as time to him reveals” are enduring and thought provoking. “I Can Only Give You Everything” is the third cover found on Destiny Street and it captures the spirit of “real gone rock and roll,” which is the sound that Hell wanted to achieve with Destiny Street. This on edge version of a song originally by Them is described in the CD linear notes to Destiny Street Complete as compelling, being reduced "To a marching song, strung out as if the guitars were razor wire threaded through the knotted strand of drums in cartoony shapes against the void." It ends in complete chaos. “Ignore That Door” continues the themes present on the album. It hustles with conviction, an anti-drug message, duelling guitar solos and plenty of ooh’s. 

“Staring In Her Eyes” surrenders itself to the lyrics and music. It is a mid-tempo love song that at one point states “Stare like a corpse in each's eyes/Till you never want to come alive and rise.” The final track of Destiny Street is the title track. It pulsates with funkier bass and drum rhythms. It was a collaboration that came to be in the studio as Hell intertwines a tale throughout about meeting a younger version of yourself and being seduced by that younger self. The song itself ties in many themes found on Destiny Street, but also operates as a cautionary tale about the temptations of the past and future as stated in the lyrics “Playing for the past or future/Is playing with a fool's paradise.”  

The new Destiny Street Complete version of this album released by Omnivore Recordings presents every version of the album available. It is a remastered, remixed and repaired reissue. It features the original 1982 Destiny Street remastered, the repaired version from 2009, which featured Hell doing new vocals over the bed tracks (of drums, rhythm guitar, bass), guitar contributions from Marc Ribot, Bill Frisell and Ivan Julian and the 2021 remixed version of Destiny Street. When the three of the original master tapes were found in 2019, the album was remixed by Richard Hell, Nick inner of the Yeah Yeah Yeah’s and engineered by Erin Tonkin. In addition to this, there are also demos, singles and some outtakes. There is a studio outtake version of the song “Don’t Die” which is a moment captured in time that has an urgency and focus that utterly captivating.  

When it was originally released, Richard Hell was dissatisfied with Destiny Street. The master tapes were said to have been lost and the album mix “was a morass of trebly multi-guitar sludge." When Destiny Street was released in 1982, it did receive some good critical reviews, but it never quite had the impact that it should have. Now in 2021, we can look at the album and its evolution. The remixed version of the album is great. It revitalizes Destiny Street, enhancing the best moments that were lost in the original 1982 mix. It gives the album and these songs a new life. You can even get a remixed 11-track version of the album on on its own vinyl via Omnivore or you can listen to the Destiny Street Complete version. But, you decide. There are many paths you can take to rediscover this underappreciated classic by Richard Hell & The Voidoids, but whatever path you take all roads lead to Destiny Street.  

Listen to an interview that Revolution Rock did with Richard Hell:

Destiny Street Complete Playlist (Originally Aired On February 6th, 2021):  

1.  Richard Hell & The Voidoids - The Kid With The Replaceable Head (Destiny Street Remaster) (Destiny Street Complete - Omnivore Recordings - 2021)
2.  Richard Hell & The Voidoids - Staring In Her Eyes (Destiny Street Repaired) (Destiny Street Complete - Omnivore Recordings - 2021)
3.  Richard Hell & The Voidoids - Time (Destiny Street Remixed) (Destiny Street Complete - Omnivore Recordings - 2021)
4.  Richard Hell & The Voidoids - Don't Die (Single Version) (Destiny Street Complete - Omnivore Recordings - 2021)

RICHARD HELL INTERVIEW PART ONE

5.  Richard Hell & The Voidoids - Love Comes In Spurts (Blank Generation - Sire Records - 1977)
6.  Richard Hell & The Voidoids - I'm Your Man (1977 Demo) (Time - Matador Records - 2002)
7.  Richard Hell - The Hunter Was Drowned (Time - Matador Records - 2002/R.I.P. - ROIR - 1984)
8.  Dim Stars - Baby Huey (Let's Dance) (Dim Stars - Caroline Records/New Rose Records - 1992/Spurts: The Richard Hell Story - Rhino - 2005)

RICHARD HELL INTERVIEW PART TWO

9.  Richard Hell & The Voidoids - You Gotta Lose (Another World EP - Ork Records - 1976)
10.  Neon Boys - That's All I Know (Right Now) (Spurts: The Richard Hell Story - Rhino - 2005)
11.  The Heartbreakers - Hurt Me (Demo) (Time - Matador Records - 2002/R.I.P. - ROIR - 1984)
12.  Television - Blank Generation (Live) (Spurts: The Richard Hell Story - Rhino - 2005)
13.  Richard Hell & The Voidoids - Ignore That Door (Live) (Funhunt: Live at CBGB's & Max's 1978 and 1979 - ROIR - 1990)
14.  Richard Hell & The Voidoids - Lowest Common Dominator (Destiny Street Remaster) (Destiny Street Complete - Omnivore Recordings - 2021)
15.  Richard Hell & The Voidoids - Going Going Gone (Demo) (Destiny Street Complete - Omnivore Recordings - 2021)
16.  Richard Hell & The Voidoids - Funhunt (Demo) (Destiny Street Complete - Omnivore Recordings - 2021)
17.  Richard Hell & The Voidoids - Destiny Street (Destiny Street Remixed) (Destiny Street Complete - Omnivore Recordings - 2021)

Wednesday, February 03, 2021

Coming Up On Revolution Rock in February 2021!

It’s February, which means that throughout this month Revolution Rock will devote each episode that airs in February to theme based programming. Dave and co-host Adam have some cool programming lined up ranging from reggae, dub, blues, jazz, hip hop, punk, post-punk, garage and surf.  Revolution Rock airs every Saturday from 7-9 PM EST on CJAM 99.1 FM in Windsor/Detroit. It can be streamed and downloaded cjam.ca. This year is also a first for the show as we have now become syndicated with other campus stations across Canada. Revolution Rock and its programming can now also be heard on CFUV 101.9 FM in Victoria, BC (Wednesdays 7-9 AM PST), on CKUW 95.9 FM in Winnipeg (Mondays 2-4 AM CST), on Caper Radio/CJBU FM in Sydney, Nova Scotia (Tuesdays 12-2 PM AST) and on CFRC 101.9 FM in Kingston, ON (Thursdays 9-11 PM EST).  

Continue reading to find out about this year's Theme Month schedule:

Destiny Street: A Special on Richard Hell’s 2021 Release Destiny Street Complete and Other Selections (Featuring An Interview With Richard Hell)
Saturday February 6th, 2021
7-9 PM EST
CJAM 99.1 FM (www.cjam.ca)


Richard Hell is an author, poet, musician and actor. Known as one of the originators and pioneers during the early days of New York punk, Hell quit the music world in 1984 to focus on writing, only reappearing a few times on some music projects. Having co-founded Television, being one of the original members of The Heartbreakers (featuring Johnny Thunders and Jerry Nolan of The New York Dolls), Hell formed Richard Hell & The Voidoids in 1976 and released their debut album, Blank Generation in 1977. Hell’s look and aesthetic would go on as a template for punk music that would influence others, most notably The Sex Pistols, who in turn would influence their own music scene. The Voidoids first album is seen as a classic, with its title track still sounding as vital and thought provoking today. When it came time to put out a follow up to Blank Generation, Richard Hell and his band were in a different state. The album was recorded over a three-week period at Chelsea Sound Studios in New York City and produced by Alan Betrock. Never completely satisfied with the way it was originally released in 1982, Destiny Street has been an often misunderstood album in Richard Hell’s discography. Originally released on the Red Star label, Destiny Street’s master tapes were said to have been lost preventing any type of remix. In 2009, a cassette version of the bed tracks of drums, bass and rhythm guitars were discovered and Hell, along with a few other guest guitars (Marc Ribot, Ivan Julian and Bill Frisell) recorded new parts to this album. It was titled Destiny Street Repaired. However in 2021, after the master tape/multi-tracks of the original recording sessions were found and a remix was done, Destiny Street Complete was released by Omnivore Recordings. The set contains four versions of the album, along with a few outtakes. The original 1982 version remastered, the 2009 Destiny Street Repaired version, a newly remixed version of Destiny Street and a collection of demos that show early and different versions of the songs that would make up this album. Destiny Street Complete re-establishes the great moments of Destiny Street for everyone to hear. On this episode of Revolution Rock, we will play selections from Destiny Street Complete, other selections from Hell’s discography as well as featuring an exclusive interview with Richard Hell.

Punky Reggae Party: Reggae and its influence on the 70s UK punk scene

Saturday February 13th, 2021
7-9 PM EST
CJAM 99.1 FM (www.cjam.ca)


Many people have heard the song “Police & Thieves”, it was covered by The Clash on their debut album. This was many people’s introduction to this song and to reggae. It is however a reggae song originally by Jamaican reggae musician Junior Murvin. “Police & Thieves” has its roots in Jamaica where it was recorded in 1976. Following a second audition for legendary and innovative producer Lee “Scratch” Perry at his Black Ark Studio in 1976, the two decided to record his song “Police & Thieves.”  With Perry’s studio backing band The Upsetters and a small lyrical adjustment, the song was recorded by Perry and released shortly afterwards. Dub and remix versions done by Perry quickly followed. However, the song about police brutality, gang war and societal unrest, became a hit in Jamaica. A reflection of the times in Jamaica, the song would be released via Island Records and would receive an even bigger response in the UK. It became a club hit there. The song became an anthem with the disenfranchised black community in the UK when the Noting Hill Carnival broke out in a riot. The song was then covered by The Clash.  The band's Joe Strummer and Paul Simonon were involved in the riots and inspired to cover the song.  Murvin’s version was re-released as a single in 1980 climbing the Top 40 UK singles charts to number 23. This is just one of the examples of reggae being influential. Featured heavily in UK clubs in the late 70s thanks to DJs like Don Letts, other artists would also elicit an influence such as Toots & The Maytals, Mikey Dread, Desmond Dekker & The Aces and Bob Marley. In July 1977, Bob Marley released a single called Punky Reggae Party. This song with lyrics such as “New wave craze/New phrase/New Wave/New craze” and “I’m saying/The Wailers will be there/The Damned, The Jam, The Clash/Maytals will be there/Dr. Feelgood too,” Marley wrote this song about the positive response in the UK of The Clash’s cover of Junior Murvin’s “Police & Thieves”. The sounds of reggae and dub’s influence can be heard all over. It found its way into punk music and helped pave the way for the sounds that were to become post punk. On this episode of Revolution Rock, we will celebrate Black History Month by featuring sets of music devoted to reggae and its influence on punk music, as well as different genres from black artists such as blues, soul, jazz and more.

Public Strain: Women’s Public Strain and Other Music (Featuring An Interview With Patrick Flegel & Michael Wallace)
Saturday February 20th, 2021
7-9 PM EST
CJAM 99.1 FM (www.cjam.ca)

The second and final album released by the Calgary rock band Women was titled Public Strain. Recorded in the span of ten months in the dead of winter in Calgary by Chad VanGaalen, Public Strain explored more post punk sounds, often darker and more jarring, but at the same time there is something strangely beautiful that permeates this record. The album received widespread critical acclaim, eventually being long listed on the nominees for the Polaris Prize in 2011. Prior to this album’s release Women put out their debut album Women in 2008. Also recorded by Chad VanGaalen in a basement with boom boxes and tape machines, the album displayed a lo-fi sound. Women generated buzz in various media publications at the time. In a press release the album’s sound was described as "Sometimes light and spacious, at other times eerie and dense with an ominous weight, this self titled album touches upon Velvet Underground, Swell Maps or This Heat while not really having any obvious precursors - a lo-fi masterpiece cloaked in layers of vibrato and guitar wash."  Women toured heavily from 2008-2009. They also toured in support of Public Strain, but that tour was cut short in October 2010. Following a show that occurred in October 2010 in Victoria BC, Women stopped playing as a band. The band members went their separate ways. Bassist Matthew Flegel and drummer Michael Wallace went on to form the band Viet Cong (before changing their name to Preoccupations), guitarist/vocalist Patrick Flegel would continue creating music eventually creating music as Cindy Lee and Christopher Reimer joined the band The Dodos as their touring guitarist while collaborating and creating music until he passed away in his sleep unexpectedly in 2012. In 2020, Flemish Eye and Jagjaguwar announced a reissue of Public Strain along with an EP of outtakes and rare tracks called Rarities 2007-2010 in celebration of the album’s 10th anniversary. In celebration of this, Revolution Rock will have an entire episode devoted to the music of Women’s Public Strain and its lasting influence, as well as featuring selections from the band members of Women other bands. Expect to hear selections from the album Public Strain and from other material in Women’s catalogue, along with music from Cindy Lee, Preoccupations, Chris Reimer and more  This episode will also feature an interview with Patrick Flegel (of Women/Cindy Lee) and Michael Wallace (of Women/Preoccupations).  

Revolution Surf 2021: The Wild West
Saturday February 27th, 2021
7-9 PM EST
CJAM 99.1 FM (www.cjam.ca)

Surf rock is known for its reverb drenched guitar sounds and solos, drums and relation to surf culture. Starting in the 60s it has since infiltrated several genres of music. But, Western surf music or surf music with Wild West elements is kind of hard to pinpoint. You could go back to the early days of the Spaghetti Western movies and more specifically the films of Sergio Leone, which featured music from Italian film music composer Ennio Morricone. He often created epic, cinematic soundscapes in Western films incorporating elements of surf rock, along with other genres such as country and folk as well as unconventional sound effects at the time. The soundtrack to films such as For A Few Dollars More and The Good, The Bad & The Ugly have gone on to influence music in unexpected ways. Surf music, or surf guitar finds its way into all kinds of music nowadays it seems. But, Western themed surf music basically has elements of country and folk mixed in with it. Surf itself in its early days in the 60s often took influence from other cultures of music. In the case of guitarist Dick Dale, he added Middle Eastern and Mexican music influences into his songs that in turn helped create a style now common in the genre. Dick Dale’s “Misirlou” originates from a folk song that has been played in numerous different languages.  It has ties to many different musical origins such as Greek Rebetiko, Middle Eastern Belly Dancing and Jewish Klezmer.  The Ventures even had an album of instrumental/surf based country songs called The Ventures Play Country Classics in 1963. It’s not surprising since The Ventures explored and tackled many different genres in their music with their own sense of innovation. However, these are not the only examples of Western themes appearing in surf music or vice versa. Toronto’s The Sadies have blended garage, surf, country and folk in their music as well. They have several albums featuring surf music while mixing in other elements of music. On this edition of Revolution Surf, the program will be made up entirely of surf and instrumental music that contains Western themes. It will also feature guest hosts such as Derk Brigante of The Surfphony of Derstruction 2000, Carley of CJAM FM’s Everything’s No Good and Brady Holek of CJAM FM’s The Mighty Mezz.