Revolution Rock: The 2021 Interviews & Show # 917

This year on Revolution Rock, the program featured eleven different interviews. Eight were audio based interviews that aired on the show and three were done through email specifically for this website. On this episode we featured highlights (or clips) from each of the audio interviews and music from each of the artists that were interviewed, whether it was for the radio program or for this website. Below you will find some info about these interviews plus the playlist and download/streaming links to the episode.

An Interview with Richard Hell (February 2021): 

In February 2021, as part of Revolution Rock’s annual theme month programming we spoke with New York punk icon Richard Hell. Known as one of the originators and pioneers during the early days of New York punk, Hell quit the music world in 1984 to focus on writing, only reappearing a few times on some music projects. Having co-founded Television, being one of the original members of The Heartbreakers (featuring Johnny Thunders and Jerry Nolan of The New York Dolls), Hell formed Richard Hell & The Voidoids in 1976 and released their debut album, Blank Generation in 1977. Hell’s look and aesthetic would go on as a template for punk music that would influence others, most notably The Sex Pistols, who in turn would influence their own music scene. The Voidoids first album is seen as a classic, with its title track still sounding as vital and thought provoking today. In 1982, he released the often misunderstood Destiny Street. The album has a long history, which Richard goes into detail about in the interview. It was reissued in 2021 as Destiny Street Complete via Omnivore Recordings. The set contains four versions of the album, along with a few outtakes. The original 1982 version remastered, the 2009 Destiny Street Repaired version, a newly remixed version of Destiny Street and a collection of demos that show early and different versions of the songs that would make up this album. Destiny Street Complete re-establishes the great moments of Destiny Street for everyone to hear. Richard Hell is an author, poet, musician and actor. In this interview Richard Hell covers the time period making Destiny Street, parts of his writing career and influences, along with his songwriting process in the Voidoids and more.

Listen to the full interview here:

Find the original post here.

An Interview with Patrick Flegel (of Cindy Lee/Women) & Michael Wallace (of Preoccupations/Women) (February 2021):

As part of a special program focusing on the 10th anniversary of Calgary band Women’s second and final album Public Strain we spoke with vocalist, guitarist and songwriter Patrick Flegel and drummer Michael Wallace. Recorded in the span of ten months in the dead of winter in Calgary by Chad VanGaalen, Public Strain explored more post punk sounds, often darker and more jarring, but at the same time there is something strangely beautiful that permeates this record. The album received widespread critical acclaim, eventually being long listed on the nominees for the Polaris Prize in 2011. Women toured heavily from 2008-2009. They also toured in support of Public Strain, but that tour was cut short in October 2010. Following a show that occurred in October 2010 in Victoria BC, Women stopped playing as a band. The band members went their separate ways. Bassist Matthew Flegel and drummer Michael Wallace went on to form the band Viet Cong (before changing their name to Preoccupations), guitarist/vocalist Patrick Flegel would continue creating music eventually creating music as Cindy Lee and Christopher Reimer joined the band The Dodos as their touring guitarist while collaborating and creating music until he passed away in his sleep unexpectedly in 2012. In these exclusive interviews Patrick talks about creating the music with Women for Public Strain, his influences as well as recording and performing as Cindy Lee. Michael Wallace, gives his own account of the sessions, recording with Chad VanGaalen and the moments leading up to the album, joining the band Women, Preoccupatons beginnings as well as plans for their next album. 

Listen to the full interviews here:

Find the original post here.

An Interview with Chad VanGaalen (March 2021):

Chad VanGaalen released World’s Most Stressed Out Gardner in 2021 on Sub Pop and Flemish Eye Records. The music that he creates while it is sometimes folk, sometimes psychedelic, sometimes indie rock, sometimes strange, is really its own thing. The universe in which the songs of Chad VanGaalen belong is a strange, wonderful, kind of messed up, cosmic place at times. As we enter these worlds we find ourselves absorbed by the sounds and stories that he produces. World’s Most Stressed Out Gardener is eclectic and offers more variety musically than ever before on one of his albums, but still has the same feel of the best of Chad VanGaalen’s work. In the interview Chad discusses how the album was created and altered when he came up with the song “Samurai Sword” just before the album was set to be printed, working on songs and recording. He also discusses his time recording Women’s Public Strain and working with members of the band on their first two albums, buying stuff of Kijiji, gardening and more.

Listen to the full interview here:

Find the original post here.

An Interview with Chris Murdoch (April 2021):

Halifax musician, DJ and writer Chris Murdoch released the full-length debut album Collapse with his band Souvenir in April of 2021. This followed 2020, Beating into Dust EP. In 2020, we also spoke with Chris for this website through email to discuss his music history playing in bands and Black Dots: An Afropunk Primer. Black Dots is an eight-page essay is somewhere in between a zine and pamphlet that also includes exclusive illustrations done by graphic designer/musician Raymond Biesinger. Inside over the course of 2800 words, Chris Murdoch covers his own experiences being a musician and attending shows in Halifax along with information about when Black first met punk in the UK and US. It was released through the Pentagon Black label in Montreal and over $3000 was donated to Black Lives Matter Solidarity Fund Nova Scotia from its sales. Souvenir is a band out of Halifax, Nova Scotia featuring bassist/vocalist Lachie MacDonald (Tom Fun Orchestra, Great Plains, Dyscontrol), guitarist/vocalist Dave Banoub (Jon Hynes) and Chris Murdoch on drums/vocals (Word On The Street, Weekend Dads, Outtacontroller). Produced by Charles Austin (Outtacontroller, Future Girls) out of Ocean Floor Studios in Halifax, Collapse is the debut full-length album from Souvenir. With all three members contributing vocals and songs, Collapse features nine songs and album cover artwork by illustrator Raymond Biesinger. In the interview Chris talks about the recording and writing process that the band went through to create Collapse, politics in punk and more. 

 Listen to the full interview here:

Find the original post here.

An Interview with Paul Jacobs (May 2021):

Montreal musician Paul Jacobs latest release Pink Dogs On The Green Grass was released via Blow The Fuse Records in 2021. With just thirteen tracks, this album follows 2020’s outtakes/demo collection Portrait of George (Demo & Songs I Forgot About) and 2018’s EASY. Already having several albums in his discography (and two releases as part of post punk group Pottery), Pink Dogs On The Green Grass shows Paul Jacobs branching out by finding a new way of approaching his music. Musically, references have been made to Cass McCombs, Kurt Vile, early Beck, but you can also hear the influence of 60s psychedelia and bands such as The Byrds and Lou Reed. Lyrically, Jacobs words are at times surreal. They are sometimes about different characters or observations and often take on cryptic meanings. While some have said that the lyrics reveal unwanted moments that stick with you, Pink Dogs On The Green Grass is much more than that. In the interview Paul talks about recording his new album, illustrating the videos for this album, who Bobby is from Pottery’s Bobby’s Motel album, David Lynch and more. 

Listen to the full interview here:

Find the original post here.

An Interview with Mark Arm & Steve Turner of Mudhoney (August 2021):

Every Good Boy Deserves Fudge is the second full-length album from Seattle’s Mudhoney. An expanded 30th anniversary edition was released by Sub Pop in 2021 featuring demos, outtakes and non-album tracks. Originally released on July 26th, 1991, the album shipped 50,000 copies when it was originally released. Just a few months later, Nirvana’s Nevermind would be released and the whole musical landscape would change. Prior to being recorded, Mudhoney recorded five tracks with producer Jack Endino (who also produced their Superfuzz Bigmuff EP and the Mudhoney album) in a 24-track studio. Unhappy with the results, guitarist Steve Turner pushed for a change of direction. Liking the results of Conrad Uno’s 8-track recording studio called Egg Studios on the Thrillsphere album by Tacoma, Washington’s Girl Trouble, the band decided to record a selection of punk covers with Uno to see what it would sound like recording there. Several of these songs came out on singles or on compilation albums, but not all of them. In spring of 1991, Mudhoney began recording Every Good Boy Deserves Fudge. On this album Mudhoney switches their focus embracing 60s garage influences such as The Sonics, Lollipop Shoppe, Neil Young, Spacemen 3, post hardcore, 80s hardcore and the sounds of bands such as Zounds and Hawkwind. In the interview Mark Arm & Steve Turner of Mudhoney talk about making the 1991 album, being in an unaired TV pilot for Fox, the influence of The Wipers, fuzz pedals and more. 

Listen to the full interview here:

Find the original post here.

An Interview with Matt Ellis (May 2021):

Hamilton musician Matt Ellis has played in many different bands such as The Vapids, Flesh Rag and PlasticHeads. Usually on guitar, Matt recorded a series of Ramones inspired EPs in 2020 at his home where he played all of the instrumentation. All of the proceeds from these releases went towards different non-profit organizations in Toronto and Hamilton. Following a remix, the addition of real drums provided by Jimmy Vapid of The Vapids, Curtis Tone from PlasticHeads and two new tracks, Full Moon Fever was released on vinyl at the end of February 2021 on Surfin Ki Records. With an obvious Ramones influence, the songs that make up Full Moon Fever pull from the Dee Dee Ramone penned catalogue of Ramones tracks with a dash of The Spits, DBOY and Seattle band HEAD. At 18 tracks, none of the songs on Full Moon Fever go past the two-minute mark. Running through themes of isolation, frustration, boredom and escapism, Full Moon Fever delves into a manic dynamic of punk rock and suburban paranoia. Ellis released an album with another band called Anxious Pleasers on cassette that featured members of Hamilton band TV Freaks. In January 2021, he released a new digital single titled Everything Sucks. Matt Ellis did an exclusive Q&A for this website covering his music influences/history, the making of Full Moon Fever, guitars and his favourite Ramones albums. 

Read the full interview/post here.

An Interview with Shawn McDonald (June 2021):

London, Ontario musician Shawn McDonald has been involved in numerous rock bands over the years. In 2021, he made several albums from his discography with different bands he’s been in available digitally for the first time. One of his earlier bands, Grassy Knoll & The Magic Bullit released the album Hollandays digitally. It was a lost, previously unreleased album. In addition to this album he made other albums from this band available through Bandcamp and other streaming services. In 2018, 2 was released by the band Baby Giant. Baby Giant is made up of musicians Shawn McDonald and Tim McDonald. The band started out around 2017 to record a collection of reworked/reimagined songs in commemoration of an earlier band that the McDonald’s had been in called Grassy Knoll & The Magic Bullit (that album is called Grassy Magic). Being in numerous bands such as The Fine Print, Dragsville, Hurricane & Able and many others Shawn McDonald really showcases his songwriting abilities on 2, both on his own and in collaboration with Tim McDonald. The album was recorded by Tim McDonald (credited as King Woobs). Shawn McDonald did a Q&A for this website covering the writing of several songs in Grassy Knoll & The Magic Bullit, some of the bands he has played/recorded with and what he is currently working on. 

Read the full interview/post here.

An Interview with Neil Jarvis (July 2021):

Perhaps best known as being in the Manchester band Sprinters, Get The Band Back Together is the third solo album released by Neil Jarvis. Prior to this Sprinters released two excellent albums, 2017’s Sprinters and 2019’s Struck Gold. Neil’s earlier solo albums were recorded the same way as this one was, on a 4-track cassette recorder. Weekends (2012) and Halloween Summer (2014) featured lo-fi, psych/surf influenced sounds that were sometimes experimental. Get The Band Back Together is more acoustic based, but it still features the sometimes haunting nostalgic feeling that is present throughout all of Neil’s songs. Recorded on a 4-track cassette recorder during lockdown in April 2020-June 2021, Get The Back Band Together takes Jarvis’ earlier tried and true method of recording/writing songs, but adds a sense of maturity and poignancy that sets this collection of songs apart from both Sprinters and his earlier work. Neil Did a Q&A for this website where he covers recording and releasing an album during the pandemic, the influence of musician David Berman and some of his earlier solo releases. 

Read the full interview/post here.

An Interview with The Garrys (October 2021): 

Get Thee To A Nunnery is the fourth full-length album by Saskatoon’s The Garrys. This three-piece sister trio features Erica Maier (guitar/vocals), Julie Maier (bass/vocals) and Lenore Maier (drums/vocals). They first started appearing on underground music radar with 2017’s Surf Manitou, which brought their prairie inspired surf dynamics and combined them with folk-like tales of Manitou Beach, SK, a family vacation spot that the Maier’s visited when younger. In 2020, The Garrys released their score to the 1922 silent film Haxan:Witchcraft Through The Ages, which was performed and recorded live as the film played in a theatre. They describe their music as “dreamy blood harmony surf rock doom-wop on morphine.” Get Thee To A Nunnery has been getting critical acclaim appearing on Bandcamp Daily, other sites and charting on the Earshot Top 50 Album Charts across campus radio in Canada. Revolution Rock spoke with Erica, Julie and Lenore Maier of The Garrys. In the interview they discuss their formation, recording/writing songs for Get Thee To A Nunnery, working with Dallas Good as producer, doing the live soundtrack to Haxan:Witchcraft Through The Ages and more.

Listen to the full interview here:

Find the original post here.

Show 917: The 2021 Interviews Playlist:

1. Richard Hell - Kid With The Replaceable Head  (Remastered) (Destiny Street Complete - Omnivore Recordings - 2021)

RICHARD HELL INTERVIEW CLIP

2. Richard Hell - Ignore That Door (Remixed)  (Destiny Street Complete - Omnivore Recordings - 2021)
3. Women - Narrow With The Hall (Public Strain - Flemish Eye - 2010/2020)

PATRICK FLEGEL (OF CINDY LEE/WOMEN) INTERVIEW CLIP

4. Cindy Lee - Love Remains (Cat O’Nine Tails - CCQSK Records - 2020)
5. Women - Everyone Is So In Love With You (Rarities 2007-2010 - Flemish Eye - 2020)

MICHAEL WALLACE (OF PREOCCUPATIONS/WOMEN) INTERVIEW CLIP

6. Preoccupations - Monotony (Preoccupations - Jagjaguwar/Flemish Eye - 2006)
7. Chad VanGaalen - Starlight (World's Most Stressed Out Gardener - Sub Pop/Flemish Eye - 2021)

CHAD VANGAALEN INTERVIEW CLIP

8. Souvenir - Ransom (Collapse - 2021)

CHRIS MURDOCH (OF SOUVENIR) INTERVIEW CLIP

9. Souvenir - Holding Pattern (Collapse - 2021)
10. Paul Jacobs - Half Rich Longer (Pink Dogs On The Green Grass - Blow The Fuse Records - 2021)

PAUL JACOBS INTERVIEW CLIP

11. Paul Jacobs - The Telephone (Revisited) (Story About Anything EP - 2018)
12. Mudhoney - Into The Drink (Every Good Boy Deserves Fudge (30th Anniversary Edition) - Sub Pop - 2021)

MARK ARM & STEVE TURNER (OF MUDHONEY) INTERVIEW CLIP

13. Matt Ellis - Flowers In The Moonlight (Full Moon Fever - Surfing Ki Records - 2021)
14. Grassy Knoll & The Magic Bullit - A-Jam (Hollandays - 2021)
15. Baby Giant - Japan (2 - 2018)
16. Neil Jarvis - Get The Band Back Together (Get The Band Back Together - On The Grind Records - 2021)
17. The Garrys - Devil’s Dip (Get Thee To A Nunnery - Grey Records - 2021)

ERICA, JULIE & LENORE MAIER (OF THE GARRYS) INTERVIEW CLIP

18. The Garrys - In The Dawn (Get Thee To A Nunnery - Grey Records - 2021)

To hear this program, visit CJAM's schedule page for Revolution Rock and click the January 15 file to download/stream the episode.

Women's Public Strain & Other Music: An Interview With Patrick Flegel & Michael Wallace & Show # 870

In September 2010, the Calgary band Women released their second and final album Public Strain. Recorded in the dead of winter in Calgary, Alberta with Chad VanGaalen over a ten-month period, the album sessions were tense. In terms of sound, Public Strain helped identify a voice for the musicians in the band. With comparisons to bands such as Caribou, The Velvet Underground, Deerhoof and Abe Vigoda, Women shaped a sonic depth with their sound that explored elements of post punk with noise rock. It features darker more jarring sounds, while at the same time pop sensibilities lurk beneath. Experimentation also runs deep within this album, while comparisons can be made to other bands, Women often veer off from that moving into unexplored territory. Public Strain creates a certain mood that you can feel with every listen.

“Can’t You See” opens in a haze of guitar feedback as melodic bass from Matthew Flegel plucks its way through the screeching drones, bowed guitars from Chris Reimer, cello and haunting, yet poppy vocals provided by vocalist/guitarist Patrick Flegel. The atmosphere created here is darker, moody and often referred to as a nocturnal ballad. It contrasts pop elements with more dissonant and experimental ones. “Heat Distraction” is the opposite of the opening track. With its bright guitar interplay and deep bass tones that seem to sink below all the instrumentation, this track has several different time signatures that shift from one form to another seamlessly. The drums from Michael Wallace drive this track as Patrick Flegel and guitarist Chris Reimer sing in abstract lyrics such as “Programmed without form/Programmed without sound” and “Austere known your pen/Throats inside of glass/Hanging next to me” that further adds to the mood of this track and album. “Narrow With The Hall” features clouds of feedback with eerie vocals that float on top. 60s sounding bass melodies jump in with marching drums as the guitar feedback switches forms. The harmonies provided by the Flegel’s on this track were compared to bands such as The Zombies while the track was once described in Pitchfork as producing “a unique, gray-paisley vibe-- the sound of vintage psychedelia bleached of its color.”

“Penal Colony” brings in more pop melodies that rise to the surface as ringing guitar, subtle drums and cello rise and fall slowly in the background. This track adds touches of psychedelia as well into the mix. The sounds of The Velvet Underground and Syd Barrett come to mind when hearing this, but it is its own thing. With lyrics such as “Faces start to blend/Meet a sudden end/And you're gone completely/I know that it's hard to go” the song seems to pull from a personal feeling of exile. “Bells” is an instrumental interlude of sorts. It is a drone heavy, noisy ballad that builds tension and ambiance. “China Steps” arrives with drums where you can hear the squeak of the pedal as bass and two opposing guitars attack the sonic air. About halfway through after a heavy song transition, the vocals come in. Drawing comparisons to 80s Sonic Youth, “China Steps” treads through its sonic landscape never afraid to move forward. “Untogether” features unnerving, disorienting melodies with more experimental indie rock sounds, while “Drag Open” is a visceral onslaught of guitar, bass, drums and feedback. The middle section of the song changes pace, like a change of wind direction. As the song slows down, the song builds up tension, mood and trails off in hazy sounds.

The mid-tempo “Locust Valley” arrives next. The memorable guitar melodies float in between the bass and drums. With krautrock dynamics and unmistakable vocal melodies, it moves with urgency. This is also one of two songs that reference American artist Ray Johnson. Johnson was a seminal figure in Neo-dada and Pop Art who was referred to as “New York’s most famous unknown artist”. Locust Valley is the town Johnson lived in New York State. Women also referenced Johnson on their 2008 debut album with their song “Sag Harbor Bridge”, which was the place of Johnson’s death. “Venice Lockjaw” arrives next. Another highlight among the often experimental and noisy post punk sounds found on Public Strain, this song adds further psychedelic, paisley beauty as it contrasts the music with darker lyrics. The term “Venice Lockjaw” once again refers to artist Ray Johnson, who handed out pins with this term at an art exhibition in Venice in 1990.

“Eyesore” ends Public Strain. With jangly guitars, syrupy basslines and compelling drums, this is the longest track on the album. With words such as “Spill and heat consume both of the lights/They were flashing white and ecru pale” and “I just could not/Tell against your will/Give out your number now,” the lyrics evoke a feeling that is open to interpretation (like many moments on the album) that resemble some similarities to the lyrical style of David Bowie’s Low album. Public Strain ends in a fade out. Throughout this album, there is a contrast between noise, dissonance, psychedelia and pop melodies. Each track offers something that sounds new and fresh with each listen. As a whole it creates a mood that surrounds you that is hard to resist. The lyrical content of Public Strain has been described as cycling “through insomnia, paranoia, resignation and euphoria, to capture a band with an undeniable voice coming into full awareness of their craft.” And while the lyrics are often darker and compliment the at times brooding music, Public Strain is more than just a dark record. Throughout the walls of noise and experimentation, there is something hard to define. Even after ten years of its initial release, Public Strain burns with a passion and intensity that is timeless.

Women toured heavily from 2008-2009 prior to Public Strain’s release in support of their 2008 album Women. They also toured in support of Public Strain, but that tour was cut short in October 2010. Following a show that occurred in October 2010 in Victoria BC, Women stopped playing as a band. The band members went their separate ways. Bassist Matthew Flegel and drummer Michael Wallace went on to form the band Viet Cong (before changing their name to Preoccupations), guitarist/vocalist Patrick Flegel would continue creating music eventually creating music as Cindy Lee and Christopher Reimer joined the band The Dodos as their touring guitarist while collaborating and creating music until he passed away in his sleep unexpectedly in 2012. In 2020, Flemish Eye and Jagjaguwar announced a reissue of Public Strain along with an EP of outtakes and rare tracks called Rarities 2007-2010 in celebration of the album’s 10th anniversary.

Grab a copy of Public Strain from Flemish Eye or Jagjaguwar.

Support Patrick Flegel’s latest project Cindy Lee here.

Support Matthew Flegel & Michael Wallace's Preoccupations here.

Listen to Revolution Rock interview with Patrick Flegel (of Cindy Lee/Women):

Listen to Revolution Rock's interview with Michael Wallace (of Preoccupations/Women):

Public Strain Playlist (Originally Aired On February 20th, 2020):

1.  Women - Pinky (CBC Radio 3 Session) (CBC Radio 3 Session - January 2010)
2.  Women - Drag Open (Public Strain - Flemish Eye/Jagjaguwar - 2010)
3.  Women - Locust Valley (Public Strain - Flemish Eye/Jagjaguwar - 2010)
4.  Women - Bullfight (Live Session) (CJSW Live Session 2010)

PATRICK FLEGEL/CINDY LEE INTERVIEW PART 1

5.  Chris Reimer - Mustard Gas (Hello People - Flemish Eye - 2018)
6.  Preoccupations - Pointless Experience (Viet Cong - Flemish Eye/Jagjaguwar - 2015)
7.  Preoccupations - Zodiac (Preoccupations - Flemish Eye/Jagjaguwar - 2016)
8.  Cindy Lee - I Want You To Suffer (What's Tonight to Eternity - W.25TH / Superior Viaduct - 2020)
9.  Cindy Lee - Bondage Of The Mind (Cat O' Nine Tails - CCQSK Records - 2020)

PATRICK FLEGEL/CINDY LEE INTERVIEW PART 2

10. Chris Reimer - First Cut/TV Water (The Chad Tape - Flemish Eye - 2012)
11. Chris Reimer - Waving Goodbye From A Tree (Hello People - Flemish Eye - 2018)
12. Preoccupations - Unconscious Melody (Cassette - Mexican Summer - 2013/Flemish Eye/Jagjaguwar - 2017)
13. Cindy Lee - The Promise of Lonliness (Tatlashea - Isolated Now Waves - 2012)

MICHAEL WALLACE/PREOCCUPATIONS INTERVIEW PART 1

14. Women - Eyesore (Public Strain - Flemish Eye/Jagjaguwar - 2010)
15. Women - Penal Colony (Public Strain - Flemish Eye/Jagjaguwar - 2010)

MICHAEL WALLACE/PREOCCUPATIONS INTERVIEW PART 2

16. Women - Service Animal (Rarities 2007-2010 - Flemish Eye/Jagjaguwar - 2020)

DOWNLOAD/LISTEN TO THIS EPISODE HERE.

Coming Up On Revolution Rock in February 2021!

It’s February, which means that throughout this month Revolution Rock will devote each episode that airs in February to theme based programming. Dave and co-host Adam have some cool programming lined up ranging from reggae, dub, blues, jazz, hip hop, punk, post-punk, garage and surf.  Revolution Rock airs every Saturday from 7-9 PM EST on CJAM 99.1 FM in Windsor/Detroit. It can be streamed and downloaded cjam.ca. This year is also a first for the show as we have now become syndicated with other campus stations across Canada. Revolution Rock and its programming can now also be heard on CFUV 101.9 FM in Victoria, BC (Wednesdays 7-9 AM PST), on CKUW 95.9 FM in Winnipeg (Mondays 2-4 AM CST), on Caper Radio/CJBU FM in Sydney, Nova Scotia (Tuesdays 12-2 PM AST) and on CFRC 101.9 FM in Kingston, ON (Thursdays 9-11 PM EST).  

Continue reading to find out about this year's Theme Month schedule:

Destiny Street: A Special on Richard Hell’s 2021 Release Destiny Street Complete and Other Selections (Featuring An Interview With Richard Hell)
Saturday February 6th, 2021
7-9 PM EST
CJAM 99.1 FM (www.cjam.ca)

Richard Hell is an author, poet, musician and actor. Known as one of the originators and pioneers during the early days of New York punk, Hell quit the music world in 1984 to focus on writing, only reappearing a few times on some music projects. Having co-founded Television, being one of the original members of The Heartbreakers (featuring Johnny Thunders and Jerry Nolan of The New York Dolls), Hell formed Richard Hell & The Voidoids in 1976 and released their debut album, Blank Generation in 1977. Hell’s look and aesthetic would go on as a template for punk music that would influence others, most notably The Sex Pistols, who in turn would influence their own music scene. The Voidoids first album is seen as a classic, with its title track still sounding as vital and thought provoking today. When it came time to put out a follow up to Blank Generation, Richard Hell and his band were in a different state. The album was recorded over a three-week period at Chelsea Sound Studios in New York City and produced by Alan Betrock. Never completely satisfied with the way it was originally released in 1982, Destiny Street has been an often misunderstood album in Richard Hell’s discography. Originally released on the Red Star label, Destiny Street’s master tapes were said to have been lost preventing any type of remix. In 2009, a cassette version of the bed tracks of drums, bass and rhythm guitars were discovered and Hell, along with a few other guest guitars (Marc Ribot, Ivan Julian and Bill Frisell) recorded new parts to this album. It was titled Destiny Street Repaired. However in 2021, after the master tape/multi-tracks of the original recording sessions were found and a remix was done, Destiny Street Complete was released by Omnivore Recordings. The set contains four versions of the album, along with a few outtakes. The original 1982 version remastered, the 2009 Destiny Street Repaired version, a newly remixed version of Destiny Street and a collection of demos that show early and different versions of the songs that would make up this album. Destiny Street Complete re-establishes the great moments of Destiny Street for everyone to hear. On this episode of Revolution Rock, we will play selections from Destiny Street Complete, other selections from Hell’s discography as well as featuring an exclusive interview with Richard Hell.

Punky Reggae Party: Reggae and its influence on the 70s UK punk scene
Saturday February 13th, 2021
7-9 PM EST
CJAM 99.1 FM (www.cjam.ca)

Many people have heard the song “Police & Thieves”, it was covered by The Clash on their debut album. This was many people’s introduction to this song and to reggae. It is however a reggae song originally by Jamaican reggae musician Junior Murvin. “Police & Thieves” has its roots in Jamaica where it was recorded in 1976. Following a second audition for legendary and innovative producer Lee “Scratch” Perry at his Black Ark Studio in 1976, the two decided to record his song “Police & Thieves.”  With Perry’s studio backing band The Upsetters and a small lyrical adjustment, the song was recorded by Perry and released shortly afterwards. Dub and remix versions done by Perry quickly followed. However, the song about police brutality, gang war and societal unrest, became a hit in Jamaica. A reflection of the times in Jamaica, the song would be released via Island Records and would receive an even bigger response in the UK. It became a club hit there. The song became an anthem with the disenfranchised black community in the UK when the Noting Hill Carnival broke out in a riot. The song was then covered by The Clash.  The band's Joe Strummer and Paul Simonon were involved in the riots and inspired to cover the song.  Murvin’s version was re-released as a single in 1980 climbing the Top 40 UK singles charts to number 23. This is just one of the examples of reggae being influential. Featured heavily in UK clubs in the late 70s thanks to DJs like Don Letts, other artists would also elicit an influence such as Toots & The Maytals, Mikey Dread, Desmond Dekker & The Aces and Bob Marley. In July 1977, Bob Marley released a single called Punky Reggae Party. This song with lyrics such as “New wave craze/New phrase/New Wave/New craze” and “I’m saying/The Wailers will be there/The Damned, The Jam, The Clash/Maytals will be there/Dr. Feelgood too,” Marley wrote this song about the positive response in the UK of The Clash’s cover of Junior Murvin’s “Police & Thieves”. The sounds of reggae and dub’s influence can be heard all over. It found its way into punk music and helped pave the way for the sounds that were to become post punk. On this episode of Revolution Rock, we will celebrate Black History Month by featuring sets of music devoted to reggae and its influence on punk music, as well as different genres from black artists such as blues, soul, jazz and more.

Public Strain: Women’s Public Strain and Other Music (Featuring An Interview With Patrick Flegel & Michael Wallace)
Saturday February 20th, 2021
7-9 PM EST
CJAM 99.1 FM (www.cjam.ca)

The second and final album released by the Calgary rock band Women was titled Public Strain. Recorded in the span of ten months in the dead of winter in Calgary by Chad VanGaalen, Public Strain explored more post punk sounds, often darker and more jarring, but at the same time there is something strangely beautiful that permeates this record. The album received widespread critical acclaim, eventually being long listed on the nominees for the Polaris Prize in 2011. Prior to this album’s release Women put out their debut album Women in 2008. Also recorded by Chad VanGaalen in a basement with boom boxes and tape machines, the album displayed a lo-fi sound. Women generated buzz in various media publications at the time. In a press release the album’s sound was described as "Sometimes light and spacious, at other times eerie and dense with an ominous weight, this self titled album touches upon Velvet Underground, Swell Maps or This Heat while not really having any obvious precursors - a lo-fi masterpiece cloaked in layers of vibrato and guitar wash."  Women toured heavily from 2008-2009. They also toured in support of Public Strain, but that tour was cut short in October 2010. Following a show that occurred in October 2010 in Victoria BC, Women stopped playing as a band. The band members went their separate ways. Bassist Matthew Flegel and drummer Michael Wallace went on to form the band Viet Cong (before changing their name to Preoccupations), guitarist/vocalist Patrick Flegel would continue creating music eventually creating music as Cindy Lee and Christopher Reimer joined the band The Dodos as their touring guitarist while collaborating and creating music until he passed away in his sleep unexpectedly in 2012. In 2020, Flemish Eye and Jagjaguwar announced a reissue of Public Strain along with an EP of outtakes and rare tracks called Rarities 2007-2010 in celebration of the album’s 10th anniversary. In celebration of this, Revolution Rock will have an entire episode devoted to the music of Women’s Public Strain and its lasting influence, as well as featuring selections from the band members of Women other bands. Expect to hear selections from the album Public Strain and from other material in Women’s catalogue, along with music from Cindy Lee, Preoccupations, Chris Reimer and more  This episode will also feature an interview with Patrick Flegel (of Women/Cindy Lee) and Michael Wallace (of Women/Preoccupations).  

Revolution Surf 2021: The Wild West
Saturday February 27th, 2021
7-9 PM EST
CJAM 99.1 FM (www.cjam.ca)

Surf rock is known for its reverb drenched guitar sounds and solos, drums and relation to surf culture. Starting in the 60s it has since infiltrated several genres of music. But, Western surf music or surf music with Wild West elements is kind of hard to pinpoint. You could go back to the early days of the Spaghetti Western movies and more specifically the films of Sergio Leone, which featured music from Italian film music composer Ennio Morricone. He often created epic, cinematic soundscapes in Western films incorporating elements of surf rock, along with other genres such as country and folk as well as unconventional sound effects at the time. The soundtrack to films such as For A Few Dollars More and The Good, The Bad & The Ugly have gone on to influence music in unexpected ways. Surf music, or surf guitar finds its way into all kinds of music nowadays it seems. But, Western themed surf music basically has elements of country and folk mixed in with it. Surf itself in its early days in the 60s often took influence from other cultures of music. In the case of guitarist Dick Dale, he added Middle Eastern and Mexican music influences into his songs that in turn helped create a style now common in the genre. Dick Dale’s “Misirlou” originates from a folk song that has been played in numerous different languages.  It has ties to many different musical origins such as Greek Rebetiko, Middle Eastern Belly Dancing and Jewish Klezmer.  The Ventures even had an album of instrumental/surf based country songs called The Ventures Play Country Classics in 1963. It’s not surprising since The Ventures explored and tackled many different genres in their music with their own sense of innovation. However, these are not the only examples of Western themes appearing in surf music or vice versa. Toronto’s The Sadies have blended garage, surf, country and folk in their music as well. They have several albums featuring surf music while mixing in other elements of music. On this edition of Revolution Surf, the program will be made up entirely of surf and instrumental music that contains Western themes. It will also feature guest hosts such as Derk Brigante of The Surfphony of Derstruction 2000, Carley of CJAM FM’s Everything’s No Good and Brady Holek of CJAM FM’s The Mighty Mezz.