Otis Redding ... The Soul Album & Show # 390

Otis Redding released The Soul Album in 1966. This eleven track album followed his 1965 release Otis Blue: Otis Redding Sings Soul, which was considered one of his best. Being the prolific song writer that he was The Soul Album was recorded in the months of November of 1965 to August 1966. It was released on Volt/Stax Records in April of 1966.

The Soul Album featured a variety of different styles being juxtaposed within Redding’s song writing capabilities bringing together a collection of cover songs and originals, that he makes completely his own. The backing band on this album featured members of Booker T. & The MGs, who were the house band and featured on a large majority of Otis Redding recordings, a Memphis horn section and Isaac Hayes, who also produced the record. With a solid backing band and atmosphere, Otis Redding proves why he is considered a Soul legend, often referred to as “The King of Soul” with his passionate vocal performances and clever song arrangements. While the only single released from this album was “Just One More Day”, the album is notable for its re-workings of the Sam Cooke song “Chain Gang”, “It’s Growing” an upbeat version of a song originally by Smokey Robinson & The Miracles, “Everybody Makes A Mistake” by Eddie Floyd, Roy Head’s “Treat Her Right”, and Wilson Pickett’s “634-5789”. A lost gem found on this collection is the song co-authored by Eddie Thomas and Jerry Butler “Cigarettes And Coffee”. The originals on this album while there may be few (“Just One More Day”, “Good To Me”, “Any Ole Way”) combined with the other material found here create a Southern Soulful mixture of originality and a sign of an artist coming into his own, which he would do more of on his next release Complete & Unbelievable: The Otis Redding Dictionary of Soul. That release would also be his last full length release before his untimely death on December 10th, 1967.

While The Soul Album is not often referred to as the best album in Otis’ catalogue, it is an eleven track collection of unstoppable Soul that surges with Otis’ talents as a songwriter and performer providing the listener with a sample of lesser known Otis Redding songs. It transitions between an interesting point in his career, juxtaposing Soul ballads with straight up Soul stompers and musical styles, proving to any listener of his status as “The King of Soul”.

This week's play list:

1. The Miracles – Baby Don’t You Go
2. The Vonns – So Many Days
3. James Crawford – I Don’t Care, I Don’t Care, I Don’t Care
4. Willie C. Echols – Shimmy Shelly Shake
5. The JB's – Wine Spot
6. Muddy Waters – I Be’s Troubled
7. Sonny Boy Williamson – Fattening Frogs For Snakes
8. Etta James – I’d Rather Go Blind
9. The Autographs – Do The Duck
10. Ketty Lester – West Coast
11. Danny White – The Twitch
12. Albert Collins – I Don’t Know
13. McKinley Mitchell – You’re Not Gonna Break My Heart
14. The Equators – Baby Come Back
15. Tapper Zukie – MPLA
16. Lee Scratch Perry & The Upsetters – Curly Dub
17. Grant Green – The Final Comedown
18. Miles Davis – So What
19. Otis Redding – It’s Growing
20. Otis Redding - Cigarettes And Coffee
21. Screamin’ Jay Hawkins – Little Demon
22. Little Richard – Hey-Hey-Hey-Hey!
23. The Action 13 - More Bread To The People
24. Chuck Berry – Beautiful Delilah

To download this weeks program, visit CJAM's schedule page for Revolution Rock and download the file for February 7. Or subscribe to Revolution Rock as a Podcast.

Coming Up On Revolution Rock In February 2012!

Last February Revolution Rock hosted a series of special programming, and this year will be no different. Starting on February 7th Revolution Rock will celebrate Black History Month by playing a mix of Soul, R&B, Jazz, Funk and Blues. The remaining weeks will also feature a different type of program each week until February 28th, where I will coincide the month’s worth of programming with my annual Surf Rock show.

 Revolution Rock Celebrates Black History Month

February 7th, 2012

10:30 AM – Noon

CJAM 99.1 FM (cjam.ca)

To celebrate Black History Month, Revolution Rock will feature a variety of obscure Soul and R&B cuts as well as some Jazz, Funk, Reggae and Blues tracks.  This year's program focuses on Otis Redding's 1966 album The Soul Album. 

Hey! The Gruesomes Radio Feature

February 14th, 2012

10:30 AM – Noon

CJAM 99.1 FM (cjam.ca)

This Valentines Day Revolution Rock will have an entire show focusing on the 80s Montreal Canadian Garage Rock group The Gruesomes. Expect to hear music from the bands catalogue, solo projects, live recordings and more!  This show also features a corresponding post with an exclusive interview from Gerry Alvarez and John Davis of The Gruesomes!

Neil Young’s Ditch Trilogy Radio Feature

February 21st, 2012

10:30 AM – Noon

CJAM 99.1 FM (cjam.ca)

On February 21st, Revolution Rock will host a program focusing on Neil Young’s Ditch Trilogy. Often seen by fans of Neil’s being albums of haunting brilliance, expect to hear music from the albums Time Fades Away (1973), On The Beach (1974) and Tonight’s The Night (1975), which constitute the Ditch Trilogy.

6th Annual Revolution Surf

February 28th, 2012

10:30 AM – Noon

CJAM 99.1 FM (cjam.ca)

This February 28th will mark my 6th annual Surf program on CJAM 99.1 FM. Shows in the past have focused on new and old Surf bands and focus on one particular artist within the Surf genre, this year will be no different. This year's program will feature several recordings from a variety of influential UK instrumental Surf groups. The program will also feature a special segment with Derk Brigante formerly of CJAM’s Surfphony of Derstruction.

Raised By Weeds & Show # 389

Raised By Weeds is a Garage band based out of Windsor, Ontario. Taking influence from 60’s styled music and from bands such as King Khan & BBQ Show and The Black Lips, Raised By Weeds had it’s beginnings as Paul Jacobs, who was at the time the only member. Despite having a drumming background being a drummer in a Hardcore Punk band called Get Bent, he was unable to find other like minded musicians to join the band and style of music he had in mind. Teaching himself guitar, Paul became a one man band, playing foot drums, guitar and covering vocal duties.

An album was self recorded in November 2011, entitled Paul Jacobs in the attic of a friend’s house (from the band Get Bent) in about eight hours on a laptop using Garage Band and made available to stream online, he also provided the artwork. The album featured songs such as “Come September”, “The Telephone”and “Money For The Grave” all of which reflect catchy crunchy Garage sounds, there are also songs with a slow Garage groove such as “Trip To The Ocean” and “My Word”. Live shows have been played around the Windsor area where the band was just a one piece, but recently Chris Garant was added as a drummer and the band became a two piece, which also resulted in the name change. Raised By Weeds plans to add a bassist and become a three piece soon, work on more material and make some recordings. Paul also plans to continue to record and release solo material. You can hear some of Paul’s recordings via his soundcloud page and find them on facebook.  Raised By Weeds will play on February 3rd at the FM Lounge in Windsor.



This week's play list:

1. Novels – Record In Hand
2. Surfer Blood – Take It Easy
3. The Jags – Last Picture Show
4. The Spooky But Nice – Everytime
5. Woodpigeon – For Paolo
6. The Make-Up – Here Comes The Judge
7. Two Star Tabernacle – Sixteen Ton (Live)(Merle Travis Cover)
8. The Ex-Girlfriends Club – The Witch
9. The Polymorphines – Let Love Fly
10. Neon Boys – That’s All I Know (Right Now)
11. The Pretty Things – Come See Me
12. Raised By Weeds – Wait A Minute (CJAM Session)
13. Raised By Weeds – Come September (CJAM Session)
14. Raised By Weeds – The Telephone (CJAM Session)
15. Section 8 – Can’t Let Go
16. Orange Juice – Blue Boy
17. Blam Blam Blam – There Is No Depression In New Zealand
18. Crocodiles – I Wanna Kill
19. What Seas What Shores - Pave The Oceans
20. The Bureaucrats – Now And Then
21. Nick Lowe – Shake And Pop
22. Ty Segall - Caesar
23. Generation X – Friday’s Angels

To download this weeks program, visit CJAM's schedule page for Revolution Rock and download the file for January 31. Or subscribe to Revolution Rock as a Podcast.

Long Weekends ... Don't Reach Out & Show # 388

Long Weekends are a Garage/Pop band based out of Halifax, Nova Scotia. This three piece group first released a four song EP that was recorded at Echo Chamber studios in Halifax entitled Warmer Weather in March of 2011 and before they even played a show they begin to receive publicity and appear on bands to watch lists. The bands sound is simple to describe, it’s Garage, Punk, Pop and it’s catchy as hell. The band is made up of Noel Macdonald on guitar/vocals, Devin Peck on bass and Adam Hartling on drums. Prior to forming Long Weekends, Devin Peck and Noel Macdonald were in a Punk band, which after putting together some songs folded. Macdonald and Peck did some work on the songs, citing influences such as The Chameleons, The Smiths and 80s Post-Punk groups as their main inspiration behind the songs reworking, and after finding Hartling Long Weekends were born.

“Shame On You” was the second release was made available for free via their bandcamp page in October of 2011. In January 2012 the band has released their first physical release the Don’t Reach Out seven inch, all of their releases prior to Don’t’ Reach Out have been available in digital form only and currently the seven inch is only available through the Noye Records website. It should also be noted that all of the bands artwork for the two major releases (Warmer Weather and Don’t Reach Out) was done by Yorodeo a prominent screen/print designer in Canada. The bands philosophy is simple, they love to write and make music and hopefully they continue to do so for some time.

Check out Long Weekends bandcamp to hear some more of their music.

This week's play list:

1. The Long Weekends – Don’t Reach Out
2. Brazilian Money – Give Up That Dog
3. Hands & Teeth – Sound of Hamilton
4. Heavy Chains – Commo Wire
5. Exxotone – Big Shot
6. Neverever – Mexicoco
7. NoBunny – Blow Dumb
8. Telepathe - Destroyer
9. Tumours – Twilight Zone
10. Vendetta – I Wanna Be A Star
11. The Tranzmitors – Teenage Filmstar
12. The Embers – I Walked All Night
13. Cake – Moustache Man (Wasted)
14. The Phantom Chords – Swamp Thing
15. The Damned – Politics
16. The Howlies – Zombie Girl
17. Link Wray – Deuces Wild
18. Harlem – LSD Saves
19. Seven Story Redhead - Don't Wanna Know
20. The Saints – Run Down
21. The Velvet Underground – One of These Days
22. Nervus Rex - There She Goes
23. Magazine - Boredom (BBC Session)
24. Bob Dylan – Positively 4th Street (Live April 13th, Sydney, Australia 1966)

To download this weeks program, visit CJAM's schedule page for Revolution Rock and download the file for January 24. Or subscribe to Revolution Rock as a Podcast.

Beating Time Fill In!

Today I filled in for the CJAM program Beating Time, usually hosted by Angela Womann Wednesdays from 10:30 to Noon on CJAM 99.1 FM.  Today's show featured a variety of new and old music and some obscure 70s Punk. 

Beating Time play list:

1.  The Revolvers – Rock y Roll
2.  The Smugglers – 5-4-3-2-1
3.  Dan Sartain – Box Cutter In My Boot 
4.  Golden Hands Before God – Communist Party
5.  Indian Wars - Just Can't Get Along With You
6.  The Modernettes - Barbra 
7.  The Adverts – Quick Step
8.  Bok Bok – Misfit
9.  The Nerves – Hanging On The Telephone
10. The Pagans – I Juvenile
11. The Scabs – Amory Building
12. Le Butcherettes – Bang!
13. C’Mon – Underneath The X-Ray 
14. The Mark Inside – Shots From A Broken Bottle 
15. The Velvet Underground – Guess I'm Falling In Love (Live)
16. The Almighty Defenders – The Ghost With The Most
17. Link Wray – Deuces Wild
18. The Locusts Have No King – Song 6
19. Radio Birdman - Do The Pop!
19. The Carbonas - Blackout
20. Crocodiles – Neon Jesus
21. X – The New World
22. Cramps – Drug Train
23. The True Lovers – Guilty Pleasure #9

Downlaod the show here!

Alternative Chartbusters ... The Story of The Boys & Show # 387

The UK Punk act The Boys had their beginnings generate from the combination of several factors, one being from the influential group Hollywood Brats, a band that was the UK equivalent to the New York Dolls. The Hollywood Brats featured keyboardist/vocalist Casino Steel after making some recordings the band split (although they continued with a different line up) who would join forces with Matt Dangerfield (guitar/vocals), who converted his flat into a recording studio. The two joined up with Honest John Plain (guitar/vocals), Duncan “Kid” Ried (bass/vocals) and Jack Black (drums) all of whom met at a T-shirt factory where Plain worked as a foreman, they like Dangerfield and Steel had known each other from going to school together. In addition to this Steel and Dangerfield also played in the infamous London SS group, a group that featured a revolving cast of UK musicians that would later form groups of their own. Some of the members that would be in the group at one point in time were Mick Jones (later of The Clash), Tony James and Billy Idol (later of Generation X), Rat Scabies and Brian James who would later form The Damned and a few others. The Boys, who began around 1976, decided that Reid and Dangerfield would share the vocal duties and began playing concerts that September. After several concerts, in January 1977 The Boys signed a contract with NEMS. Technically The Boys were the first UK Punk act to sign an album recording deal, The Damned were the first UK band to have a recording deal, but it was for a one off single for Stiff Records not an album.

The Boys would release two full length albums and three singles for NEMS before switching over to Safari in 1979 where they recorded two additional albums. The first single to be released by The Boys was the “I Don’t Care” single which was backed with the song “Soda Pressing, the single was released in April of 1977. To support the release of this single, The Boys went on a national tour with John Cale, previously of The Velvet Underground. In May of 1977, The boys began recording their debut full length album laying down sixteen tracks. Produced by Pete Gage the band felt that the album sounded too polished and after some adjustments, the album was ready to be released. Despite being completed, The Boys was delayed commercial release by NEMS and released on September 9th, 1977. This delay caused several other UK Punk acts to release albums denying The Boys the status of releasing the first UK Punk album but, regardless of this fact the album went to number fifty on the UK album charts. The Boys displayed their Power Pop and Punk Rock dynamics, a sound that began its embryonic stages on their 1977 “I Don’t Care” single, it was a sound that was both catchy and raw sounding.

The Boys second single was the now classic Punk anthem “First Time” a song also written by John Plain, it was released in July of 1977 and quickly became the “Single of the Week” in Sounds magazine. The single received a good amount of air play on John Peel’s radio program and went to number 77 on the UK singles charts. The single would have most likely climbed even higher on the charts, but in August of 1977 when Elvis Presley passed away. RCA Records, who distributed The Boys and many other bands releases stopped releasing all other bands associated with RCA in order to press and release Elvis' music posthumously to satisfy the insatiable demand for Elvis Presley’s records. In 1978, The Boys released their second full length album Alternative Chartbusters. An album that despite its name featured many catchy Power Pop/Punk Rock gems, the album sessions also produced the bands next single “Brickfield Nights”, a song that is often regarded as the band at their finest hour. The album was once again met with distribution complications via NEMS, which had a negative impact on the albums potential. The band toured to support this album with New York Punk act The Ramones. In 1979, the group moved to Safari, where they released two full length albums, as stated previously. The band subsequently split up in 1981.

Throughout The Boys initial status as a band from 1977 to 1981, The Boys released Christmas themed singles and one full length Christmas album as The Yobs. The one and only released as The Yobs was The Yob’s Christmas Album in 1979. While the band seemed to have hard luck in terms of label promotion in the UK, they quickly built up a European following, where they had a higher success rate. The band reformed in the summer of 1999 with five of the original band members. The band reformed with the complete original line up in 2000, for the Holidays In the Sun festival and in 2006 began playing shows again. In 2008, The Boys released an early recording of the song “Jimmy Brown” as a single. Currently The Boys have become involved with a side project of Matt Dangerfield titled The Mattress Boys.

This week's play list:

1. Guided By Voices – The Head
2. The Revolvers – Cadillac 21
3. The Haunted – Mona
4. The Plimsouls – Magic Touch
5. The Prabes – 30 Minute Meal
6. The Oblivians – You Better Behave
7. The Micronite Filters - The Rise of the Machines
8. The Lost Satellites – You Turn Me On
9. The Vaccines – If You Wanna
10. Zona 84 – Dispara
11. The Stomach Mouths – Cry
12. Thee Midniters – Jump, Jive & Harmonize
13. The Hysterics – Everything’s there
14. Superhumanoids – Mikelah
15. Queens of the Stone Age – You’ve Got A Killer Scene There Man
16. The Boys – I Don’t Care
17. The Boys – First Time
18. The Boys – Brickfield Nights
19. New York Dolls – Pills
20. Ardels – Piece of Jewellery
21. Mike Jones Group – Funny Feeling
22. King Khan & The Shrines – Bite My Tongue
23. Young Rival – Authentic

24. The Black Lips – Notown Blues

To download this weeks program, visit CJAM's schedule page for Revolution Rock and download the file for January 17. Or subscribe to Revolution Rock as a Podcast.

Before They Make Me Run ... Rolling Stones Some Girls Reissue & Show # 386

In 1978 The Rolling Stones released the album Some Girls, an album that is often referred to as the album that saved the Stones. At the time it was being recorded, the future of the band was uncertain. Keith Richards was busted for Heroin possession and on trial for drug related charges in Canada, there was the possibility of him going to jail. In addition to this, Punk and Disco music had taken over the younger generations of music fans, the bands future was as mentioned earlier uncertain. With Ron Wood of The Faces officially becoming a Rolling Stone, in October of 1977 the band began sessions for what was to become the Some Girls album. The sessions were recorded at Pathe Marconi Studios in Paris and were completed in March of 1978. This period in the bands recording history was extremely prolific, the band ended up with approximately fifty new songs, which would be released on bootlegs for decades. Several of these extra songs were also used on the albums Emotional Rescue and Tattoo You, albeit in alerted states, most notably the Some Girls outtake “Start Me Up” which wound up on Tattoo You. Further tracks would be released on the 2011 deluxe edition of Some Girls, but more on that later.

Some Girls yielded many bonafide Rolling Stones classics which absorbed influences from the bands past and present. “Miss You” was influenced by Disco, but there is an underlying Punk influence through out this album, Jagger has said in interviews that the album was very influenced by New York at the time which was in a state of transition from Punk to Disco. The influence of New York Punk is apparent on the track “Shattered”, where Jagger rants in a Richard Hell vocal style. The album is sleazy and raunchy, it is known for having a stripped back production based approach. Albums prior to this one such as It’s Only Rock ‘n Roll and Black And Blue had rotating casts of guest musicians and high production values. Some Girls also featured more classic songs such as “Beast of Burden” possibly one of the best Stones ballads ever released, “Lies”, the Country Parody “Far Away Eyes” “Respectable” Keith Richards outlaw anthem “Before They Make Me Run” and “When The Whip Comes Down”. Some Girls certainly packed a much needed punch for the band, and one that could have very well had a different outcome. In addition to this Mick Jagger played guitar on many tracks on this album and the album also produced much controversy lyrically on tracks such as “When The Whip Comes Down’ and “Some Girls”.

Visually the band also brought in another controversial element, the artwork. The albums cover which featured women in lingerie originally featured famous celebrities Lucile Ball, Farrah Fawcett, Raquel Welch and some others, they threatened the band with legal action. As a result a new cover was made, although several copies made it out to print with the original design. With all the factors that surrounded it, Keith’s drug charges, Ron Wood entering into the Stones fold, and most importantly the uncertainty, it produced a classic album which proved that following Keith’s dropped charges, The Rolling Stones weren’t going anywhere anytime soon.

Now fast forward to 2011, The Rolling Stones release a deluxe edition of Some Girls containing a bonus disc of twelve previously unreleased tracks from the Some Girls sessions. The album is just as gritty and raunchy as Some Girls was in 1978, but it addresses more of a R&B, Country Western, Blues and Boogie influence. There are inflections of Country which is not unheard of in The Stones catalogue. The album features several songs which were added to in the same way that the band did for the Exile On Main St. bonus disc of outtakes, but it is very hard to tell. Additions were made to songs, most notably “No Spare Parts” a song featuring newly recorded vocals from Jagger which has currently climbed the Billboard Hot Singles charts.

The album is a great companion to the Some Girls album, and although some fans may argue that there weren’t early versions of songs found on Some Girls or even the B-Side “Everything's Turning To Gold”, this bonus disc has plenty to offer that will appeal to any Rolling Stones fan. The album starts off with the controversial and filthy Boogie Woogie of “Claudine”, a song which lyrically is about Claudine Longet’s shooting of her boyfriend Spider Sabich. Other highlights includes the filthy cool of “So Young”, the Soulfully Keith Richards sung “We Had It All” a song originally by Waylon Jennings, a cover of the Hank Williams song “You Win Again”, a raunchy rendition of “Tallahassee Lassie”, and the greasy “I Love You Too Much”. The album ends with a short piano piece “Petrol Blues”, often labelled as a throwaway track, but one that fits perfectly with this collection of songs. When looking back on this release the bonus disc really does make it worth while, the twelve previously unreleased tracks pack enough sleaze and swagger to knock you out.

This Week's Play List:

1. Sonic Avenues – Television Youth
2. The Dry Heaves – Factory Punishment
3. Action Makes – Bellhop
4. Steve Diggle – Life On The Telephone
5. The Quiet Americans – Be Alone
6. Surf City – Teachers
7. Kinetic Ideals – Together
8. Logikparty – Anti-Omerta
9. Lightning Love - Deadbeat
10. John Cale – Whaddya Mean By That?
11. James OL & The Villains – Late Night Drive (2011 Demo)
12. The Schomberg Fair – Black Train
13. Solvents – Is It Really So Strange?
14. The Skaliwags – Turn Him Down
15. Mutts – Done It Again
16. Radiohead– I Might Be Wrong (Live)
17. Radio Birdman – What Gives?
18. Nothing At All – Busted
19. The Spits – Get Our Kicks
20. The Modernettes – Won’t Have To Worry
21. The Carbonas – Phone Booth
22. The Rolling Stones – Do You Think I Really Care
23. The Rolling Stones – Tallahassee Lassie

To download this weeks program, visit CJAM's schedule page for Revolution Rock and download the file for January 10. Or subscribe to Revolution Rock as a Podcast.

Friday At The Hideout January 6, 2012

On Friday, I filled in for Friday At The Hideout from 8 to 10 PM on CJAM 99.1 FM. Here are some videos from bands featured on the program, the actual program can be downloaded below the play list, as usual.

Friday At The Hideout Fill In Play List:

1. The Damned – I Feel Alright (Live at The Paris Theatre, London 1977)

2. The Oblivians – Trouble

3. The Dirtbombs – What You’ve Got

4. Thee Oh Sees – Contraption/Soul Desert 

5. Those Rogues – Girl

6. Thee Deuces – Hung Up On You

7. Free-For-All – Show Me The Way

8. Witness Inc. – Not You Girl

9. The Visitors – Miss You Too Much 

10. Lost Patrol – Tell No Lies

11. Reigning Sound – Can’t Hold On

12. Golden Hands Before God – Blue

13. Ty Segall – Caesar

14. The Howlies – Whiskey Night 

15. Deer Tick – Walkin Out The Door

16. Indian Wars – Just Can’t Get Along With You
17. Tell All Your Friends - Another House Party

18. The Strangeloves - Night Time

19. The Knickerbockers – Lies

20. The Lyrics - So What!!

21. The Association – One Too Many Mornings 

22. The Bobby Fuller Four – Baby My Heart

23. The Cynics - Be True To Your School

24. Albert Hammond Jr. – Hard To Live In The City

25. The Androids – Roller Derby Queen

26. Rage – I’ve Got Your Number

27. Wire – Dot Dash
28. The Stranglers - Nuclear Device
29. The Clash - Protex Blue (Live Chorus TV, Paris 1980)

30. Mystics – Play Your Game
31. Public Image Limited - F.F.F

32. The D4 – Exit To The City 

Download the program/podcast here!

The Specials ... Raquel & Show # 385

In 1981, the UK Ska revival act The Specials had several songs featured in a movie entitled Dance Craze. At the time of the films release the label 2 Tone, which was owned by The Specials Jerry Dammers was in a declining state, the soundtrack to the film featured only 2 Tone artists, even charting at number five on the UK album charts. The soundtrack featured 15 of 27 tracks that were used in the film, one of the tracks not included on the soundtrack that is the main topic of discussion here is The Specials song “Raquel”. The song was released on a 1981 single release of The Specials song “Concrete Jungle”, the songs B-side was the then previously unreleased Specials song “Raquel”. Clocking in at about two minutes, the song is a fast paced Ska number, done in the vein of songs such as “Little Bitch” found on the 1979 debut album from The Specials. As a result of the Dance Craze soundtrack this exclusive seven inch single was released for promotional purposes and for years remained a hard to find single featuring this track “Raquel”, which was equally as hard to find. The song dates back to The Specials early days when they were known as The Coventry Automatics, it was also released on a cassette tape compilation album in 1981 with numerous other 70s Punk and New Wave hard to find nuggets titled NME C81, released by NME magazine in the UK. The track continued it’s hard to find status for about twenty years until a demo version of “Raquel” was released on The Coventry Automatics – Dawning of a New Era, which collects recordings from The Specials early days. In 1993, The Compact 2 Tone Story Box Set was released, which featured the song as it appeared on the 1981 B-side to “Concrete Jungle”, as well as all of the A and B-sides that the 2 Tone label released.

This Week's Play List:

1. Dan Sartain - I Don't Want To Go To The Party (Toerag Version)
2. Minutemen - Voodoo Slaves
3. Psycho Surgeons - Wild Weekend
4. Silent Movie Type - She Says
5. Johnny West - You Turn Me Off, I'm A Microwave
6. Pere Ubu - Misery Goats
7. Aztec Camera - We Could Send Letters
8. David Bowie - What In The World
9. Public Image Limited - Careering
10. The Stig – Who Are You
11. Huladog – R88
12. Jack Pine and The Fire - Lost In New Orleans
13. Sumner Brothers - Big Rock Candy Mountain
14. Le Butcherettes - I'm Getting Sick Of You
15. The Black Angels - Sunday Afternoon
16. The Ugly Ducklings - Hangman
17. The Specials - Raquel
18. The Love Me Nots - End of the Line
19. The Pointed Sticks - Splish Splash
20. The Libertines - I Get Along
21. Miesha & The Spanks - Night Danger Baby
22. The Jam – Going Underground
23. The Waldos - Golden Days

To download this weeks program, visit CJAM's schedule page for Revolution Rock and download the file for January 3. Or subscribe to Revolution Rock as a Podcast.

2011 Highlights & Show # 384

The following is a collection of reviews of eleven of my favourite albums of 2011, a top 11 of 2011 if you will. I’d like to note that while these releases are technically my top 11 albums, all of the songs featuring on today’s program I enjoyed and encourage you to check them out (info can be found in the play list below).

1. The Black Lips – Arabia Mountain

Arabia Mountain features sixteen tracks, all of which sound fresh and exciting while at the same time staying true to the bands ethics. Working with producer Mark Ronson has helped Black Lips and their songs to reach their maximum potential. Lyrically the album features many songs that reflect a narrative based nature, sounding mature while at the same time keeping true to the unique tenacious style. Amongst the sixteen tracks found here you will find elements of Surf, 60s Garage, 70s Punk, and Psychedelic music. After six albums this album serves as a new starting point for the group, while fans often choose 2005’s Let It Bloom and 2007’s Good Bad Not Evil as the bands best work, Arabia Mountain serves as a new contender. The band has never sounded better on record and as a result, this may be not only one of the bands strongest produced efforts, but also one of their best albums so far.

To read more of my thoughts on this album visit http://revrock.blogspot.com/2011/06/new-direction-black-lips-arabia.html

2. Indian Wars – Walk Around The Park

Indian Wars are a band that comes from Vancouver, BC. Walk Around The Park was released in April 2011 and has an interesting array of influences. While the band is often labelled as a Garage Rock band, drawing comparisons from bands such as The Black Lips and King Khan & BBQ Show, they also have underlying Country Rock influences. They have been said to also be influenced by The Band, George Jones and Dead Ghosts (another Vancouver Garage Punk band). The combination proves for a an interesting blend of Garage Rock and Country with tracks such as “Old Hotel”, “20,000 Cans”, “Bullfrog”, “Won’t Do A Thing”, their influences are diverse and at times hybridic. Lyrically and musically the album conjures up images that are reminiscent of songs once heard by artists such as Johnny Cash, Neil Young, and Crosby, Stills and Nash with a dash of Garage Rock and Punk mentality for good measure, this certainly is one interesting walk around the park.

3. The Mark Inside – Nothing To Admit

In 2010, Toronto's Mark Inside released their False Flag EP, and in November of this year they released Nothing To Admit, their second full length album. In 2008, the band went to the UK and began work on Nothing To Admit, over the course of six weeks. The album was produced by Jim Abbiss, an acclaimed UK producer who has worked with artists such as Arctic Monkeys and Kasabian. Signing to Jim Abbiss' own Metalbox Recordings label (and Sony Music Canada in Canada), the False Flag EP followed in October of 2010. Nothing To Admit came out on November 1st, 2011 and adds to the EP expanding it adding more depth than on False Flag.

The album features great Post-Punk themed tracks “There Is Nothing To Admit”, “Lime Green Monkeys” and “Questions”, while at the same time dipping into Garage Rock on tracks such as “House of Cards”. “The Bottom Line” is a track that is worth the price of admission of the album alone, the song which has charted on the Canadian Alternative Rock charts at # 31, is a slower soulful track that is lyrically a different kind of working mans anthem one that addresses issues surrounding big corporations. “Shots From A Broken Bottle” a single released from the album is another track that makes this album not only unique, but great. It is a song that simmers with elements of Blues and builds to a soulful roar. The album ends with the bands usual live set closer “The Sky Is Falling Down”, the song captures the bands live energy, which is never short of explosive and it clocks in at over seven minutes. Nothing To Admit features a variety of influences from Garage Rock, Post-Punk, Blues and Alternative, it is the sound of a great Canadian live band coming into their own.

4. Papermaps – Papermaps

In April 2011, Papermaps released their first full length album, simply titled Papermaps. Like a paper map, the Papermaps album charts into new musical territory using Central Meaner Street as a starting point, the band has currently ventured into Power Pop influenced territory. Papermaps features ten well crafted Pop songs mixed in with other elements that gives you something that keeps you on your toes.

The albums opener “Angela” sets a tone for the overall album building as it progresses, it features predominately guitar/bass and drums. Near the end there is a splash of synthesizer which gives the listener a tasty bite of what’s to come. The second song featured on the album is the piano driven sing-a-long “Reunion”, which has done very well on Independent campus radio based charts, the third song on the album is the guitar driven and energetic “Can’t Make A Living” which moves the listener along the albums ten track course. “Complicate Things” is a moody yet synthesized anthemic Dance Rock track, while “Exit” is one the heaviest tracks on the album. “Coddled” is a song that starts off like a solo John Lennon outtake, reminiscent of a lullaby before it picks up in to all its loud glory, “You Are My Gallows” ends the album with a call and response dynamacism. Papermaps blurs the lines of their musical territories for a sound that is all their own. A second full length album is due to be released in the fall of 2012.

I did an interview with Dean of Papermaps in November just before a show they played in Windsor, it can be heard here:



5. Sloan – The Double Cross

This May Sloan released their 10th full length album The Double Cross, which also marked their 20th anniversary as a band. The album features twelve new tracks building on their addictive Pop Power formula. The Double Cross starts off with "Follow The Leader" a song penned by bassist Chris Murphy, the drum and tambourine heavy Rock song has a seventies flavour. The song segue ways into "The Answer Was You" which is a Pop song written by Jay Fergusson, it sounds as if it would have fit perfectly on their 1996 release One Chord To Another. The album also features "She's Slowing Down Again" a song by drummer Andrew Scott, which sounds like it could have been from the 1998 album Navy Blues. According to Scott, the song has been around for a while. Other interesting tracks include "Unkind", a Patrick Pentland number, which is the first single for the album and "It's Plain To See", which is yet another high energy Pentalnd song. In addition to these, other tracks of note include "Shadow of Love" a song in a similar vein as “G Turns to D”, the acoustic Pop of "Green Gardens, Cold Montreal", "Beverly Terrace", and "I've Gotta Know". There is also the song "Traces", a song written by Andrew Scott that features bassist Chris Murphy on drums. The Double Cross which in Roman numerals is XX means twenty, has many songs that fans can identify with and love, but at the same time it also has a fresh sound and feel to it. Sloan has now been around for twenty years and with yet another album and tour underway, they show no sign of stopping anytime soon.

In May I Interviewed Sloan's Chris Murphy live on my program, it can be heard here:











6. Brazilian Money – This Is Not A Dream

This album kind of came out of nowhere this year. Brazilian Money are based out of Edmonton, Alberta and are essentially just one person Garrett Johnson. This Is Not A Dream is filled with catchy sometimes weird junkyard gems, displaying elements of Garage Rock and Lo-Fi music such as Pavement at times. Brazilian Money has garnered other comparisons to bands such as Brian Jonestown Massacre and The Dandy Warhols and are labelled as experimental when loading their music in itunes, but they are difficult to pin down. This album has great tracks such as "Give Up That Dog", "Then You'll Know", "Party Till I'm Dead", and the gritty "Nobody's Coming". An EP also followed this year titled Jive With The Killer Instinct that is six tracks long, it is essential if you liked This Is Not A Dream. Check them out for yourselves at http://brazilianmoney.bandcamp.com

7. The Strokes – Angles

Is This It? with songs from their second album Room On Fire. The song could be described as “Last Nite” meets “Reptilia”. It is a strong song found on the album, which shows off many different colours, sometimes leaning in the experimental electronic sounding direction. As a whole, Angles is heavily rooted in the 80s, the first track “Machu Picchu” is a song that was originally conceived by guitarist Nick Valensi and has a Reggae flavour in the verses with Rock sounding choruses, sounding fresh and retro at the same time. The first line “I’m putting your patience to the test” is a declaration of what is to come musically, the songs are at times familiar sounding, at other times different leaning either in an 80s influenced or electronic influenced direction.

Many critics hailed this album as a return to form when The Strokes released their first single from the album “Undercover of Darkness”. While the song is a return to form of sorts, it sounds as if it combines elements from the bands first album Critics have also been fast to attack the album, but it has many strong moments. “Two Kinds of Happiness”, another Valensi original sounds like an 80s song from Tom Petty & The Heartbreakers, exemplifying The Strokes slower, but catchy groove, while “Taken For A Fool” sounds like an outtake from The Strokes Room On Fire album, “Gratisfaction” is a guitar heavy track, sounding like classic Strokes, but at the same time sounding like a song that could have been on their last studio effort First Impressions of Earth, “Life Is Simple In The Moonlight” ends the album and ties up all the loose ends. It is an encompassing, catchy track with lingering synthesizers, dual guitar lines, and lyrics from Casablancas stating “Don’t try to stop us, get out of the way” that brings the album musically and lyrically full circle. The Strokes have returned with Angles an album of many eclectic shades and colours, but also one with elements that fans have come to identify and love. To read more of my thoughts on Angles visit http://revrock.blogspot.com/2011/03/strokes-angled-show-345.html

8. The Pack AD – Upersons


In September 2011, The Pack A.D released Unpersons. This album further displays the bands evolving sound and adds different elements into the mix. Unpersons elevates the Pack A.D’s sound making them sound bigger most likely due to Detroit producer Jim Diamond, who adds edge to the bands sound. On this album the band truly have evolved at a sound that is both different and as fascinating as their past. The albums title originates from the novel 1984, which is a form of “newspeak” meaning someone who has been stripped of rights, identity or humanity. While The Pack A.D have not been stripped of their musical identity, they do venture into new and different music territory and lyrically the songs reflect a dystopian view and plays into the titles meaning. Unpersons finds the band exploring the very elements of their sound, reconstructing themselves with their brand of raw Blues, Garage and Punk which has made them a Mint Records artist to watch.

9. The Horrors – Skying

On The Horrors 2009 full length released Primary Colours they took their Garage/Punk influenced sound into a Post Punk direction and on Skying they advance their sound into yet another direction. Combining elements of Post Punk stylings with elements of Shoe Gaze, this album shows the band coming into their own. Recorded at their own studio in the UK, songs such as “Still Life” which has drawn comparisons to Simple Minds, “I Can See Through You” features over driven guitars, and “Monica Gems” to name a few that add to this albums aura. Skying shows The Horrors building on the atmospheric and Jesus and The Mary Chain influenced sounds that first appeared on 2009’s Primary Colours while at the same time re-focusing themselves musically into a clearer stronger image.

10. Deer Tick – Divine Providence

The fourth full length release from Rhode Islands Deer Tick bites down hard and adheres to their rowdy, beer drinking image. This album shows a band embracing their roots and having a good time doing it. While there are still elements of Country and Folk which the band are known for having, the band is also much heavier, in a good way. The albums feel and themes are set forth by the lyrics to the first track on Divine Providence “The Bump”, in which singer John McCauley says “we’re full grown men, but we act like kids”. The strongest track on Divine Providence has to be the song “Main Street” in which the band flexes their Rolling Stones influences musically and lyrically.




11. Thee Oh Sees – Carrion Crawler/The Dream EP

This album snuck in just before the end of the year. Thee Oh Sees already released an album in 2011 titled Castlemania, which was also great, but Carrion Crawler/The Dream is a tighter more cohesive sounding release. Thee Oh Sees have been releasing music for years and are known for being quite prolific, two albums in one year even without prior knowledge of the band hints at that. The band started as a vehicle for John Dwyer, who is the driving force behind this band, they were started by Dwyer in order to release instrumental and experimental home based recordings, but it evolved into something else in the process. Dwyer himself has been part of numerous bands (Coachwhips, Pink and Brown, Burmese, The Hospitals to name a few), and this version of Thee Oh Sees on Carrion Crawler/The Dream is perhaps Thee Oh Sees at their best.

As for the rest of my picks, check out my play list below it can also be downloaded as it is a radio show. There are a few other albums that deserve a mention and although they didn't make my list they would have if time permitted. The other albums I’d like to mention are John Doe - Keeper and Tom Waits – Bad As Me.

2011 Play List:

1. The Black Keys – Gold On The Ceiling (El Camino, Nonesuch 2011)
2. Beastie Boys - Lee Majors Come Again (Hot Sauce Committee Part Two, Capitol 2011)
3. Johnny West – Purgatory Waltz (Medium-Fi Music For Mentally Unstable Young Lovers, Tosteestostas Music 2011)
4. Ty Segall - Booksmarts (Singles 2007-2010, Goner Records 2011)
5. Chang-A-Lang – Monday Again (No Clean Rock and Roll, Self Released 2011)
6. Wire – Clay (Red Barked Tree, Pink Flag 2011)
7. The Rapture – Miss You (In The Grace Of Your Love, Red General Catalog 2011)
8. Reigning Sound – Lyin’ Girl (Abdication...For Your Love, Scion AV 2011)
9. Ry Cooder – Lord Tell Me Why (Pull Up Some Dust And Sit Down, Nonesuch 2011)
10. Dum Dum Girls – Just A Creep (Only In Dreams, Sub Pop 2011)
11. Luger Boa – Lazy (New Hot Nights, Stuka Records 2011)
12. The Polymorphines – Anna Lee (The Slip EP, Self Released 2011)
13. Thee Oh Sees – Chem-Farmer (Carrion Crawler/The Dream, In The Red 2011)
14. Deer Tick – The Bump (Divine Providence, Partisan Records 2011)
15. The Horrors – Wild Eyed (Skying, XL Recordings Ltd. 2011)
16. The Pack A.D. – Sirens (Unpersons, Mint 2011)
17. The Strokes – Gratisfaction (Angles, RCA Records 2011)
18. Brazilian Money – Then You’ll Know (This Is Not A Dream, Self Released 2011)
19. Sloan – Shadow of Love (The Double Cross, Yep Roc Records 2011)
20. Papermaps – Complicate Things (Papermaps, EMI Music Canada 2011)
21. The Mark Inside – House of Cards (Nothing To Admit, Metal Box Recordings/Sony Music Canada 2011)
22. Indian Wars – Bullfrog (Walk Around The Park, Bachelor Records 2011)
23. The Black Lips – Modern Art (Arabia Mountain, Vice Records 2011)
24. The Black Lips - Raw Meat (Arabia Mountain, Vice Records 2011)

To download this weeks program, visit CJAM's schedule page for Revolution Rock and download the file for December 27. Or subscribe to Revolution Rock as a Podcast.

Joe Strummer Day 2011

As part of CJAM FM's second annual Joe Strummer Day marathon, where we confront issues related to poverty in the Windsor/Detroit area and surround it with the music of Joe Strummer as a back drop, I contributed two programs this year. Both of them were very different and both of them were two hours each. 

Joe Strummer Day Part One:  Rarities Show

The first program aired at 1 AM - 3 AM on CJAM following this years Joe Strummer Day kick off program by programmer Vern Smith of CJAM's Jazz Hacienda. This program was two hours of rare and for the most part harder to find material from the music of Joe Strummer, and the related groups he has been associated with. The program featured live recordings, demos, and songs from a variety of soundtracks from The Clash, The Mescaleros, Latino Rockabilly War, The 101ers and Joe Strummer solo.
 

Rarities Show - Joe Strummer Day Play List One:

1. Joe Strummer & The Mescaleros – Johnny Appleseed (Live Acton Town Hall 2002)
2. Joe Strummer – Slant Six (Earthquake Weather 1989)
3. Joe Strummer – King of the Bayou (Earthquake Weather 1989)
4. Joe Strummer – Punk Rock Blues (Gangsterville EP 1989)
5. The Clash – You Can’t Judge A Book By Looking at the Cover (London Calling Rehearsal Demo)
6. The Clash – Louie Louie (Sandinista! Outtake)
7. The Clash – Jimmy Jazz (From Here To Eternity II)
8. The Clash – London’s Burning (1976 Mickey Foote Demos)
9. The Clash – Career Opportunities (1976 Mickey Foote Demos)
10. The Clash – Janie Jones (1976 Polydor Demo)
11. The Clash – Deadly Serious (Live 1976)
12. Latino Rockabilly War - Theme From Permanent Record (Permanent Record Original Soundtrack 1988)
13. Joe Strummer – Mystery At Ambush Rock (Straight To Hell Original Soundtrack 1987)
14. Latino Rockabilly War – Trash City (Permanent Record Original Soundtrack 1988)
15. Joe Strummer & The Pogues – London Calling Live (The Pogues Boxset 2008)
16. Joe Strummer & The Mescaleros– Time and Tide (Yalla Yalla EP 1999)
17. Joe Strummer – Phantom County Fair (When Pigs Fly Soundtrack 1993)
18. The Clash – In The Pouring Rain (Live) (The Future Is Unwritten Soundtrack 2007)
19. The Clash – Know Your Rights (Alt Version) (Rat Patrol From Fort Bragg)
20. The Clash – Good Times Roll (Rude Boy: The Directors Cut 1980)
21. The Clash – House of the Ju Ju Queen (Demo)
22. The Clash – Safe European Home (Give'Em Enough Rope Outtake Version)
23. Joe Strummer & The Mescaleros – London Is Burning (Burning Streets) (Alternate Version)
24. Joe Strummer & The Mescaleros – Blitzkreig Bop (Live) (Coma Girl Single 2003)
25. Joe Strummer & Long Beach Dub Allstars – The Harder They Come (Free The West Memphis 3 2000)
26. The Clash – Long Time Jerk (7 Inch Version) (Rock The Casbah Single 1982)
27. 101ers – Sweety of the St. Moritz (Elgin Avenue Breakdown Revisited 2005)
28. The Clash -  Where You Gonna Go (Soweto) (Vanilla Tapes Demo) (London Calling: 25^th Anniversary Legacy Edition 2004)
29. The Clash – The Man In Me (Vanilla Tapes Demo) (London Calling: 25^th Anniversary Legacy Edition 2004)
30. Joe Strummer & The Mescaleros – (Whiteman) In Hammersmith Palais (Live at The 100 Club – July 2000)

Download this program

Joe Strummer Day Part Two:  Sandinista Now!

The second program that I did focused on the album Sandinista! Airing from 1 PM – 3 PM, the show featured discussions on the album, its mystery and why some people like it and some people dislike it. Joining me on the program was Vern Smith (of Jazz Hacienda), Martin Deck (Wake The Town), and Mike Konstantino a local musician and Clash fan.  A lot was discussed on air, download the program below to hear it all, but first a quick blurb about Sandinista!

Sandinista! is an often misunderstood piece of music in The Clash catalogue. Originally released as a triple LP in 1980, the album is known for featuring a variety of genres and styles and having a lot of material ranging from Reggae Dub and Rockabilly, to Jazz, Folk and Gospel. Clocking in at about two and a half hours, the album followed the bands third full length LP London Calling, which was a double album. When it was initially released the album was sold for the price of a single LP, despite having six sides of music on it. As part of a deal with CBS, the band forfeited a large number of royalties (rumoured to be the first 200,000 copies) in order to have the album released as a triple.

Many Clash fans argue that if it were a single or double album, it would have been a stronger release, but the way it is now is seen by some as a flawed masterpiece. When Sandinista! was released in 1980, it should also be noted that a more streamlined version of the album was sent out to radio stations and the press for promotional purposes, it was titled Sandinista Now!  The track listing of this release was “Police On My Back”, “Somebody Got Murdered”, “The Call Up”, “Washington Bullets”, “Ivan Meets G.I. Joe” and “Hitsville UK” on one side followed by “Up In Heaven (Not Only Here)”, “The Magnificent Seven”, “The Leader”, “Junco Partner”, “One More Time” and “The Sound of the Sinners” .  This only adds further debate to the single/double album Sandinista! discussion, but listen for yourself to decide, Sandinista! love it or hate it is a musical statement from a band that was referred to as the only band that matters and one that people can still return to and discover something new.

Sandinista Now! - Joe Strummer Day Play List Two:

1. The Clash – The Magnificent Dance (Super Black Market Clash 2000)
2. The Clash – The Leader (Sandinista! 1980)
3. The Clash -  Somebody Got Murdered (Sandinista! 1980)
4. The Clash -  The Sound of the Sinners (Sandinista! 1980)
5. The Clash -  Police On My Back (Sandinista! 1980)
6. The Clash -  The Equalizer (Sandinista! 1980)
7. The Clash -  The Call Up (Sandinista! 1980)
8. The Clash -  Washington Bullets (Sandinista! 1980)
9. The Clash -  Broadway (Sandinista! 1980)
10. The Clash -  Rebel Waltz (Sandinista! 1980)
11. The Clash -  Lose The Skin (Sandinista! 1980)
12. The Clash -  Charlie Don’t Surf (Sandinista! 1980)
13. The Clash -  One More Time (Sandinista! 1980)
14. The Clash – The Street Parade (Sandinista! 1980)
15. The Clash -  Silicon On Sapphire (Sandinista! 1980)
16. The Clash -  Hitsville UK (Sandinista! 1980)

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A Fairytale of New York ... 2011 Holiday Special & Show # 383

In August of 1987, The Pogues released what is often called one of the best Christmas songs of all time, “Fairytale of New York”. While the band was recording their album If I Should Fall From The Grace of God with producer Steve Lillywhite, he asked his wife Kristy MacColl to sing vocals on a demo version of the song “Fairytale of New York”. The Pogues were so impressed with her contribution to the song that they asked her to sing on what was to become the studio version of “Fairytale of New York”. Initially when writing the song, Pogues singer Shane MacGowan planned it to be a duet between himself and bassist Cait O’Riordan, but she left the group in 1986. The title of the song came after its recording, it was named after the novel A Fairy Tale of New York by J.P. Donleavy.

The songs subject matter is not your usual Christmas story, it tells the tale of a drunken Irish Immigrants past Christmas Eve’s and holidays while being locked up in the drunk tank in New York City on Christmas Eve. The song itself musically takes the form of a folk styled ballad and contrasts the vocals of Shane MacGowan with the melodious style of Kristy MacColl in a bittersweet way. When it was originally released the song became a hit on the Irish charts going to number one and after a performance on the BBC show Top of the Pops, it went to number two on the UK top 75 charts. The song was denied the number one spot in the UK by The Pet Shop Boys in 1987, but was re-released in 1991 where it charted again in the UK and Ireland. In 2005, the song was released again the UK and Ireland reaching number three in the UK and the song has re-entered the top ten in the UK every December since 2005. The song has now gone onto classic Christmas song status being covered numerous times. A music video for the song was also made featuring actor Matt Dillon as a NYPD Police Officer.



This Week's Holiday Play List:

1. REM – Christmas In Tunisia
2. Hooded Fang – Tundura Nights 
3. She & Him – Christmas Wish
4. Johnny West - Merry Christmas, Tinseltown 
5. The Pogues & Kristy MacColl – Fairytale of New York
6. Chris Houston – Baby Jesus Looks Like Elvis
7. Deer Tick – Christmas All Summer Long
8. Belle and Sebastian – Santa Claus Goes Straight To The Ghetto
9. The Humpers – Run Run Rudolph
10. The Reind Dears – White Xmas
11. The Dickies – Silent Night
12. Johnny Cash - It's Not Cool To Kill On Christmas
13. Fine Times - Subterranean Christmas Blues
14. The Features – Christmas Wishbook
15. The Pointed Sticks – Power Pop Santa
16. The Nefidovs – Feliz Nefidov
17. Captain Sensible – One Christmas Catalogue
18.  The Wailers – The Christmas Spirit
19. The Sonics – The Village Idiot
20. Jack Scott – There's Trouble Brewin’
21. The Fall – (We Wish You A) Protein Christmas
22. White Stripes - Candy Cane Children
23. The D4 – Don’t Believe In Xmas 
24. Wild Billy Childish & The Musicians of the British Empire – Pete Townshends Christmas 

To download this weeks program, visit CJAM's schedule page for Revolution Rock and download the file for December 20. Or subscribe to Revolution Rock as a Podcast.

Rolling Stones...Got LIVE If You Want It! & Show # 382

Released in 1966, Got LIVE If You Want It! is the first full length live album release by The Rolling Stones.  Its title is a play on words, the title originates from the Slim Harpo song "I Got Love If You Want It".  The album has undergone much controversy due to its sound quality and whether or not the album is all live recordings.  It has been released in various editions, some even featuring different mixes which can confuse even the most devout Rolling Stones fan. The album originally was released under the same title as an EP in the UK in 1965, becoming the last official EP from the band and one of the first live recordings of the band to be released, it was also only available in the UK. As part of a contractual obligation Got LIVE If You Want It! was released as an LP in the US for the bands US distributor. The band had already released a full length LP (Aftermath), and a compilation album in the very same year, the US market needed another Stones release to fill in the gaps due to the fact that their next full length album Between The Buttons would not be available in time for the Christmas season of that year. The US market for Rolling Stones products was in very high demand, so Got LIVE If You Want It! was released in December of 1966 on London Records.  With the exception of the song "I'm Alright", the Got LIVE If You Want It! LP featured a different track listing than the EP of the same name. 

The album claimed to have been recorded at Royal Albert Hall in the UK upon the bands return to the English stage on September 23rd, 1966, but it was not. The album was actually primarily recorded between October 1st and 7th of 1966 in New Castle and Bristol. Since most of the concerts in those days lasted sometimes barely thirty minutes and were often riotous, it has been suggested that although the recordings were attempted at Royal Albert Hall, they were unusable due to all of the chaos, and that is something that this album seems to capture very well, the riotous, energetic chaos of Rolling Stones concerts n the 60s. The album was also filled up with overdubs and studio recordings that were made to sound like live recordings. “I’ve Been Loving You Too Long” was actually a studio outtake recorded in 1965 and featured overdubs of organ and screaming girls in order to match the rest of the live album sound.  The other studio recording found on this release was the song “Fortune Teller” a song which dates back to a studio recording in 1963 that was never issued, it of course featuring screaming girls and crowd noise overdubs. It should be noted that the original unedited versions of these two tracks can be found on the More Hot Rocks (Big Hits & Fazed Cookies) compilation album. 

The sound of the original LP has often been scrutinized as being, muddled, off kilter and un-listenable, but despite this the album went to number six on the US Pop album charts in 1967, even going gold. The album was released for import purposes in the UK as Have You Seen Your Mother LIVE! by Decca Records, and as Hits LIVE! in Japan. In the 80s ABKO Records went back to the original tapes and re-edited and mixed Got LIVE for CD in consultation with the producer Andrew Long Oklham. In 2002, the album was re-mixed and re-mastered for CD and SACD, and proves to be one of the best sounding versions of the album. When comparing and contrasting the original Got LIVE If You Want It! LP from 1966 to the 1965 Got LIVE If You Want It! EP, there is a notable difference in sound quality, the EP is often praised for its superior sound.  The original 1965 UK EP of Got LIVE, features a different mix of the song "I'm Alright" the vocals on the EP differ from the LP version of Got LIVE, while the backing track remains the same. The additional tracks found on the 1965 EP were issued on the US albums Out Of Our Heads, and December's Childern (And Everybody's) ("I'm Alright", "Route 66", and "I'm Moving On"). The UK EP remained out of print for a long time until it was released in 2004 as part of the ABKO Singles 1963-1965 Box Set on CD.

The Rolling Stones themselves have been very vocal on the matter of this album, they were not happy with the original release and disowned it, stating that their 1970 live album Get Yer Ya-Ya’s Out is the ultimate live Rolling Stones album and their true live debut album. Its hard to disagree with that statement, if you listen to Get Yer Ya-Ya’s Out and Got LIVE If You Want It! back to back, but both serve as important historical documents in different eras of the bands history. While Got LIVE If You Want It! was initially labeled as a let down, it has aged well, serving as a historical documentation of Brian Jones era Rolling Stones. From the fast version of "Under My Thumb” to the whirlwind speed of “Satisfaction” Got LIVE If You Want It! displays The Rolling Stones in all their 60s Garage Rock ragged glory.

This week's play list:

1. Lost Patrol – Commanche
2. The Treblemakers – The Grudge
3. Fuzz Aldrin – Trailer Park Quarintine
4. The Cryptics – You’re Evil
5. Thee Oh Sees – Crushed Grass 
6. Ty Segall – Standing at the Station 
7. The Mekons – Where Were You? 
8. Black Flag – Wasted 
9. The Boomtown Rats – She’s So Modern
10. Indoor Voices – Like Your Own 
12. Wild Domestic – Universally Known/Already Forgotten 
13. Talking Heads – Air
14. Richard Hell & The Voidoids – Ignore That Door (Destiny Street Repaired Version) 
15. The Pogues - Cotton Fields
16. Gone Wrong – Our Last Storm (War of 1812)
17. Johnny West – Revenge Is Sweet
18. The Police – Fallout
19. Supergrass – Sun Hits The Sky
20. Klark Kent – Office Girls
21. Shannon & The Clams – Cult Song
22. The Sphinxs - Bad Head
23. The Standells - Dirty Water
24. The Rolling Stones – The Last Time (Live)
25. The Rolling Stones - 19th Nervous Breakdown (Live)

To download this weeks program, visit CJAM's schedule page for Revolution Rock and download the file for December 13. Or subscribe to Revolution Rock as a Podcast.

Carbon/Silicon The Die-Hard Demos & Show # 381

Recently a pair of demos appeared under the name Carbon/Silicon via their website. For those of you don’t know Carbon/Silicon is the current project between Mick Jones of The Clash and Tony James of Generation X that formed in 2002. The two also have a history playing as far back as 1975 in the now infamous London SS group.  Carbon/Silicon are a prolific group that have released numerous recordings online for free, their two most recent full length releases are The Last Post (2007) and The Carbon Bubble in 2009. Now back to the demos, in 1994 Mick Jones and Tony James worked on some demos recording them in his garage on a mono cassette recorder with a drum machine. Inspired by the movie Die Hard, James imagined a song if Jack Nicholson were to be the lead vocalist, the result is the song “Rock and Roll with Jack”, a song that James says was never completely finalized. The other track made available is the song “Expensive Habits”, a song that lyrically adheres to the DIY Punk ethos of the 70s. Upon discovering some cassette tapes in his garage, James converted these two tracks for us “die-hard” fans and named them after the inspiration he got from the villains who looked like a band in the film Die-Hard.

James goes into more elaborate detail to the events surrounding the creation of these songs, in the article titled The Die-Hard Demos.

The songs can be heard here:


They have also made available eight tracks featuring songs from four of their studio albums A.T.O.M., Western Front, The Crackup Suite and The Carbon Bubble.



All these tracks are free, for more info on Carbon/Silicon visit http://www.carbonsilicon.com./

This week's play list:

1. The Fun Things - (I Ain't Got) Time Enough For Love
2. Dale D'amore - Get Me Home
3. Teenage Head - Disgusteen (Alternate Version)
4. Sonic Youth - I Know There's An Answer
5. Billy Childish & Thee Headcoats - 409
6. Pterodactyl - Searchers
7. Bad Weather California - You're My Friend
8. The Dead Milkmen - Here Comes Mr. X
9. A Place To Bury Strangers - In Your Heart
10. The Who - Whiskey Man
11. Locusts Have No King - Trench Song
12. Field Assembly - Don't Go Running
13. The Sadies - Rat Creek
14. Carbon/Silicon - Rock and Roll with Jack (1994 James/Jones Die Hard Demo)
15. Mystics - Metamorphasis
16. Mystics - Sunburn
17. The Polymorphines - I Gotta Vibration
18. The Mark Inside - The Bottom Line
19. Tandoori Knights - Bucketful
20. The Fleshtones - Cold, Cold Shoes
21. The Waves - Going Down To Liverpool
22. Joe Strummer & The Mescaleros - Get Down Moses
23. Joe Strummer & The Mescaleros - Long Shadow
24. True Lovers - Love and Affection

To download this weeks program, visit CJAM's schedule page for Revolution Rock and download the file for December 6. Or subscribe to Revolution Rock as a Podcast.