Cherry Kicks...The Caesars Story and Show # 214

Coming out of Sweden, The Caesars originally formed in 1995. The band also went by several names, at first they were known as Caesar's Palace, they were also known as Twelve Caesars in some countries. The band currently goes by the name The Caesars. The band was originally made up of Cesar Vidal (vocals), David Lindquist (bass), Joakim Ahuland (guitar), and Jens Örjenheim on drums(he would be replaced by drummer Nino Keller in 2000). The band was influenced by bands such as The Rolling Stones, The Sonics, Billy Childish, and the 13th Floor Elevators; It should also be noted that the bands sound is also heavily laced with experimentation's of Farfisa organ. Their first release was and EP titled Shake It, which was a collection of early demos. After releasing a few singles, the band released their first album Youth is Wasted on the Young in 1998; In the US it was released under the band name Twelve Caesars.

Their next release came in 2000, it was titled Cherry Kicks; This time they went by the name Caesar's Palace. The album Cherry Kicks would also feature a song titled "Punkrocker", which would also be recorded by guitarist Ahuland's other band Teddybears. The bands 2002 release Love For the Streets was an album that did them well in Sweden. The album went gold in Sweden and also won them a Swedish Grammy award. The album would also contain a song that would be a huge hit for them, "Jerk it Out". It is a organ filled pop song. A compilation album was then compiled for the US and UK markets in 2003, it was titled 39 Minutes of Bliss (In An Otherwise Meaningless World); Released as The Caesars. The band then toured Japan, Europe and the US in 2003, they also began work on a new album.


In 2004/2005 the song "Jerk It Out" would be featured in an Apple ipod TV commercial. This would bring the band recognition, the song would enter them in the charts, and would be featured in a remixed form on their next album Paper Tigers; "Jerk It Out" was also featured in many US video games. Paper Tigers did well in Sweden, and was released in 2005. The album also featured other interesting songs such as "May the Rain", "Soul Chaser", and "It's Not the Fall that Hurts". In 2008, the band released Strawberry Weed. The album is actually a double album, but when it was released in the US, it only featured twelve songs. The Caesars are a Swedish band who mix elements of 60's garage rock, pop, and organ creating a unique rock sound.

Next week my show will air Tuesday at 10:30 AM - 12:00 PM. My show will now be on Tuesday mornings on CJAM 91.5 FM.

Play List:

1. Ride Theory - Alright
2. The Dirtbombs - Shake!!Shiveree
3. The Buzzards - You Got Me Down
4. David Bowie - Waitin' For the Man (Live Santa Monica 1972)
5. The Pogues - Dirty Ol Town
6. The Dials - All I Hear
7. Dry Heaves - I Can't Puke
8. Rock and Roll Bitches - Broad Daylight
9. Buzzcocks - I Don't Mind
10. Mach Kung Fu - Teach A Chick To Dance
11. Shadowy Men on a Shadowy Planet - Bennet Cerf
12. Atomic 7 - Phantom 101
13. Brian Wilson - Morning Beat
14. Raptors - Running Away
15. Crosstown Rivals - Bright Idea
16. Call the City - Don't You Wish
17. Bloc Party - One Mouth Off
18. The New Odds - Cloud Full of Rocks
19. Caesars - Turn it Off
20. Bruce Springsteen - Roulette
21. 14th Wray - Your Face in my Mind
22. Rolling Stones - Walkin' the Dog
23. 101'ers - Keep Taking the Tablets (Live)
24. Guided By Voices - Postal Blowfish
25. Buzzcocks - Ever Fallen in Love
26. Blur - Movin' On

Videos:

Jerk it Out
It's Not the Fall that Hurts
We Got To Leave
Paper Tigers
(I'm Gonna) Kick You Out
No Tomorrow
Boo Boo Goo Goo

They're Gonna Get You... The Count Five Story and Show # 213

Coming out of San Jose, California, The Count Five went through several line up and name changes before settling on the name The Count Five. Previously known as The Renegades and The Squires, The Count Five were born when their previous drummer Skip Cordell and their organist Phil Evans quit The Squires. Drummer Craig "Butch" Atkinson joined future band members John "Sean" Byrne (vocals/rhythm guitar), John "Mouse" Michalski (lead guitar), Roy Chaney (bass), and Kenn Ellner (harmonica/vocals) in 1964. The band around this time would begin working on a song that would later be known as "Psychotic Reaction" during their live shows. They also were known for performing live with Count Dracula styled capes. The band went to various record labels and were turned down. After reworking the song Byrne brought to the group "Psychotic Reaction", the band got a record deal with an LA label, Double Shot Records.

Their full length album Psychotic Reaction was released in 1966. The album contained elements of bands such as The Yardbirds, Bo Diddley, and The Standells; They were known as a garage rock band and would not last very long. The single "Psychotic Reaction" is their best known song, it reached # 5 on the US single charts when originally released. While their album featured several garage rockin' originals such as "Double Decker Bus", "Pretty Big Mouth", and "They're Gonna Get You", it would not live up to the success of their hit single "Psychotic Reaction". The album would also feature two Who cover songs ("My Generation", and "Out in the Street") they were one of the first US bands to cover The Who. The band continued for a short while finally breaking up in 1969. The members of the group went back to College to get their degrees.

In 1972, Lenny Kaye released a compilation of 60's garage rock/psychedelic songs titled Nuggets. The compilation album would feature The Count Five's hit "Psychotic Reaction" re-introducing them to a new audience. The Nuggets compilation was re-released as and extended four CD set in 2004. The band reunited 1987, this was released as Psychotic Reaction Live. The band has since had numerous compilations released. Since they have spilt the band has been cited as an influence on the genre of punk that was to come in the late 70's. In the 90's bassist Roy Chaney formed a group called The Count (with former Count Five band member John Byrne) and released a CD titled Can't Sleep in 2002. In 1999, the Count Five drummer Craig Atkinson passed away. The Count Five will forever be known for their wonderfully executed garage rock hit single, "Psychotic Reaction".

On another note, my show Revolution Rock will be moving time slots from Wednesday night to Tuesday mornings. On September 23rd, 2008 my show will air at 10:30 AM - 12:00 PM. My last show at it's current time slot (9PM) will air next Wednesday September 17th.

Songs Played This Week:

1. The Standells - Dirty Water
2. The Express - Wastin' My Time
3. The Wailers - Out of Our Tree
4. The Munks - Long Time Waiting
5. The Haunted - Eight O'Clock This Morning
6. The Secrets - Cryin' Over Her
7. Painted Ship - And She Said yes
8. The Litter - Action Woman
9. The Brogues - I Ain't No Miracle Worker
10. The Seeds - Can't Seem To Make You Mine
11. The Kinks - You Can't Win
12. Young Rival - Your Island
13. The Sonics - Psycho
14. Ugly Ducklings - Just in Case You Wonder
15. Gruesomes - Leave My Kitten Alone
16. The Collectors - Eight Hour Day
17. Count Five - They're Gonna Get You
18. Count Five - Teeny Bopper, Teeny Bopper
19. Mojomatics - Miss Me When I'm Gone
20. The Weirdies - Let's Get Hot
21. Compulsive Gamblers - Way I Feel About You
22. Lou Reed - Nowhere At All
23. The Smugglers - That is Rock N' Roll
24. The Outsiders - Time Won't Let Me
25. Hentchmen - Yesterday's Trash
26. Young Rival - Too Hip
27. White Stripes - Black Math
28. The Strokes - When it Started
29. Rolling Stones - Have You Seen Your Mother, Baby, Standing in the Shadows? (Live 1966)

Videos:

Psychotic Reaction
Peace of Mind

In A Rut...The Ruts Story and Show # 212

Forming in early 1978, in West London The Ruts consisted of School friends. Paul Fox played guitar, Malcolm Owen did the vocals, John Jennings played bass, and Dave Ruffy played the drums. The bands sound was punk, reggae and dub influenced. The band also took on various political causes due to the nature of the times. They were known for playing for many anti-racist causes, this would be reflected in the bands lyrics. The Ruts first single was titled "In A Rut" and it was originally released in May of 1978. The B-side was an anti-drug song about Heroin, it was titled "H-Eyes". The single did not do very well, but was played frequently by BBC DJ, John Peel. The Ruts signed to Virgin Records in the Spring of 1979.

The single "Babylon's Burning" was recorded next. Released in 1979, the song was about the descent of Western civilization. It was also influenced by all the riots that were occurring in England around that time as well. The song reached number seven on the UK singles charts; The B-side was a song titled "Society". The bands next single "Something That I Said", would be released after they toured supporting The Damned. The song cracked the top 30 in the UK and the bands first full length album, The Crack would be released in October of 1979. The album was a mix of punk, reggae, dub, and had elements of Hardcore and Hard Rock. Another song featured on the album was the reggae/dub influenced track "Jah War". The song failed to chart, but was one addressing the issues of riots that occurred in Southall London. Due to it's controversial subject matter, the song was banned from the radio in Britain. Other interesting songs on The Crack were the anti-drug song "Dope For Guns" and "S.U.S", a song about the Vagrancy Act used by London Police.

Following a headlining tour, the band entered the UK charts again with the song "Staring At the Rude Boys". The band then began work for their second album and were preparing for another tour in the UK. Around this time lead singer Malcolm Owen, who had a long time Heroin addiction began using the drug more and more. He also was going through problems with his marriage. After the band completed the song "West One", they fired Malcolm. This seemed to help Owen clean up and get his act together, but in July of 1980 Malcolm died of a drug overdose. The song "West One" entered the Uk charts at #43 and in October of 1980, the band released Grin & Bear It. The album was a collection of the songs The Ruts had been working on before firing Owen and B-sides/Outtakes. In 1986, the bands BBC sessions were released titled The Peel Sessions. The remainder of The Ruts continued as Ruts DC, but would stop playing around 1983. In 1995, a compilation of the band was released titled Something I Said, and in 2001 EMI released a compilation of the band titled Bustin’ Out: The Essential Ruts Collection. The Ruts were a band from the UK known for their anti-racist and strong politcal stances. The band lasted for a very short while, but left behind interesting musical and political messages.

The Playlist:

1. The Banned - Little Girl
2. Red Squares - Ottawa Today
3. Active Dog - Rat Race
4. The Action - Downtown Boys
5. The Poles - CN Tower
6. Igenerants - Radio Interference
7. Pulp - Mis-Shapes
8. Stiff Little Fingers - Suspect Device
9. The Vibrators - Baby Baby
10. The Ruts - Babylon's Burning
11. Generation X - Kleenex
12. Johnny Thunders - Dead or Alive
13. The Ryvals - Time of Restraint
14. Infamous Scientists - American Bandstand
15. Stolen Minks - Reflexes
16. The Saints - No, Your Product
17. The Damned - Politics
18. Ramones - Surfin' Bird
19. Sloan - Emergency 911
20. Buzzcocks - Mad Mad Judy (BBC Session)
21. The Clash - Janie Jones (Live Boston 1982)
22. Nothing At All - Grand Central Station
23. Babyshambles - Delivery
24. Libertines - Up the Bracket
25. The D4 - Joe 90
26. The D4 - Get Loose

Rutty Videos:

In A Rut
Babylon's Burning (1979)
Something I Said (Music Video)
Jah War & Babylon's Burning (Live French TV 1980)
Staring At The Rude Boys (Top of the Pops)

Superfuzzy Mudhoney...The Mudhoney Story and Show # 211

 

Forming in Seattle, Washington in 1988, Mudhoney were essentially born out of the ashes of Green River. Green River was a band that contained future members of the Seattle band Pearl Jam (Jeff Ament and Stone Gossard) and Mudhoney (Mark Arm and Steve Turner). Due to different members in the band wanting to go in different directions Green River split after they completed two EP's and one full length album. Mark Arm wanted to take the band in more of a punk rock direction, while Gossard/Ament wanted the band to go in more of a hard rock direction. In 1988, Arm and Turner began playing with drummer Dan Peters. After adding Melvins bassist Matt Lukin to the line up, Mudhoney were born.

Taking their name from a Russ Myers movie, Mudhoney recorded a single for Sub-Pop titled "Sweet Young Thing Ain't Sweet No More". The single and it's B-side "Touch Me I'm Sick" were released on a limited edition 7" vinyl on August 1st, 1988. Even though fans favoured "Touch Me I'm Sick" over the A-side "Sweet Young Thing Ain't Sweet No More", The single defined Mudhoney's sound. It was distorted fuzz box fueled guitar played sloppily, with elements of metal, garage rock and the attitude of punk. The lyrics were sarcastic and at times humorous. The single would lead to a devout following of the band in the UK. For the recently starting independent label Sub-Pop Mudhoney propelled them from unknowns to a label with bands from a upcoming music scene that would eventually be labelled as "Grunge". In October of 1988, Mudhoney released Superfuzz Bigmuff EP. Named after Arm and Turners favouite distortion pedals for guitar (The Superfuzz and The Big Muff), the EP contained eight tracks and sold poorly. In the UK it did well remaining on the charts for quite sometime. It would lead them to a headlining UK tour and lots of press coverage, Mudhoney were hailed as the next big thing to come out of Seattle. In 1989, Mudhoney released their first full length album Mudhoney. 

Around this time other Seattle bands began getting notice due to Mudhoneys success on college radio and in the underground. Bands such as Nirvana, Soundgarden, and Tad. Mudhoney had another album in the can titled Every Good Boy Deserves Fudge, but due to Sup-Pop's financial troubles, it wasn't released until 1991. The album is a favourite of Mudhoney guitarist Steve Turner and brought in a more garage rock and punk sound than their previous releases. Due to the difficulties of Sub-Pop at the time Mudhoney would leave the label and sign to a major label, Reprise. At the time the band began looking for a new label Nirvana's Nevermind was released and set the world on fire making Seattle the new centre of the rock and roll universe. Other Seattle bands began getting major label record deals because of this and the Grunge phenomenon took over the world of music.

Mudhoney's first album for a major label was released in 1992, it was called Piece of Cake. The band did not let their new label alter their song writing skills, and Piece of Cake showed the band sounding more like a garage rock band than a Grunge band. The album contained songs that the band regularly featured in their energetic, often riotous live shows such as "Suck You Dry", "Acetone", and "Blinding Sun". Despite signing to a major label, the band's album sales did not do as well as other Seattle bands such as Nirvana and Soundgarden. In 1995, Grunge began to wind down and Mudhoney released their second album for Reprise. My Brother The Cow is considered one of the best albums the band has ever released. The album combined elements of their new sound with elements of their old. The band paid homage to some of their favourite bands in song titles in lyrics. Bands such as Bad Brains, Led Zeppelin, Captain Beefheart and The Stooges. The song "1995" can be seen as a homage to The Stooges song "1969". Other great tracks include "Judgement, Rage, Retribution and Thyme", "Today is a Good Day" and "Into Yer Shtik".

In 1996, the band appeared in the movie Black Sheep staring comedians Chris Farley and David Spade. They are shown playing live on stage for MTV and also talk briefly with Chris Farley's character backstage. Tomorrow Hit Today was released in 1998. The album kept the bands Grunge style sound, but also brought in an influence of Blues Rock. The album was produced with legendary Rolling Stones producer Jim Dickinson and was recorded in three different cities. After a long tour in support of this album, the band were dropped from Reprise and bassist Matt Lukin would leave the band. The reason he gave was his dislike for touring.

In January of 2000, March To Fuzz was released. This was aa compilation of the bands well known songs and b-sides/cover songs. When this was released many people thought that since Matt Lukin left the band and they released a career retrospective greatest hits, that they were going to call it quits; The band continued. Recruiting Guy Maddison on bass, Mudhoney played more live shows and returned to the label Sup-Pop. Recorded in eight days, Since We've Become Translucent was released in 2002. The album was the bands sixth studio album and brought in a change of sound for the band. The album featured less metal-like riffs. as did early Mudhoney and brought in horn sections and violins. The first track on the album "Baby, Can You Dig the Light?" (which is over eight minutes long) sounds like a lost track from The Stooges album Fun House. Other interesting tracks include "The Straight Life", "Our Time is Now", and "Inside Job". The band followed the release of this album with a South American tour.

In 2006, Under A Billion Suns was released. The album further expanded upon the new sound the band experimented with on Since We've Become Translucent. The album brought in more horn sections and the band expanded lyrically on political subjects. Songs such as "Hard-On For War" (originally recorded in 2003), "Empty Shells", "Where is the Future?", and "It Is Us" addressed political issues. The album is just as interesting as their 2002 release. The band toured again in 2007 and released a live album titled Live Mud. In 2008, Mudhoney released their ninth album The Lucky Ones. This album is seen as Mudhoney returning to their original sound and has been as hailed as their best album in years. It was recorded and mixed with overdubs within three and a half days. This superfuzzy and raw album was also released to coincide with Sub-Pop's 20th anniversary, and the band's. In May of 2008, Sup-Pop also re-issued Superfuzz Bigmuff. The re-issue expanded the EP into a deluxe edition adding twenty additional songs, demos, early singles, and live tracks.

In addition to having a long career with Mudhoney, Mark Arm and Steve Turner have been involved in many other side projects. They are involved in the garage rock and blues side project The Monkeywrench. The band has released several albums including their most recent one in 2008 titled Gabriel's Horn. They have been active since 1991, seeming to release an album every eight years. In 2000, Turner went on bass and along with Mark Arm (on guitar/vocals) and several other musicians (Dan Peters, Scott McCaughey, Tom Price and Bill Henderson) they formed the one off group The New Strychnines. This band released one album containing 16 covers of songs originally done by garage rockers, The Sonics; The album was titled The New Original Sonic Sound. Mudhoney are a band that kick started the Seattle Grunge scene, but unlike almost every band to have come from that time, they are still standing and most importantly still rocking.

The Play List:

1. Supergrass - Strange Ones
2. The Creepshow - Take My Hand
3. The Jolts - Hey, Alright!
4. The Caesars - Boo Boo Goo Goo
5. The Pack AD - Blackout
6. John Mayall's Bluesbreakers (With Eric Clapton) - Little Girl
7. Malibu Kens - Crude City
8. Bureaucrats - Vaccination
9. Diodes - Teenage Nation
10. The Clips - Space Kidz
11. Elvis Costello & The Imposters - American Gangster Time
12. Public Image Limited - Home
13. Wire - Map Ref. 41 Degrees N 93 Degrees W
14. Talking Heads - No Compassion
15. XTC - Are You Recieving Me?
16. Magazine - Give Me Everything
17. U2 - Touch
18. Mudhoney - Touch Me I'm Sick
19. Mudhoney - Today, Is A Good Day
20. Mudhoney - New Meaning
21. The Monkeywrench - Solar Revelations
22. Luger Boa - Mutate or Die
23. Nirvana - (New Wave) Polly
24. Pearl Jam - Spin the Black Circle

Mudhoney Videos:

Touch Me I'm Sick (Live 1991)
Into The Drink
Suck You Dry
Pump It Up
Generation Spokesmodel
It Is Us
Hate The Police (Live 2008)
New Meaning (Live 2008)
The Lucky Ones (Live 2008)

Beyond The Horizon...The Bob Dylan Story Part Two...Show # 210

Bob Dylan's next album would be released 1969, it would be titled Nashville Skyline. It was recorded in Nashville with a collection of Country sessions musicians. This album was meant to be a country album, it also featured at duet with Johnny Cash. The two recorded a considerable number of covers and songs together, but their version of the Bob Dylan song "Girl From the North Country" was the only one to be featured on Nashville Skyline. The album also featured Bob Dylan altering his voice into a mellow, deeper tone; It is best described as a Country Crooning voice. Nashville Skyline was successful it featured the top ten single "Lay, Lady, Lay". Dylan then appeared on Johnny Cash's TV show performing a few songs and appeared at the Isle of Wight Festival (Dylan would not really tour except for a few performances from 1968-1974). Despite the good sales, Nashville Skyline was criticized and had mixed reviews. The result of this would be apparent in Self Portrait, Bob Dylan's 1970 release. The album was a double and was a collection of folk and pop cover songs, live tracks (featuring The Band), and instrumental recordings. Bob Dylan later admitted the album as something as a joke, and something to get all the people off of his back, who were giving him labels. The album confused fans and even inspired a Rolling Stone critic to open his review of this album with "What is this shit?". Dylan's next release would be much better than the compositions on Self Portrait.

New Morning was released in 1970, four months after Self Portrait. The album featured a return to a more classic Dylan song writing style and went to #7 in the US and #1 in the UK. The album was actually recorded while Self Portrait was getting ready to be released. The album featured songs such as "If Not For You" (a song later covered by George Harrison and Olivia Newton-John), "A Day of the Locusts" inspired by an experience at Princeton University, and "Went to see the Gypsy" inspired by Dylan's first meeting with Elvis Presley. Other interesting tracks include the song "New Morning", the bluesy "One More Weekend" and "The Man in Me" a song that would later be featured in the movie The Big Lebowski; It was also covered by The Clash during the London Calling Sessions. Next Dylan would appear at the Concert for Bangladesh in 1971, write the soundtrack and appear in the movie Pat Garrett and Billy The Kid in 1972 and the album Dylan would be released; The soundtrack featured the hit single "Knockin' on Heaven's Door". Dylan would be a collection of outtakes from Self Portrait, which was released in 1973. In 1974, Bob Dylan released the album Planet Waves. The album featured The Band as his backing band and would feature the song "Forever Young". Dylan also signed a new contract around this time with Asylum a division of Geffen Records. Bob Dylan also returned to touring around this time. The tour to support Planet Waves, featured The Band and is one of the most successful tours in the history of rock music.

Blood on the Tracks came next, in 1975. The album featured a return to Bob Dylan's acoustic/folk roots; It was also inspired by his difficulties with his marriage. It also had David Zimmerman (Bob's brother) producing. Dylan also returned to Columbia Records at this time. The album would feature excellent tracks such as "A Simple Twist of Fate", "Idiot Wind", and "Tangled Up in Blue". The album went to #1 in the US and #4 in the UK. Dylan then embarked on a large on again off again tour called the Rolling Thunder Revue. During this time he also released the album Desire in 1976. The album has more of a world music feel, but features the song "Hurricane". "Hurricane" is a song over 8 minutes written about the boxer Rubin "Hurricane" Carter. The song is a song of protest dealing with the murder trial Carter went through. Carter went to jail, but was released 20 years later. Other interesting songs include "Isis", "Mozambique", "One More Cup of Coffee", and "Romance in Durango". Desire reached #1 on the US Billboard charts. A majority of the songs on Desire were co-written with Jaques Levy. Dylan then embarked on another large tour in 1976.

Assembling yet another backing band, he also appeared at The Band's farewell concert which was documented in the film, The Last Waltz. Street Legal came in 1978, it was very different than any of Dylan's previous efforts. It featured a large big band, pop sound, with lots of female backing vocals. The album was seen as disappointment when it first came out. It would later be remixed and re-released in 1999. After a tour in 1978, Bob Dylan became a born again Christian and recorded a series of religious, Christian inspired albums. Slow Train Coming came in 1979, Saved in 1980, and Shot of Love in 1981. After a trip to Israel Bob Dylan recorded the album Infidels (he did not record the album in Israel) which would be released in 1983. He then toured in 1984 (he hadn't really toured since 1978, but he did tour in 1980-1981), released a live album of that 84 tour, Real Live and would release a comprehensive boxed set tiled Biograph in 1985. Bob also released another album titled Empire Burlesque in 1985. It was a mix of dance songs and rock songs.

Knocked Out Loaded was released in 1986 and in 1988, Bob Dylan was inducted into the Rock and Roll Hall of Fame. Bob Dylan finished off the 80's by releasing an album titled Oh Mercy in 1989. The album was produced by Daniel Lanois known for his work with Peter Gabriel and U2's Joshua Tree. Dylan met Lanois in September of 1988 when he started his Never Ending Tour. This tour was a series of shows that was on and off through out the 80's and still continues today because Bob Dylan said he refuses to be a nostalgia act. He has reworked several of his older songs for the numerous concerts he has played since this tour began. In 1991 Under The Red Sky was released. The album received poor reviews, but featured several guest musicians such as George Harrison, Slash, Elton John, Stevie Ray Vaughn, and David Crosby. After this album Dylan would not release an album of original material until 1997.

Good As I Been To You was released in 1992, it was a collection of folk cover songs. World Gone Wrong was released in 1993, it was also a collection of acoustic folk covers. In 1994 Bob Dylan appeared on MTV Unplugged and in 1997 Time Out of Mind was released. Time Out of Mind was an album produced by Daniel Lanois and was the first album of original Dylan songs since 1991's Under The Red Sky. The album generated new interest in Bob Dylan, it got three Grammy nominations, and was #10 on the US and UK charts. Prior to the release of the album (but after it was recorded, mixed, and completed) Bob Dylan was hospitalized with Pericarditis, which made him seriously ill. As a result his 1997 tour was cancelled, but Bob Dylan recovered and was healthy once again within a year. Love and Theft came in 2001. This album was actually produced by Bob Dylan himself, under the named Jack Frost. The album was another chart topper (#5 in the US, #3 in the UK), it mixed styles of rockabilly, jazz and western swing music. The album also generated a bit of controversy because some of the lyrics on the album were similar to words found in the book Confessions of a Yakuza by Junichi Saga.

In 2003, Dylan made his own film titled Masked & Anonymous. Co-written Larry Charles, the movie featured many big name actors such as John Goodman, Jeff Bridges, Penelope Cruz. In October of 2004, Bob Dylan released his own autobiography titled Chronicles Volume One. The book was not in chronological order and instead focused on different aspects of his career. He devoted chapters to his arrival to New York City in 1961, but also to albums such as New Morning (1970) and Oh Mercy (1989). The book is excellently written and I recommended it to anyone, whether you are a Bob Dylan fan or not. The book was a best seller in the Non-fiction category. Currently Bob Dylan is working on volume two of Chronicles.

In September of 2005, Martin Scorsese released No Direction Home a documentary about the music of Bob Dylan. In August of 2006, Bob Dylan released Modern Times. The album debuted at #1 on the US Billboard Charts. In 2007, I'm Not There was released, it was a movie with six different actors portraying six different aspects of Bob Dylan's career. The soundtrack to the film featured several musicians covering Bob Dylan songs such as Willie Nelson, Tom Verlaine, The Black Keys, Eddie Vedder and more. Bob Dylan also began doing a radio show in 2006 titled Theme Time Radio Hour. The show, hosted by Bob Dylan features a different theme every week, he plays different types of music such as blues, to country, folk, rock, and pop. Bob Dylan is currently working on an album based on lost Hank Williams lyrics. The album is to feature collaborations with Jack White, Norah Jones, Willie Nelson, and more.

Bob Dylan still continues his Never Ending Tour and has had numerous compilations released. His Bootleg Series are excellent collections of rare Bob Dylan material from different points of his career. Bob Dylan is a musician that has lyrically and musically tore down the borders of music and created new styles of music that still influence artists today. While my favourite period of Bob Dylan is his mid sixties period, he also has interesting albums such as New Morning, Desire, Love and Theft, and Modern Times. Bob Dylan is truly an interesting musician that you should not ignore.

Part one of my Bob Dylan radio show special and musical history can be found in my post titled Ballad of A Thin Man.

Bob Dylan Playlist:

1. Thunder on the Mountain (Modern Times 2006)
2. You're No Good (Bob Dylan 1962)
3. Drifters Escape (John Wesley Harding 1967)
4. Day of the Locusts (New Morning 1970)
5. One Too Many Mornings (The Times They Are A-Changin' 1964)
6. Girl From the North Country (Nashville Skyline 1969)
7. Million Dollar Bash (The Basement Tapes 1975)
8. You Ain't Going Nowhere (The Basement Tapes 1975)
9. Where Teardrops Fall (Oh Mercy 1989)
10. Idiot Wind (Blood On The Tracks 1975)
11. The Man in Me (New Morning 1970)
12. From a Buick 6 (Highway 61 Revisited 1965)
13. Under Control (Tree With Roots 1967)
14. Can You Please Crawl Out Your Window (Biograph 1985)
15. Baby, Let Me Follow You Down (The Bootleg Series Vol.4: Bob Dylan Live 1966)
16. Hurricane (Desire 1976)
17. New Morning (New Morning 1970)
18. I'm Not There (Tree With Roots 1967)
19. Isis (Desire 1976)

Bob Dylan Videos:

Live on The Johnny Cash Television Show (I Threw It All Away, Livin' The Blues, and Girl From North Country)
Tangled Up in Blue
Oh Sister (Live 1975 John Hammond Tribute)
A Simple Twist of Fate (Live 1975 John Hammond Tribute)
Hurricane (Live 1975 John Hammond Tibute)
Visions of Johanna (Live 1966)
Thunder on the Mountain
Someday Baby
1965 Press Conference (San Francisco)
60 Minutes Interview Part 1
60 Minutes Interview Part 2

Ballad of a Thin Man...The Bob Dylan Story Part One...Show # 209

Bob Dylan was born as Robert Allen Zimmerman in May of 1941 in Duluth, Minnesota. While in High School he formed a rock and roll group called The Golden Chords. In 1959 he went to the University of Minnesota. While studying at University, he began to develop an interest in folk music. He also began performing acoustically at coffee houses and he started using the name Bob Dylan. Originally he wanted to call himself Robert Allen, but he eventually decided upon the name Bob Dylan. In 1960, Dylan went to Denver where he was said to have met Jesse Fuller who was a blues musician. He had a big influence on the style of Bob Dylan. He was also influenced by folk artist Woody Guthrie and Country artist Hank Williams. By January of 1961, Dylan dropped out of school and moved to New York City to become full time musician.

When in New York, Dylan went to visit Guthrie who was in a hospital in New Jersey. Dylan made repeated visits to see Guthrie who was dying of Huntington's Chorea (He would pass in 1967). He also began performing and developed a following. He opened for John Lee Hooker at Gerde's Folk City. A few months later Dylan received a positive review in the New York Times and was offered a recording contract by Columbia A&R man John Hammond. He was signed to Columbia in the fall of 1961. He released his first self titled album in 1962. The album was comprised of Folk and Blues covers and two original compositions. The album was recorded in two short sessions in November of 1961. When recording Bob Dylan recorded mostly in first takes and was produced by Hammond. The album did not make a huge impact (it sold about 5000 copies) and Columbia considered dropping Dylan from the label. He also recorded 12 songs under the name Blind Boy Grunt for the Folk magazine, Broadside Magazine.

in 1962, Bob Dylan legally changed his name to Robert Dylan and signed Albert Grossman as his manager (who would be his manager until 1970). Bob Dylan's next album would be released in 1963. The Free Wheelin' Bob Dylan contained two cover songs and the rest of the songs were Dylan originals. The album was comprised of political protest songs (lyrically). The album featured songs such as "Blowin' In The Wind", "A Hard Rain's A-Gonna Fall", "Masters of War", "Girl From the North Country", and "Corina, Corina". Another interesting fact is that before its release Dylan recorded a rock single called "Mixed Up in Confusion". He also recorded several tracks with a backing band. The songs were described as having rock and rockabilly sounds. The sessions also produced numerous other outtakes, some of these songs can be found on The Bootleg Series or Biograph. The album did very well climbing to number 22 on the Billboard Charts. "Blowin' in the Wind" was seen as the anthem for the 1960 Civil Rights movement. Dylan's next album, The Times They Are A-Changing came out in 1964. On this album Dylan drew in more R&B and Blues influences and was lyrically influenced by poets such as John Keats and Arthur Rimbaud. In the same year Bob Dylan released Another Side of Bob Dylan. The album reached #43 on the US Charts and #8 in the UK. The album also showed Dylan changing his sound. This would be his last album that was recorded with just Dylan and his acoustic guitar. It was recorded in one session on June 9th, 1964.

Around this time the world was hit by the British invasion. Groups such as The Beatles and the Rolling Stones dominated the charts. Dylan would also change his musical style, grow a large afro and start wearing dark sunglasses. He Would began work on his album Bringing it All Back Home in 1965. The album featured two sides Dylan's rock side and his acoustic side. The album also saw a change in the lyrics that Dylan was known for. He drifted away from political stylings of "Blowin' in the Wind" and "A Hard Rain's A-Gonna Fall". The album distanced his music from the folk community, which he had a large following. The album was a top ten US hit. It featured songs such as "Subterranean Homesick Blues" a song that addressed the issues of anti-establishment politics and was influenced musically by Chuck Berry's "Too Much Monkey Business". The music video for the song featured Bob Dylan with giant cue cards. "Maggie's Farm" was Dylan addressing his independence from the folk community, other interesting tracks include "Love Minus Zero/No Limit", "Outlaw Blues", "Mr. Tambourine Man" (originally recorded in 1964), "Gates of Eden", and "It's Alright Ma (I'm Only Bleeding)".


In 1965 Dylan played at the New Port Folk Festival. This concert was seen as controversial by the folk community. Dylan was booed. The appearance of Dylan with an electric guitar and rock band (his backing band was the Paul Butterfield Blues Band) outraged his folk fans and was documented on film. The result was some fans were alienated, but Dylan continued with his electric rock backing band. As a result Dylan would gain more fans in the rock community.

Recorded entirely electric with a rock band Highway 61 Revisted sprung the single "Like a Rolling Stone". The song was one featuring heavy organ work and the unique and interesting lyrics of Bob Dylan, it was also originally intended to be used for a play. The song went to #2 on the US Charts, #4 in the UK. The album featured Mike Bloomfield (guitar), Harvey Brooks (bass), Al Kooper (organ), and Bobby Greg on drums; there were also other musicians featured on the album comprising Dylan's backing band. The title of the album can be traced to an actual place called Highway 61, which has been the subject in many blues songs. The album Highway 61 Revisited featured many interesting songs such as "Tombstone Blues" a song that musically has drums that sound like trash can lids crashing together, "Ballad of A Thin Man" a song about people that always ask questions (and an interviewer from The Village Voice), and the song "Highway 61 Revisited". The album went to #3 in the US and #4 in the UK. Other songs were recorded during these sessions. The song "Positively 4th Street", is seen as a comment on his former folk contemporaries which he had known during his club days on West 4th Street. "Can You Please Crawl Out Your Window" was another song recorded during these sessions. It would later be re-recorded with The Hawks (later known as The Band) as Dylan's backing band.


In support of this album Dylan had to get new band members to make up his touring band, since most of his backing band from the Highway 61 Sessions would not go on tour. He assembled some of the Hawks Robbie Robertson, and Levon Helm to play two dates in the US. He then got the entire band The Hawks (who were an early incarnation of the Canadian band, The Band) to be his backing band for his 1965-1966 world tour. Dylan recorded his next album Blonde on Blonde in 1966 in Nashville and New York. The album would be a double album and reach #9 in the US and #3 in the UK. The backing band also contained some of the members of the Hawks. The album would be a mix of Blues, Rock, Folk, Country, Gospel, and more. The album was the last in the style Dylan created with Bringing It All Back Home, and Highway 61 Revisited. Blonde on Blonde contains wonderful songs such as "Rainy Day Woman #12 and #35", "Pledging My time", "Visions of Johanna", "I Want You", "Leopard-Skin-Pill-Box Hat", "Absolutely Sweet Marie", and "Sad Eyed Lady of the Lowlands". Dylan toured in support of this album with The Hawks backing him and the last concert of the tour was in England at the Free Trade Hall in Manchester. This concert was famously documented (released on The Bootleg Series Volume 4) The concert was played with incredible energy thanks to The Hawks.

After this tour in 1966, Dylan went into seclusion and was said to have been involved in a motorcycle accident. Some people believe this was just an excuse for Dylan to get away from all the pressures that were around him. In 1967, he recorded a large amount of material with The Hawks. He recorded covers, demos, originals. These would be documented on The Basement Tapes which were released in 1975. It featured selections from the sessions. Bootlegs exists of the complete sessions which are four sometimes five CD's long. In November of 1967 Dylan returned to a studio in Nashville to record John Wesley Harding. The album featured the song "All Along the Watchtower", and was different from Blonde on Blonde. It featured shorter songs and lyrically drew on subjects from the Bible and the American West. Musically it was acoustically and more traditionally based. It did very well going to #2 on the US charts.

Next Week I will do part two of my Bob Dylan history as well as part two of my Bob Dylan radio special. Leave a request in the comment section if theres anything you'd like to hear.

Bob Dylan Play List:

1. Outlaw Blues (Bringing It All Back Home 1965)
2. If You Gotta Go, Go Now (Or Else You Got To Stay All Night) (The Bootleg Series Vol 1-3 1991)
3. Everything Is Broken (Oh Mercy 1989)
4. I Can't Make It Alone (Tree With Roots 1967)
5. On A Night Like This (Planet Waves 1974)
6. Tough Mama (Planet Waves 1974)
7. Tombstone Blues (Highway 61 Revisited 1965)
8. Jokerman (Infidels 1983)
9. World Gone Wrong (World Gone Wrong 1993)
10. Santa Fe (The Bootleg Series Vol 1-3 1991)
11. Wallflower (The Bootleg Series Vol 1-3 1991)
12. A Simple Twist of Fate (Blood On the Tracks 1975)
13. Wicked Messenger (John Wesley Harding 1967)
14. Leopard-Skin-Pill-Box-Hat (Blonde on Blonde 1966)
15. Obviously 5 Believers (Blonde on Blonde 1966)
16. Odds and Ends (The Basement Tapes 1975)
17. I Wanna Be Your Lover (Biograph 1985)
18. Masters of War (The Free Wheelin' Bob Dylan 1963)
19. Dreamin' of You (The Bootleg Series Vol. 8: Tell Tale Signs 2008)

Some Videos:

Blowin' in the Wind (Live 1963)
Girl From The North Country (1964)
Chimes of Freedom (Live 1964)
Subterranean Homesick Blues (Music Video)
Like A Rolling Stone (Live 1966)
Leopard-Skin-Pill-Box-Hat (Live 1966)
All Along the Watchtower

Blank Numbers...Show # 208

For a change of pace this week I thought I'd talk about individual songs as opposed to my usual band history posts. 

 Richard Hell & The voidoids - Blank Generation

The song "Blank Generation" was Richard Hell's response to generation songs such as The Who's "My Generation". It is meant to be seen as a "Blank Generation" in terms of filling in the blank according to your choice. Essentially it's a song about the freedom of choice and about not being labelled by other people. The song is featured on the Voidoids first album, Blank Generation. The song was also featured on the Voidoids very first EP titled the Another World EP. The EP (released in 1976) contains three songs all of which differ from the versions found on the 1977 Blank Generation album. For example the song "Blank Generation" is titled "(I Belong To The) Blank Generation" and it is a slower version compared to the album version (but still great). The EP which is long out of print also contains the blues inspired track "You Gotta Lose" and "(I Could Live With You) In Another World". 

 Undertones - (You've Got My Number) Why Don't You Use It

One of my favourite all time Undertones songs. This track was recorded in 1979 and issued as a single in October of the same year. It went to # 32 on the UK Charts and was written by Undertones guitarist John O'Neil. The song can now be found on the remastered/re-issued version of the Undertones second album, Hypnotised. 

This weeks song selection: 

1. Elvis Costello & the Attractions – (I don’t want to go to) Chelsea 

2. The Diodes – Noise 

3. White Stripes – Girl, You Have No Faith in Medicine 

4. The Saints – No Time 

5. Modernettes – Surf City Strangler (Live) 

6. Buzzcocks – Boredom 

7. Teenage Head – Picture My Face 

8. Ugly Ducklings – Nothin' 

9. Undertones – (You’ve Got My Number) Why Don’t You Use It 

10. Dirty Pretty Things – Doctors and Dealers 

11. Ramones – I’m Against It 

12. Richard Hell & The Voidoids – Blank Generation 

13. Dead 60’s – Soul Survivor 

14. The Piranhas – Green Don’t Suit Me 

15. The Shades – New Clientele 

16. Enigmas – Teenage Barnacle 

17. The Scavengers – True Love 

18. The Features – City Scenes 

19. The D4 – Exit to the City 

20. The Clash – Car Jamming 

21. Iggy Pop – Tell Me a Story 

22. The Hives – No Pun Intended  

23. Ride Theory – Great White Sharks 

24. Television – Guiding Light 

25. The Rapture – Crimson Red 

26. Pointed Sticks – What Do You Want Me to Do 

27. Gang of Four – Damaged Goods 

Next week I will be doing a show devoted to the music of Bob Dylan. It will be a two part special (next week being the first part). Leave requests in the comment section of this post if you would like to.

Gruesomania!...The Gruesomes Story and Show # 207

The Gruesomes formed in 1985 in Montreal,Quebec in Canada. The band took inspiration from Sixties garage rock and early punk. The band started off with very little musical ability and were also known for their on stage humour and energetic live shows. Their band name came from the TV show The Flinstones. The Gruesomes were the Flinstones scary neighbours. The band also created a band image which consisted of sixties style dress, moppy haircuts, and beatle boots. The original band consisted of John Davis (Guitar), Eric Davis (drums), Gerry Alvavez (guitar/vocals), and Bobby Beaton (guitar/vocals). The band released their first EP Jack The Ripper in 1986 and another EP titled Unchained in 1987. The bands sound fused together the snotty energy of 70s punk, with the primitive sounds of 60s garage rock.

The bands first full length album was titled Tyrants of Teenage Trash and it was released in 1986. By the time this album came out the band had built up a large fan base not only in Canada, but in the US and Europe also. The band would get a new drummer in 1987, John Knoll. He would bring the band into more of an R&B sound as opposed to Eric Davis who brought in more of a punk sound. The bands next album Gruesomania! came in 1987 and Hey! came in 1988. The band became Canada's biggest selling underground act and all over their albums did very well. In 1990, the band called it quits when they were at a high point in their career.

In 1999, the band reformed and recorded the album Cave In!, which was released in 2000. They also started touring again. They went to Europe for the first time, as well as going back to places in the US and Canada. The Gruesomes were a loud Canadian band from Montreal, they still perform live occasionally. In 2003, the band released a compilation called Gruesomology and in 2008 All three of the bands albums were re-released. In 2002 John Davis and Bobby Beaton of The Gruesomes formed a side project called Fuad and The Feztones. They recently released an album in 2008 titled Beeramid

The Play List:

1. The Jam - London Traffic
2. The Cramps - Human Fly
3. Golden Hands Before God - Communist Party
4. Albert Hammond Jr. - Rocket
5. Ugly Ducklings - Mama Keep Your Big Mouth Shut
6. Gruesomes - Unchain My Heart
7. Gruesomes - No More Lies
8. The Brigands - (Would I Still Be) Her Big Man
9. The Monks - Complication
10. Night Crawlers - Little Black Egg
11. Tricky Woo - Liberty Drawl
12. Young Rival - Master of None
13. The Stills - Snow in California
14. Neil Young - Drive Back
15. David Bowie - Hang on to Yourself (Live Santa Monica 72)
16. MC5 - Back in the USA
17. Futureheads - This is Not The World
18. The Outcasts - Magnum Force
19. Undertones - Mars Bar
20. Gang of Four - 5:45
21. Black Kids - Hit the Heartbreakes
22. Subway Sect - Paralell Lines
23. The Subways - Shake! Shake!
24. Radiohead - Bangers n' Mash
25. Elvis Costello & The Imposters - Go Away 

Videos:

Way Down Below (Music Video)
Hey! (Music Video)

A Million in Prizes...The Iggy Pop Story and Show # 206

Iggy Pop was born as James Newell Osterberg Jr. in April of 1947. He would be known for his work with his first band The Stooges, whose influence still shakes the very foundations of modern music today. He would be known as "The Godfather of Punk" and be recognized for his on stage antics and behaviour. After the demise of The Stooges, Iggy Pop went on to pursue a solo career. He has also acted in several films including The Color of Money, Sid and Nancy, The Crow: City of Angels, Snow Day, Tank Girl, and Coffee and Cigarettes.

Born in Muskegon, Michigan, Iggy was raised in a trailer park near Yipsilani, Michigan. Iggy began his musical career as a drummer. He played drums in two bands The Iguanas and then The Prime Movers. Iggy got his nickname "Iggy" while in the Iguanas. After dropping out of the University of Michigan, he moved to Chicago to be closer to Chicago Blues. Along with his blues inspiration, Iggy was influenced by the likes of The Sonics. After being in Chicago learning about blues, Iggy pop returned to Ann Arbor and formed a rock band. He would abandon the drums and become a singer/front man taking inspiration from The Doors Jim Morrison, and Lou Reed. In 1967, Iggy formed The Psychedelic Stooges with Ron Asheton on guitar, Scott Asheton on drums, and Dave Alexander on bass. The band experimented first before settling on the primitive, repetitive, and aggressive sound of The Stooges that we know today.

The band became known for their live performances. Iggy in particular pushed the boundaries of the live performances by inventing the stage dive, rolling around in broken glass, smearing himself with peanut butter, and other oddities. Around this time the band also shortened their name from The Psychedelic Stooges to The Stooges. The band was signed to Elektra Records in 1968, when Danny Fields came to see another excellent Detroit based band The MC5; He signed both bands to the same label. The band had five songs for what would become their first album, The Stooges which would be released in 1969. The songs that were to make up the album were ones which the band played during their live shows, but Elektra said that that they did not have enough songs. Iggy told the label that they had lots of songs (even though they did not) so the band then wrote three more tracks to have enough material for the album. The songs that were written were "Real Cool Time", "Little Doll", and "Not Right". The songs were played for the first time in the studio. The other five tracks that compiled The Stooges were "No Fun", "Ann", "We Will Fall", "1969", and "I Wanna Be Your Dog". The album was produced by John Cale, but his original mixes for the album were rejected. They were instead done by Iggy Pop (credited as Iggy Stooge on the album) and Jac Holtzman (Elektra President). The result of the eight tracks was an album that was unlike anything the world had heard before. It was raw, energetic and straight to the point. It would become a cult classic. In 2005, The Stooges was reissued featuring the original Cale mixes as well as alternate takes.

In 1970, The Stooges released Fun House. The album was recorded live in the studio in May of 1970 and released in July of 1970. It featured little or no overdubs and since it was recorded live in the studio, many people feel it captured the essence of The Stooges live sound. The album was once again mixed by Iggy Pop and it was named after the bands rehearsal space which was called, the fun house. The album featured seven tracks "Down On The Street", "Loose", "TV Eye", "Dirt", "Fun house", and "LA Blues". The album took a step up from the bands first album, capturing their minimalist, pure sound, also bringing in saxophones. The album was produced by Don Gallucci who wanted the album to have a similar sound to the Kingsmen's "Louie, Louie". Single versions of the songs "Down On the Street", and "1970" were also recorded featuring organ sounding like The Doors. The complete Fun House sessions were released in 2001 by Rhino (they are no longer in print). The collection featured every take of every song for the album as well as outtakes and demos. The eight disc set was titled 1970: The Complete Fun House Sessions. The album like the bands first, sold poorly. They both became cult classics and have been cited numerous times as main inspirations for punk rock. In 2005, Fun House was reissued with bonus tracks from the Fun House sessions including unused tracks "Lost in the Future", and "Slide (Slidin' the Blues)".

The band would be dropped from their label in 1971 due to poor album sales and Iggy's and the bands increased drug use. The band would regroup as Iggy & The Stooges when David Bowie offered to record the band in England. Iggy got friend James Williamson as lead guitarist and the Ashetons (Ron went on bass and Scott on drums) to complete the line up; Dave Alexander passed away in 1975, he was fired for being too drunk to perform with the band in 1970. The band would then record what would be known as Raw Power. The album was a sonic assault on the ears and featured such songs as "Search and Destroy", "Shake Appeal", "I Need Somebody", and "Your Pretty Face is Going to Hell". The album was released on Columbia Records and originally mixed by Iggy himself, but the label did not agree with his mixes and stated that if David Bowie did not remix it, the album would never see release. The album came out in 1973 and shortly after the band would be dropped from their label and split up. The album also did poorly, but like the other two Stooges albums is seen as a classic album just as unique and important as the other two Stooges albums. In 1997, Iggy Pop remixed the album himself closer to his original vision, which has been called his "In the red mix", because a majority of the faders were pushed into the red while mixing. Upon hearing Iggy Pop's original mix, it was said to have sounded like the speakers were melting.

Iggy then strung out on drugs checked himself into a Neuropsychiatric institute in Los Angeles. During this time Iggy wrote and recorded material with James Williamson. The material was released in 1977 as Kill City, but recorded in 1975. The album was intended to be a demo tape in hopes of getting Iggy a new record deal. The album would feature great tracks such as "Kill City", "Johanna", "I Got Nothin'", and "Consolation Prizes". Vocals for the album were recorded on weekends when Iggy was allowed out of the hospital. In 1976, David Bowie took him along for his Station to Station tour. After the tour Iggy and Bowie moved to Berlin to get off of drugs. Bowie also got Iggy a record deal with RCA.

Iggy would record in collaboration with Bowie. Two albums were produced and released in 1977. The Idiot came off sounding very different to Iggy's previous work with The Stooges. It had more of industrial sound and can be compared to David Bowie's album Low. The album would contain songs such as "Night Clubbing", "Sister Midnight", and "China Girl". The title of the album came from a Dostoevsky novel called, The Idiot. Lust For Life came next and it was released in the same year. This album had more of a rock feel and contained some of Iggy Pop's best known songs such as "The Passenger", "Lust For Life", "Tonight", and "Success". Apparently the riff in the song "Lust For Life" was inspired by a Morse code intro message for The American Forces Network News in Berlin; The song itself is a survival message to the masses. "The Passenger" was inspired by a Jim Morrison poem. Both The Idiot and Lust For Life are seen as some of the best work he ever produced. The backing band for Lust For Life, were a team of brothers Tony Sales (bass) and Hunt Sales (drums), along with Ricky Gardinier on guitar, and David Bowie on Keyboards. He would get more recognition when the song "Lust For Life" was used in the film Trainspotting.

In 1979, Iggy Pop released New Values. The album was his first for Arista Records; He left RCA after releasing the live album TV Eye Live 1977 to get out of his three album contract. New Values featured Ex-Stooges guitarist James Williamson as producer. The album featured some collaboration with Williamson and did quite well in Europe, but not in the United States. The album is seen as more of a new wave album. It featured songs such as "Tell Me A Story", "Girls", "New Values", "I'm Bored", and "Five Foot One". It is one of my personal favourites. Music videos were made for two of the songs on the album "I'm Bored", and "Five Foot One". In 1980, Iggy released another excellent solo album titled Soldier. For this album Pop collaborated with ex-Sex Pistol bassist Glen Matlock. The album was originally supposed to be produced by James Williamson and Iggy Pop, but both wanted a different sound and Williamson left the project. The album also featured a song with David Bowie "Play It Safe"; He sung back up vocals on it. The song featured great tracks such as "Loco Mosquito", "Ambition", "Knocking 'Em Down (In the City)", "I Need More", "Dog Food", and "I'm a Conservative". In 1981, Party was released. The song "Bang, Bang" would be remixed by Monkees producer Tommy Hart and it would also reach # 35 on the Billboard singles chart. It would be his final album for Arista.

In 1982, Iggy Pop wrote his own autobiography and received royalties in 1983 when David Bowie covered the song "China Girl" (written by Bowie and Pop for his album The Idiot) on his album Let's Dance. He also released the album Zombie Birdhouse in 1982. In 1986, Iggy Pop released Blah Blah Blah. The album was produced by David bowie and featured Sex Pistols guitarist Steve Jones. It brought him a top ten hit in the UK with "Real Wild Child". In 1988, Instinct was released, in 1990 Brick By Brick, and 1993 American Caesar. In 1996 Naughty Little Doggie was released, in 1999 Avenue B, and in 2001 Beat 'Em Up. In 2003, Skull Ring was released. The album featured collaborations with numerous artists such as The Trolls (his backing band used for Beat 'Em Up), Sum 41, Green Day, and Peaches. The album also featured collaboration with The Stooges. The song "Little Know It All" featuring Sum 41 got a lot of airplay. Iggy Pop also started playing live with the Stooges again around this time. The bassist would be Mike Watt from the Minutemen. In 2007, The Stooges released another album titled The Weirdness. It was produced by Steve Albini and sounded like a mix of the first two Stooges albums, The Stooges and Fun House.

The Stooges have since played numerous places all over the world. They played off and on from 2003 through 2008. In March of 2008, Madonna (a fellow Detroiter) was inducted into the Rock and Roll Hall of Fame. The Stooges inducted her playing two Madonna songs "Ray of Light", and "Like A Virgin". They played this as an act of protest for the Stooges not being inducted into the hall of fame, despite being nominated six times. In 2005 A Million in Prizes : The Anthology was released containing 37 tracks spanning Pop's entire musical career since The Stooges. In January of 2009, Stooges guitarist Ron Asheton passed away due to a heart attack, he was 60 years old.
In May of 2009, it was announced that Iggy and The Stooges would reform with James Williamson on guitar to perform Raw Power tracks. The reunion is set to take place at some point in 2010. Even though Iggy Pop was not a giant mainstream success, his influence still resonates on rock music today. He is a unique, interesting, inspiring artist no matter what era of his career you look at. Currently a biopic is being made about Iggy Pop, which will focus mainly on when he was with the Stooges. Directed by Nick Gomez and starring Elijah Wood as Pop, The Passenger is currently in production.

Play List:

1. The Damned - See Her Tonight
2. The Bears - Fun, Fun, Fun
3. Diodes - Time Damage
4. Young Canadians - Well, Well, Well
5. The Sinners - No Brains Required
6. Hot Nasties - Get Away From Me
7. Television - Friction
8. Patti Smith - Redondo Beach
9. Elvis Costello & The Attractions - Watching the Detectives
10. The Police - Bombs Away
11. Nick Lowe - So It Goes
12. Only Ones - Another Girl Another Planet
13. Ultravox! - Frozen Ones
14. Devo - Jerkin' Back'n Forth
15. Stranglers - Nice n' Sleazy
16. Magazine - Feed the Enemy (Live)
17. The Government - Flat Tire
18. Teenage Head - You're Tearin' Me Apart
19. Mark Inside - These Apparent Things (Live @ XM)
20. The D4 - Too Stupid
21. Dirty Pretty Things - Hippie's Son
22. The Stooges - Not Right (Alternate Vocal Take)
23. Iggy Pop - Some Weird Sin
24. Iggy Pop - Knocking 'Em Down (In the City)

Videos:

The Stooges - TV Eye & 1970 (live Cincinati Pop Festival)
Iggy Pop - 1977 CBC Interview
Iggy Pop - The Passenger (Live 1977)
Iggy Pop - Sister Midnight (Live Dinah Shore Show 1977 - Featuring David Bowie on Keyboards)
Iggy Pop - Sixteen (Live 1978)
Iggy Pop - I'm Bored (Live OGWT 1979)
Iggy Pop - I Wanna Be Your Dog (Live OGWT 1979)
Iggy Pop - I'm Bored (Music Video)
Iggy Pop - Five Foot One (Music Video)
Iggy Pop - Knocking 'Em Down (In the City) (Music Video)
The Stooges - No Fun (live in Detroit 2003)
Jonathan Ross Show 2007 Part One (Interview)
Jonathan Ross Show Part Two (Interview/I Wanna Be Your Dog)

Changes...The David Bowie Story and Show # 205

The career of David Bowie is one that spans decades. He is known for his innovative fashion trends, the variety of musical styles that he has covered, and his career as an actor. Since the career of David Bowie is so large and interesting, it is impossible for me to talk about such a diverse, expansive career in one post. I have decided instead to focus on certain parts of his career.

Born as David Robert Jones in 1947, he first picked up the saxophone in his early years. While at school at the age of fifteen, Bowie got into a fight with his friend George Underwood. Underwood who was wearing a ring on his finger punched Bowie in his left eye; The fight was over a girl. As a result Bowie suffered eye damage and has a permanent dilated left pupil, which at times appears to be a different colour than his right eye. He started playing in several groups beginning in 1962. In the early sixties, Bowie began performing under the stage name Davie Jones, but this was also the name of Davy Jones from The Monkees, who were quite popular at the time. To avoid the confusion of the two David Robert Jones adopted the name David Bowie in 1966. He got the name Bowie from Jim Bowie, who was responsible for the Bowie knife and was an Alamo Hero. At this time he recorded singles as Manish Boy and Davy Jones, and as David Bowie and The Lower Third; All of which were unsuccessful.

In 1967, Bowie signed to Decca Records and released his first album. David Bowie was a mix of Music Hall, Pop, and Psychedelic music. It was also unsuccessful. In 1969, Bowie had his first hit single with "Space Oddity". The song would be featured on his second album known as Man of words, Man of Music; It was later re-released in 1972 as Space Oddity. In 1970 came the third Bowie album titled The Man Who Sold the World. The album was the first in which Bowie would collaborate with guitarist Mick Ronson. Tony Visconti played bass (and produced the album), Michael Woodmansey played drums, and along with Bowie formed the beginnings of the band The Spiders From Mars. the album has more of a heavy rock sound, one that can be compared to bands such as Led Zeppelin and Black Sabbath. The actual song "The Man Who Sold the World" regained popularity when it was covered by Nirvana for their MTV Unplugged album.

1971 brought the album Hunky Dory. For this album Visconti departed as bassist and producer and was replaced on bass by Trevor Bolder. With Bolder on bass, this album would feature all the members of Bowie's backing band known as The Spiders From Mars. Hunky Dory had more pop than that of The Man Who Sold the World, some people have compared it to the pop styles of Space Oddity. The album opens with the saxophone drenched pop song "Changes", which is a song that can describe Bowie's diverse career. The album also featured songs such as the acoustic/flamenco styled "Andy Warhol", the Broadway bordering "Life on Mars?"(also a big hit for Bowie), and "Queen Bitch". The song "Queen Bitch" is a song inspired by Bowie's love of The Velvet Underground, while the song itself features the wonderful mix of acoustic guitar mixed with the punkish guitar techniques of Mick Ronson.


In 1972, Bowie adopted the persona of Ziggy Stardust, who was an androgynous rock star coming from another planet. As Stardust, Bowie dressed in what would be known as glam style (mostly in women's clothing); This style of dress was influenced by his friend and Musician Marc Bolan (of T-Rex). Along with his band, Bowie released the concept album The Rise & Fall of Ziggy Stardust and the Spiders From Mars in 1972. The album, which i feel is his best, features some of the best songs recorded by Bowie. The album draws influence from bands such as Velvet Underground, The Stooges, T-Rex, and The Kinks. The album contains great songs such as "Five Years", "Moonage Daydream", "It Ain't Easy", "Hang On To Yourself", and "Suffragette City". The album got Bowie notice in America. His second album Space Oddity would be re-released in 1972 in the US and reach the top 20.


In 1973, Bowie produced (along with guitarist Mick Ronson) Lou Reed's Transformer, Iggy & The Stooges Raw Power, and Mott the Hoople's All The Young Dudes. In that very same year Bowie recorded Aladdin Sane. The album took elements of Ziggy Stardust and The Spiders From Mars, and added more rock to it. Some critics described the album as a disappointment, but it contains great songs such as "Panic In Detroit", "Jean Genie", and "Cracked Actor". The album also features a cover of the Rolling Stones song "Let's Spend the Night Together". The album was described by Bowie as "Ziggy goes to America". The album was written during his 1972 US tour. Originally the album was going to be titled Love Aladdin Vein, but changed it because of the reference it made to drugs. The title Aladdin Sane, is a pun of the word "A Lad Insane".

In the same year came the release of yet another Bowie album with the Spiders From Mars, Pin-Ups. This was a collection of cover songs. Around this time Bowie also announced that the band was breaking up and would no longer tour. This of course was not the end of Bowie's career. Bowie then recorded Diamond Dogs, which was originally intended to be a musical based on the George Orwell novel Nineteen Eighty Four; The album spawned the hit single "Rebel, Rebel". Bowie then became fascinated by Soul music and released the album Young Americans in 1975. This album would bring Bowie into the top ten in the US, it would also feature the song "Fame" which was written with and features John Lennon. In 1976 Bowie had a new stage persona called "The Thin White Duke", which reflected his cocaine addiction. The album Station to Station was also released in the same year, which would be the last of his soul inspired efforts it would bring in influences of Avant-garde Pop; He had yet another top ten hit with the disco flavoured "Golden Years".


He would then retreat to Berlin from 1976 to 1980, where he would record three albums Low, Heroes, and Lodger. These albums would reflect his interest in electronic music and the German music scene. Low advanced the avant-garde style that Bowie created with Station to Station. It was more experimental and featured collaboration with Brian Eno; The music began as compositions to the soundtrack to the movie The Man Who Fell To Earth, but when the director was going for more of a folky sound for the film. He got someone else to compose the films music. Heroes featured more collaboration with Brian Eno and would bring in influences of Krautrock. Lodger was the final album in which can be titled the Berlin Trilogy. It brought in the sounds of New Wave and World Music. In 1980, Bowie released Scary Monsters which featured the songs "Ashes to Ashes" and "Fashion".

Bowie would also kick his drug addiction. He also brought along Iggy Pop, who was also battling with addiction. Together the two kicked their habits and recorded some great albums. Bowie helped Iggy write and produced songs and even played keyboards with Iggy Pop on tour. The albums recorded were The Idiot, and Lust For Life which were released in 1977.

Bowie would still record and make hit songs and records well into the 80's, 90s, and 2000's. Along with changes in his musical stylings, he would also adapt his look with each subsequent release to reflect the new directions his music was taking. Bowie also involved himself in acting and a movie career. He has been in numerous films throughout his career such as The Man Who Fell to Earth, the cult classic Labyrinth, The Last Temptation of Christ, and The Prestige.

Bowie's last album was titled Reality and it was released in 2003. Bowie has toured the world more than few times throughout his long career, but since 2006 has stopped performing live. David Bowie's place in musical history is not one that can be summed up so easily because his influence is so vast. He truly is an interesting and talented musician that influenced thousands of artists ranging from 1970s up to today.



The Play List:

1. 13th Floor Elevators - You're Gonna Miss Me When I'm Gone
2. Nazz - Open My Eyes
3. Northwest Company - Hard To Cry
4. Golden Hands Before God - The Ladder
5. Locusts Have No King - Down Here (Live At the Avalon)
6. 49th Parallel - Citizen Freak
7. The Strangeloves - Night Time
8. The Remains - Don't Look Back
9. Gruesomes - For All I Care
10. Young Rival - Another Nobody
11. David Bowie - Hang On To Yourself
12. David Bowie - Queen Bitch
13. David Bowie - Cracked Actor
14. Supergrass - Alright
15. Guitar Wolf - Invader Ace
16. The Subways - Kalifornia
17. The New Odds - Breakthrough
18. Ex-Boyfriends - Special Occasion
19. The Saints - Run Down
20. Radio Birdman - Murder City Nights
21. Velvet Underground - I Heard Her Call My Name
22. Luger Boa - Please Please
23. Talking Heads - Paper
24. The Clash - Overpowered By Funk
25. Radio 4 - Too Much To Ask For

People interested in this show may want to check the comments section.

Bowie Videos:

Hang On To Yourself (Live 1972)
Suffragette City (Live 1973)
Queen Bitch (Old Grey Whistle Test 1972)
Young Americans (Live Dick Cavatt Show 1974)
Rebel Rebel
China Girl
Golden Years
Let's Dance
David Bowie with Tin Machine - Baby Universal
I'm Affraid of Americans
Never Get Old (Live German TV 2003)
David Bowie & Lou Reed - Queen Bitch & Waiting For the Man

This is Real...The Story of The Wipers...Show # 204

The Wipers were a punk band from Portland, Oregon that began playing in 1977. The band was led by Greg Sage (vocals/guitar/main song writer), with Dave Koupaul (bass), and Sam Henry on drums. The original plan was for The Wipers to record 15 LP's (or albums) in ten years without touring or promotion. Greg Sage thought that music was more of an art form than entertainment and that it was something personal for the listener rather than a product you pay for. The band did despite this fact, play live shows. When dealing with independent labels Sage realized that being involved with them involved a great deal of compromise, distorting the original vision Sage had for the band.

Their first single was titled "Better Off Dead" and was released on Sage's own label Trap Records in 1978. The Wipers first album was titled Is This Real? and it came out in 1979. When the album was originally released on Park Avenue Records they insisted that the band record it in a professional studio; It was originally recorded on a 4-track recorder in the band's rehearsal space. The album came out sounding great, but the band did not receive royalties from the album until 2001 when it was re-released after being remastered by Sage himself. The album itself contained 12 songs. "Return of the Rat" is a raging punk song, "Mystery" a pop and punk mix, "Let's Go Away" a descending sounding track, and "D-7" a song that starts off slow and picks up with lyrics reflecting darker subjects. Other great tracks include "Is This Real?", "Tragedy", and " Up Front". The album is viewed as a punk classic now, but when it was originally released it was seen as odd and not fitting in with other styles of music being made at that time.

In 1980, The Alien Boy EP was released. The song "Alien Boy" was actually the seventh track on the bands first album Is This Real? The song was inspired lyrically by American singer/song writer James Chasse. The other three tracks on the EP were actually outtakes from Is This Real? The other tracks featured on the EP were "Image of Man", "Telepathic Love", and "Voices in the Rain". In the 80's the band also developed a large following in Europe. Many of their albums and releases were bootlegged overseas and Is This Real? was released without the bands permission under different titles. It would take them over twenty years to see any money from Is This Real?

Youth of America came next in 1981. The album would feature longer songs (the song "Youth of America" is over ten minutes). The album was also recorded, produced, and engineered by Sage himself. Featuring only six tracks, the album was seen as a departure from the bands earlier sound. It was recieved well in Europe, and not in America when it was originally released. During this time the band would also get a new drummer (Brad Naish), and bassist (Brad Davidson). Over The Edge came in 1983. This album had more of a pop influence than the bands previous efforts. It also got airplay in the USA due to the fact that the band got better distribution by signing to a new record label, Restless records. The songs "Romeo" and "Over the Edge" got quite a bit of airplay on radio station's in the US.

In 1985 came the live album Wipers Live and in 1986 Land of the Lost was released; Drummer Brad Naish would leave the group in 1985 and was replaced by Steve Plouf. Follow Blind was released in 1987, followed by The Circle in 1988. The Circle was originally intended to be the final album by The Wipers. In 1989, Sage announced that following a tour the band would stop playing together. Sage moved to Phoenix, built his own studio and would release his own solo albums. In 1991, he released his second solo album Sacrifice (For Love).  This album followed his first solo album, which was released in 1985 while Sage was still with The Wipers. It was called Straight Ahead.

In 1991, The Wipers started receiving recognition from bands of the Seattle music scene, most notably Nirvana. Kurt Cobain cited The Wipers as being a big influence on the band. Cobain asked Sage to open for them on their tours on a number of occasions, but Sage did not accept the offers. Sage gave a few reasons for not opening for Nirvana. One being that he never really liked touring, another being that he did not have a bassist to learn all the songs he wanted to play. In 1993 a Wipers tribute album was released. Fourteen Songs for Greg Sage and The Wipers featured "Return of the Rat" covered by Nirvana; Nirvana also covered the song "D-7" for a BBC Session. The Wipers also influenced the likes of Mudhoney, The Melvins, and Dinosaur Jr. The Wipers released three more albums in 1993 Silver Sail, in 1996 The Herd, and in 1999 Power in One.

In 2001 Sage released a Wipers boxset on his own newly started Zeno label. The set included the first three Wipers albums (Is This Real?, Youth of America, and Over The Edge) remastered with a plethora of bonus tracks. If you are interested in The Wipers this is the best collection to get. Several Wipers albums have been re-issued without Sage's permission, but this is the ultimate collection for early Wipers material anyway. Greg Sage is a perfect example of an independent artist who had a devout underground following, but never received the proper mainstream notoriety that he deserved. He still makes albums. In 2002, he released another solo album called Electric Medicine. For more information on the band visit The Wipers Homepage or Sage's Label Zeno Records.

Play List:

1. Generation X - Wild Youth
2. Adverts - Bored Teenagers
3. Ramones - I Just Want To Have Something To Do
4. Dishrags - I Don't Love You
5. Private School - Science Fiction
6. Female Hands - Divided By Three
7. Smugglers - Revenge
8. Vibrators - London Girls
9. Alternative TV - Action Time Vision
10. The Prefects - Things in General
11. Meat Puppets - Get On Your Own (1980 Demo)
12. Buzzcocks - Promises
13. Cardboard Brains - Out Out Out
14. Spiral Scratch - Faith
15. Demics - The 400 Blows
16. Lou Reed - I'm So Free
17. Albert Hammond Jr. - The Boss Americana
18. Albert Hammond Jr. - In My Room
19. The Wipers - Mystery
20. The Wipers - Can This Be
21. The Wipers - Over The Edge
22. The Wipers - Romeo
23. The Rapture - Notes
24. Caesars - It's Not the Fall That Hurts
25. Sloan - Cheap Champagne
26. Sloan - Down in the Basement
27. Cheap Trick - Auf Wiedersehen

Related Videos:

Over The Edge (Live 1983)
Return of the Rat

Show # 203

Play List:

1. Public Image Limited - Low Life
2. Sex Pistols - Pretty Vacant
3. Pointed Sticks - What Do You Want Me To Do
4. Diodes - Blonde Fever
5. Young Canadians - I Hate Music
6. The Government - Hemingway Hated Disco Music
7. Modernettes - Little Girls
8. Young Rival - 4:15 (Demo)
9. TV Smith's Explorers - I Live for Everything
10. Klark Kent - Don't Care
11. Big Audio Dynamite - Get it All From My TV
12. Carbon/Silicon - Caesars Palace
13. Evaporators - You Got Me Into This, Now You Get Me Out!
14. The Jolts - DXM
15. Brant Bjork - Punk Rock Guilt
16. Gang of Four - Ether
17. XTC - Respectable Street
18. Arctic Monkeys - Teddy Picker
19. Death Ramps - Nettles
20. Last Shadow Puppets - Calm Like You
21. Guided By Voices - Everywhere With Helicopter
22. The Subways - Alright
23. The Subways - Strawberry Blonde
24. Dirty Pretty Things - Tired of England
25. Dirty Pretty Things - Best Face